LEADER 04178oam 22009014a 450 001 9910797513703321 005 20221022002028.0 010 $a1-4214-1911-4 035 $a(CKB)3710000000484738 035 $a(EBL)4398495 035 $a(SSID)ssj0001607908 035 $a(PQKBManifestationID)16317467 035 $a(PQKBTitleCode)TC0001607908 035 $a(PQKBWorkID)12209071 035 $a(PQKB)11218525 035 $a(Au-PeEL)EBL4398495 035 $a(CaPaEBR)ebr11161211 035 $a(OCoLC)941695867 035 $a(OCoLC)959539202 035 $a(MdBmJHUP)musev2_98241 035 $a(MiAaPQ)EBC4398495 035 $a(EXLCZ)993710000000484738 100 $a20150415d2015 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aLyric Generations$ePoetry and the Novel in the Long Eighteenth Century /$fG. Gabrielle Starr 205 $aJohns Hopkins paperback edition. 210 1$d2015.$cJohns Hopkins University Press,$aBaltimore, Maryland : 215 $a1 online resource (311 p.) 300 $aDescription based upon print version of record. 311 $a0-8018-7379-7 311 $a1-4214-1822-3 320 $aIncludes bibliographical references and index. 327 $aClarissa and the lyric -- Modes of absorption : lyric and letter in Behn, Haywood, and Pope -- Lyric tensions : sympathy, displacement, and self into the midcentury -- Rhetorical realisms : chiasmus, convention, and lyric -- The limits of lyric and the space of the novel -- The novel and the new lyricism. 330 1 $a"In Lyric Generations, G. Gabrielle Starr rejects the usual genealogy of lyric poetry in which Romantic poets are thought to have built solely and directly upon the works of Chaucer, Spenser, Shakespeare, and Milton. She argues instead the novelists such as Richardson, Haywood, Behn, and others, while drawing upon earlier lyric conventions, ushered in a new language of self-expression and community which profoundly affected the aesthetic goals of lyric poets. Examining the works of Cowper, Smith, Wordsworth, Coleridge, and Keats in light of their competitive dialogue with the novel, Starr advances a literary history that considers formal characteristics as products of historical change. In a world increasingly defined by prose, poets adapted the new forms, characters, and moral themes of the novel in order to reinvigorate poetic practice."--Jacket. 606 $aEngels$2gtt 606 $aRomans$2gtt 606 $aLyriek$2gtt 606 $aLyric poetry$2fast$3(OCoLC)fst01004373 606 $aLiterary form$2fast$3(OCoLC)fst00999924 606 $aEnglish poetry$2fast$3(OCoLC)fst00912278 606 $aEnglish fiction$2fast$3(OCoLC)fst00910817 606 $aPoesie lyrique$xHistoire et critique 606 $aGenres litteraires$xHistoire$y18e siecle 606 $aPoesie anglaise$y18e siecle$xHistoire et critique 606 $aRoman anglais$y18e siecle$xHistoire et critique 606 $aLyric poetry$xHistory and criticism 606 $aLiterary form$xHistory$y18th century 606 $aEnglish poetry$y18th century$xHistory and criticism 606 $aEnglish fiction$y18th century$xHistory and criticism 608 $aHistory. 608 $aCriticism, interpretation, etc. 615 17$aEngels. 615 17$aRomans. 615 17$aLyriek. 615 7$aLyric poetry. 615 7$aLiterary form. 615 7$aEnglish poetry. 615 7$aEnglish fiction. 615 7$aPoesie lyrique$xHistoire et critique. 615 7$aGenres litteraires$xHistoire 615 7$aPoesie anglaise$xHistoire et critique. 615 7$aRoman anglais$xHistoire et critique. 615 0$aLyric poetry$xHistory and criticism. 615 0$aLiterary form$xHistory 615 0$aEnglish poetry$xHistory and criticism. 615 0$aEnglish fiction$xHistory and criticism. 676 $a820.9/005 700 $aStarr$b G. Gabrielle$f1974-$01100999 801 0$bMdBmJHUP 801 1$bMdBmJHUP 906 $aBOOK 912 $a9910797513703321 996 $aLyric Generations$93689951 997 $aUNINA