LEADER 04706nam 2200685 450 001 9910797434303321 005 20220329181230.0 010 $a9780231850766 024 7 $a10.7312/furb17396 035 $a(CKB)3710000000458671 035 $a(EBL)1980213 035 $a(OCoLC)915745763 035 $a(SSID)ssj0001551393 035 $a(PQKBManifestationID)16169016 035 $a(PQKBTitleCode)TC0001551393 035 $a(PQKBWorkID)14812163 035 $a(PQKB)10727350 035 $a(MiAaPQ)EBC1980213 035 $a(DE-B1597)458324 035 $a(OCoLC)926883378 035 $a(OCoLC)979721319 035 $a(OCoLC)984640602 035 $a(OCoLC)987932047 035 $a(OCoLC)992471025 035 $a(OCoLC)999371620 035 $a(DE-B1597)9780231850766 035 $a(Au-PeEL)EBL1980213 035 $a(CaPaEBR)ebr11086544 035 $a(CaONFJC)MIL826510 035 $a(EXLCZ)993710000000458671 100 $a20150822h20152015 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt 182 $cc 183 $acr 200 00$aCinema of Christopher Nolan$b[electronic resource] $eimagining the impossible /$fedited by Jacqueline Furby & Stuart Joy 210 1$aLondon, [England] ;$aNew York :$cWallflower Press,$d2015. 210 4$d©2015 215 $a1 online resource (289 p.) 225 1 $aDirectors' Cuts 300 $aIncludes index. 311 $a0-231-17396-2 311 $a0-231-17397-0 327 $tFront matter --$tContents --$tAcknowledgements --$tNotes on Contributors --$tForeword: Are You Watching Closely? /$rBrooker, Will --$tIntroduction: Dreaming a Little Bigger, Darling /$rJoy, Stuart --$t1. Developing an Auteur Through Reviews: The Critical Surround of Christopher Nolan /$rHill-Parks, Erin --$t2. Cinephilia Writ Large: IMAX in Christopher Nolan's The Dark Knight and The Dark Knight Rises /$rWhitney, Allison --$t3. Nolan's Immersive Allegories of Filmmaking in Inception and The Prestige /$rOlson, Jonathan R. --$t4. Saints, Sinners and Terrorists: The Women of Christopher Nolan's Gotham /$rTaylor, Tosha --$t5. Memento's Postmodern Noir Fantasy: Place, Domesticity and Gender Identity /$rToth, Margaret A. --$t6. Men in Crisis: Christopher Nolan, Un-truths and Fictionalising Masculinity /$rDeakin, Peter --$t7. Representing Trauma: Grief, Amnesia and Traumatic Memory in Nolan's New Millennial Films /$rPheasant-Kelly, Fran --$t8. 'The dream has become their reality': Infinite Regression in Christopher Nolan's Memento and Inception /$rPerdigao, Lisa K. --$t9. Revisiting the Scene of the Crime: Insomnia and the Return of the Repressed /$rJoy, Stuart --$t10. 'You keep telling yourself what you know, but what do you believe?': Cultural Spin, Puzzle Films and Mind Games in the Cinema of Christopher Nolan /$rFhlainn, Sorcha Ní --$t11. Stumbling Over the Superhero: Christopher Nolan's Victories and Compromises /$rMcGowan, Todd --$t12. Inception's Singular Lack of Unity Among Christopher Nolan's Puzzle Films /$rKania, Andrew --$t13. Inception's Video Game Logic /$rBuckland, Warren --$t14. On the Work of the Double in Christopher Nolan's The Prestige /$rTembo, Kwasu David --$t15. No End in Sight: The Existential Temporality of Following /$rKealey, Erin --$t16. Hearing Music in Dreams - Towards the Semiotic Role of Music in Nolan's Inception /$rEngel, Felix / Wildfeuer, Janina --$t17. About Time Too: From Interstellar to Following, Christopher Nolan's Continuing Preoccupation with Time-Travel /$rFurby, Jacqueline --$tIndex 330 $aOver the past fifteen years, writer, producer and director Christopher Nolan has emerged from the margins of independent British cinema to become one of the most commercially successful directors in Hollywood. From Following (1998) to Interstellar (2014), Christopher Nolan's films explore philosophical concerns by experimenting with nonlinear storytelling while also working within classical Hollywood narrative and genre frameworks. Contextualizing and closely reading each of his films, this collection examines the director's play with memory, time, trauma, masculinity, and identity, and considers the function of music and video games and the effect of IMAX on his work. 410 0$aDirectors' cut. 606 $aMotion picture producers and directors$zGreat Britain 607 $aGreat Britain 615 0$aMotion picture producers and directors 676 $a791.430233092 702 $aFurby$b Jacqueline 702 $aJoy$b Stuart 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910797434303321 996 $aCinema of Christopher Nolan$93696760 997 $aUNINA