LEADER 03750oam 2200601I 450 001 9910797493903321 005 20230807221130.0 010 $a1-315-69127-2 010 $a1-317-42962-1 010 $a1-317-42961-3 024 7 $a10.4324/9781315691275 035 $a(CKB)3710000000451248 035 $a(EBL)2127058 035 $a(SSID)ssj0001561587 035 $a(PQKBManifestationID)16203772 035 $a(PQKBTitleCode)TC0001561587 035 $a(PQKBWorkID)14832788 035 $a(PQKB)10964760 035 $a(MiAaPQ)EBC3570098 035 $a(OCoLC)958106419 035 $a(EXLCZ)993710000000451248 100 $a20180706e20151947 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 12$aA coat of many colours $eoccasional essays /$fHerbert Read 210 1$aAbingdon, Oxon :$cRoutledge,$d2015. 215 $a1 online resource (365 p.) 225 1 $aRoutledge Revivals 300 $aFirst published in 1947 by Routledge. 311 $a1-138-91369-3 311 $a1-138-91361-8 320 $aIncludes bibliographical references. 327 $aCover; Half Title; Title Page; Copyright Page; Original Title Page; Original Copyright Page; Table of Contents; 1. THE GREATEST WORK OF ART IN THE WORLD; 2. ERIC GILL; 3. KLEE; 4. LAWRENCE OF ARABIA; 5. ""THE SEVEN PILLARS OF WISDOM""; 6. ART AND THE PEOPLE; 7. HENRY JAMES; 8. ART AND WAR; 9. GEORGE HERBERT; 10. CE?ZANNE; 11. THE ""PRELUDE"" IN WARTIME; 12. BOSCH AND DALI; 13. THE PARADOX OF ANARCHISM; 14. HAVELOCK ELLIS; 15. THE FAILURE OF THE WAR BOOKS; 16. WILLIAM MORRIS; 17. BEN NICHOLSON; 18. ENGLISH PROSE; 19. HENRI ROUSSEAU; 20. THE FACULTY OF ABSTRACTION; 21. THE LAST OF THE BOHEMIANS 327 $a22. ART AND AUTARKY23. COLERIDGE; 24. VULGARITY; 25. SHELLEY; 26. PROBLEMS OF PRIMITIVE ART; 27. MILTON; 28. SICKERT; 29. FILM ĘSTHETIC; 30. JAMES JOYCE; 31. THE LANGUAGE OF THE EYE; 32. NATHANIEL HAWTHORNE; 33. GERARD MANLEY HOPKINS; 34. THE POETRY AND PROSE OF PAINTING; 35. DOCTOR FAUSTUS; 36. TOULOUSE-LAUTREC; 37. WORDSWORTH'S REMORSE; 38. REALISM AND SUPERREALISM; 39. A FURTHER NOTE ON SUPERREALISM; 40. GEORGE SAINTSBURY; 41. MAX LIEBERMANN; 42. ART AND ETHICS; 43. THE LATER YEATS; 44. SOCIALIST REALISM; 45. THE SIGNIFICANCE OF WILLIAM JAMES; 46. THE POET AND THE FILM 327 $a47. THE MESSAGE OF RUSKIN48. ETRUSCAN ART; 49. WALTER DE LA MARE; 50. JEAN HE?LION; 51. KIERKEGAARD; 52. INDIAN ART; 53. THE ARCHITECT'S PLACE IN A MODERN SOCIETY; 54. D. H. LAWRENCE; 55. MODERN CHINESE PAINTING; 56. WALTER BAGEHOT; 57. THE TRIUMPH OF PICASSO; 58. THE INTERNATIONAL SITUATION IN AMERICAN FICTION; 59. ROGER FRY; 60. RAPHAEL; 61. T. E. HULME; 62. SEURAT'S ""LA BAIGNADE""; 63. STENDHAL; 64. GEORGES ROUAULT; 65. A COMMUNITY OF INDIVIDUALS; 66. PICASSO'S ""GUERNICA""; 67. MACHINE ĘSTHETIC; 68. ANDRE? GIDE; 69. THE DUALITY OF LEONARDO; 70. THE ""AREOPAGITICA""; 71. ENVOY; NOTES 330 $a
This book, first published in 1947, is collection of critical essays by Herbert Read that had not been previously published in book form. The essays cover several different subject areas, including literature, art, architecture, and film, from a span of twenty years. This title will be of interest to a variety of readers.
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