LEADER 04158nam 2200541 450 001 9910797414003321 005 20230807221744.0 010 $a90-04-30440-1 024 7 $a10.1163/9789004304406 035 $a(CKB)3710000000467991 035 $a(EBL)2198242 035 $a(MiAaPQ)EBC2198242 035 $a(OCoLC)921180959 035 $a(nllekb)BRILL9789004304406 035 $a(EXLCZ)993710000000467991 100 $a20170310h20152015 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 00$aSound effects $ethe object voice in fiction /$fedited by Jorge Sacido-Romero, Sylvia Mieszkowski 210 1$aLeiden, Netherlands ;$aBoston, [Massachusetts] :$cBrill Rodopi,$d2015. 210 4$dİ2015 215 $a1 online resource (359 p.) 225 1 $aDQR Studies in Literature,$x0921-2507 ;$vVolume 59 300 $aIncludes index. 311 $a90-04-30438-X 320 $aIncludes bibliographical references and index. 327 $tPreliminary Material /$rJorge Sacido-Romero and Sylvia Mieszkowski -- $tRevoicing Writing: An Introduction to Theorizing Vocality /$rJorge Sacido-Romero and Sylvia Mieszkowski -- $t?Secondary Vocality? and the Sound Defect /$rGarrett Stewart -- $tThe Object Voice in Romantic Irish Novels /$rPeter Weise -- $tPoe, Voice and the Origin of Horror Fiction /$rFred Botting -- $tDouble Voice and Extimate Singing in Trilby /$rBruce Wyse -- $tBloom?s Neume: The Object Voice in the ?Sirens? Episode in Joyce?s Ulysses /$rPhillip Mahoney -- $tFantasizing Agency and Otherness through Voice and Voicelessness in Ellison?s Invisible Man /$rNatalja Chestopalova -- $tThe Voice in Twentieth-Century English Short Fiction: E.M. Forster, V.S. Pritchett and Muriel Spark /$rJorge Sacido-Romero -- $tVoices of Terror and Horror: Towards an Acoustics of Modern Gothic /$rMatt Foley -- $tSanctuaries on Mount Penanggungan: Candi Kendalisodo, Candi Yudha, and the Panji statue from Candi Selokelir ? the climax Uncanny in Armistead Maupin?s The Night Listener /$rSylvia Mieszkowski -- $t?It?s only combinations of letters, after all, isn?t it?: The ?Voice? and Spirit Mediums in Thomas Pynchon?s Against the Day (2006) /$rAlexander Hope -- $t?Voice-Trace? in James Chapman?s How Is This Going to Continue? (2007) /$rMarcin Stawiarski -- $tNotes on Contributors /$rJorge Sacido-Romero and Sylvia Mieszkowski -- $tIndex /$rJorge Sacido-Romero and Sylvia Mieszkowski. 330 $aSound Effects combines literary criticism and psychoanalytic theory in eleven original articles which explore the potential of the object voice as an analytic tool to approach fiction. Alongside the gaze, the voice is Jacques Lacan?s original addition to the set of partial objects of classical psychoanalysis, and has only recently been theorised by Mladen Dolar in A Voice and Nothing More (2006). With notable exceptions like Garrett Stewart?s Reading Voices (1990), the sonorous element in fiction has received little scholarly attention in comparison with poetry and drama. Sound Effects is a contribution to the burgeoning field of sound studies, and sets out to fill this gap through selective readings of English and American fiction of the last two hundred years. Contributors: Fred Botting, Natalja Chestopalova, Mladen Dolar, Matt Foley, Alex Hope, Phillip Mahoney, Sylvia Mieszkowski, Jorge Sacido-Romero, Marcin Stawiarski, Garrett Stewart, Peter Weise, and Bruce Wyse. 410 0$aDQR studies in literature ;$vVolume 59. 606 $aEnglish fiction$xHistory and criticism$xTheory, etc 606 $aVoice in literature 606 $aPsychoanalysis and literature 615 0$aEnglish fiction$xHistory and criticism$xTheory, etc. 615 0$aVoice in literature. 615 0$aPsychoanalysis and literature. 676 $a823.009 702 $aSacido-Romero$b Jorge 702 $aMieszkowski$b Sylvia 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910797414003321 996 $aSound effects$93712749 997 $aUNINA