LEADER 01644nam 2200397Ia 450 001 996397461603316 005 20200824132310.0 035 $a(CKB)4940000000061289 035 $a(EEBO)2240924118 035 $a(OCoLC)ocm25474257e 035 $a(OCoLC)25474257 035 $a(EXLCZ)994940000000061289 100 $a19920313d1585 uy | 101 0 $aeng 135 $aurbn||||a|bb| 200 14$aThe choise of change$b[electronic resource] $econtaining the triplicity of diuinitie, philosophie, and poetrie short for memorie, profitable for knowledge, and necessarie for maners : whereby the learned may be confirmed, the ignorant instructed, and all men generally recreated /$fnewly set foorth by S.R., gent. and student in the Vniuersitie of Cambridge 210 $aAt London $cPrinted by Roger Warde, dwelling neere Holburne conduit, at the signe of the Talbot$d1585 215 $a[95] p 300 $aAttributed to Simon Robson by STC (2nd ed.) and NUC pre-1956 imprints. 300 $aSignatures: [A]² B-M⁴ N². 300 $aReproduction of original in the Harvard University Library. 330 $aeebo-0062 606 $aTheology$vEarly works to 1800 606 $aTheology$xHistory$y16th century 606 $aPhilosophy, Renaissance 606 $aPoetry, Modern$y15th and 16th centuries 615 0$aTheology 615 0$aTheology$xHistory 615 0$aPhilosophy, Renaissance. 615 0$aPoetry, Modern 700 $aS. R$g(Simon Robson),$fd. 1617.$01003590 801 2$bWaOLN 906 $aBOOK 912 $a996397461603316 996 $aThe choise of change$92304295 997 $aUNISA LEADER 02696nam 2200577 450 001 9910797366003321 005 20230807221137.0 010 $a90-272-6841-X 035 $a(CKB)3710000000449796 035 $a(EBL)2096333 035 $a(SSID)ssj0001517335 035 $a(PQKBManifestationID)12589720 035 $a(PQKBTitleCode)TC0001517335 035 $a(PQKBWorkID)11504119 035 $a(PQKB)10379055 035 $a(PQKBManifestationID)16040785 035 $a(PQKB)20468765 035 $a(MiAaPQ)EBC2096333 035 $a(DLC) 2015019026 035 $a(iGPub)JOBE0000191 035 $a(EXLCZ)993710000000449796 100 $a20150728h20152015 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aJamaican Creole goes Web $esociolinguistic styling and authenticity in a digital 'Yaad' /$fAndrea Moll 210 1$aAmsterdam, Netherlands ;$aPhiladelphia, Pennsylvania :$cJohn Benjamins Publishing Company,$d2015. 210 4$d2015 215 $a1 online resource (302 p.) 225 1 $aCreole Language Library,$x0920-9026 ;$vVolume 49 300 $aDescription based upon print version of record. 311 $a90-272-5273-4 320 $aIncludes bibliographical references and index. 327 $a6.1 Folk linguistic evaluation: The outsider's view 6.2 Authentication in performance ; 7. Conclusion ; Orthography as a social practice ; 'Cyber-Jamaican' as a digital ethnolinguistic repertoire ; Sociolinguistic authentication in dialect performance ; Future research ; References; Appendix; Index 330 $aLarge-scale migration after WWII and the prominence of Jamaican Creole in the media have promoted its use all around the globe. Deterritorialisation has entailed the contact-induced transformation of Jamaican Creole in diaspora communities and its adoption by 'crossers'. Taking sociolinguistic globalisation yet a step further, this monograph investigates the use of Jamaican Creole in a web discussion forum by combining quantitative and qualitative methodology in a sociolinguistic 'third wave' approach. In the absence of standardised orthography, one of the central aims of this study is to docu 410 0$aCreole language library ;$vVolume 49. 606 $aCreole$xDialect$zJamaica 606 $aWorld Wide Web$zJamaica$xLanguages 615 0$aCreole$xDialect 615 0$aWorld Wide Web$xLanguages. 676 $a427/.97292 700 $aMoll$b Andrea$01499479 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910797366003321 996 $aJamaican Creole goes Web$93725550 997 $aUNINA LEADER 06474nam 2201021 450 001 9910828109703321 005 20221215172654.0 010 $a0-520-27960-3 010 $a0-520-96039-4 024 7 $a10.1525/9780520960398 035 $a(CKB)3710000000269930 035 $a(EBL)1826903 035 $a(SSID)ssj0001455331 035 $a(PQKBManifestationID)11794706 035 $a(PQKBTitleCode)TC0001455331 035 $a(PQKBWorkID)11393919 035 $a(PQKB)11671841 035 $a(DE-B1597)518990 035 $a(OCoLC)894171695 035 $a(DE-B1597)9780520960398 035 $a(Au-PeEL)EBL1826903 035 $a(CaPaEBR)ebr10984107 035 $a(CaONFJC)MIL662175 035 $a(MiAaPQ)EBC1826903 035 $a(EXLCZ)993710000000269930 100 $a20141124h20152015 uy 0 101 0 $aeng 135 $aur|nu---|u||u 181 $ctxt 182 $cc 183 $acr 200 00$aHitchcock on Hitchcock$hVolume 2 $eselected writings and interviews /$fedited by Sidney Gottlieb 210 1$aOakland, California :$cUniversity of California Press,$d2015. 210 4$d2015 215 $a1 online resource (738 p.) 300 $aDescription based upon print version of record. 311 $a1-322-30893-4 311 $a0-520-27958-1 320 $aIncludes bibliographical references and index. 327 $tHitchcock on Hitchcock, Volume 2 --$tFront matter --$tCONTENTS --$tAcknowledgments --$tIntroduction --$tSTORIES AND SUSPENSE --$tIntroduction --$tThe Henley Telegraph Stories --$tGood-night, Nurse! (c. 1922-23) --$tHitchcock on Stories (1937) --$tLights! Action!-but Mostly Camera! (1941) --$tHitchcock, Master Maker of Mystery (1941) --$tIntroduction to Intrigue: Four Great Spy Novels of Eric Ambler (1943) --$tThe Quality of Suspense (1945) --$tThe Film Thriller (1946) --$tDeath in the Crystal Ball (1950) --$tThe Wise Man of Kumin (1951) --$tThe Chloroform Clue: My Favorite True Mystery (1953) --$t"It's the Manner of Telling": An Interview with Alfred Hitchcock (1976) --$tPURE CINEMA AND THE HITCHCOCK TOUCH --$tIntroduction --$tTitles-Artistic and Otherwise (1921) --$tHow a Talking Film Is Made (1929) --$tWhy I Make Melodramas (1937) --$tSome Thoughts on Color (1937) --$tThe "Hitch" Touch (1946) --$tEncounter with Alfred Hitchcock (1956) --$tAlfred Hitchcock Murders a Blonde (1958) --$tMy Favorite Film Character Is-ME! (1959) --$tA Lesson in PSYCHO-logy (1960) --$tRear Window (1968) --$tON DIRECTORS AND DIRECTING --$tIntroduction --$tAn Autocrat of the Film Studio (1928) --$tA New "Chair" Which a Woman Might Fill (1929) --$tA Columbus of the Screen (1931) --$tBritain Must Be Great (1932) --$tThe Man Who Knew Too Much (1956) --$tHitchcock on Truffaut (1962) --$tDeclaration of Alfred Hitchcock (1967) --$tInterview with Alfred Hitchcock (1973) --$tHITCHCOCK AT WORK --$tIntroduction --$tMaking Murder! (1930) --$tHitchcock's Notes on Stage Fright (c. 1950) --$tInterview with Alfred Hitchcock (1955) --$tAlfred Hitchcock Brings His Directing Techniques to the Medium of Television (1955) --$tHitch: I Wish I Didn't Have to Shoot the Picture (1966) --$tHITCHCOCK SPEAKS --$tIntroduction --$tHitchcock Speaking (1956) --$tWomen (1959) --$tAlfred Hitchcock Resents (1962) --$tThe Chairman of the Board (1964) --$tJohn Player Lecture (1967) --$tInterview: Alfred Hitchcock (1978) --$tSelected Bibliography --$tAcknowledgments of Permissions --$tIndex 330 $aThis second volume of Alfred Hitchcock's reflections on his life and work and the art of cinema contains material long out of print, not easily accessible, and in some cases forgotten or unknown. Edited by Sidney Gottlieb, this new collection of interviews, articles with the great director's byline, and "as-told-to" pieces provides an enlivening perspective on a career that spanned seven decades and transformed the history of cinema. In writings and interviews imbued with the same exuberance and originality that he brought to his films, Hitchcock ranges from accounts of his own life and experiences to provocative comments on filmmaking techniques and cinema in general. Wry, thoughtful, witty, and humorous-as well as brilliantly informative and insightful-this volume contains much valuable material that adds to our understanding and appreciation of a titan who decades after his death remains one of the most renowned and influential of all filmmakers. Franois Truffaut once said that Hitchcock "had given more thought to the potential of his art than any of his colleagues." This profound contemplation of his art is superbly captured in the pieces from all periods of Hitchcock's career gathered in this volume, which reveal fascinating details about how he envisioned and attempted to create a "pure cinema" that was entertaining, commercially successful, and artistically ambitious and innovative in an environment that did not always support this lofty goal. 606 $aMotion pictures$xProduction and direction 606 $aMotion pictures 610 $a20th century film history. 610 $aalfred hitchcock. 610 $aart of cinema. 610 $aart. 610 $aartists. 610 $acareer. 610 $acinema. 610 $acollection of interviews. 610 $adial m for murder. 610 $adirectors. 610 $aearly fiction. 610 $aenglish film director. 610 $aenglish producer. 610 $afilm industry. 610 $afilm. 610 $afilmmakers. 610 $afilmmaking techniques. 610 $afilmmaking. 610 $ahistory of cinema. 610 $ahitchcockian. 610 $ainfluential directors. 610 $ainnovative. 610 $ainsightful. 610 $amaster of suspense. 610 $amovies. 610 $anorth by northwest. 610 $aoriginality. 610 $apsycho. 610 $apure cinema. 610 $arear window. 610 $astrangers on a train. 610 $avertigo. 615 0$aMotion pictures$xProduction and direction. 615 0$aMotion pictures. 676 $a791.430233092 686 $aHN 4446$2rvk 700 $aHitchcock$b Alfred$f1899-1980,$4aut$4http://id.loc.gov/vocabulary/relators/aut$0465615 702 $aGottlieb$b Sidney 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910828109703321 996 $aHitchcock on Hitchcock$91382499 997 $aUNINA