LEADER 03415nam 2200493 450 001 9910797356803321 005 20230807221057.0 010 $a1-78320-371-4 035 $a(CKB)3710000000446016 035 $a(EBL)2091483 035 $a(SSID)ssj0001586372 035 $a(PQKBManifestationID)16267194 035 $a(PQKBTitleCode)TC0001586372 035 $a(PQKBWorkID)14866903 035 $a(PQKB)11157094 035 $a(MiAaPQ)EBC2091483 035 $a(EXLCZ)993710000000446016 100 $a20150727h20152015 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe visceral screen $ebetween the cinemas of John Cassavetes and David Cronenberg /$fRobert Furze ; cover designer, Stephanie Sarlos 210 1$aBristol, England ;$aChicago, Illinois :$cIntellect,$d2015. 210 4$dİ2015 215 $a1 online resource (246 p.) 300 $aDescription based upon print version of record. 311 $a1-78320-370-6 320 $aIncludes bibliographical references. 327 $aCover; Half Title; Title; Copyright; Contents; Acknowledgements; Biographical Note; Prologue; Cassavetes, Cronenberg, Barthes: A literature review; Gestation; Visceral; Hidden; The viewer; The chapters to follow: An overview; Chapter 1: The Visceral: From Adjective to Noun; Excess; Legibility; Semiology; Denotation; The visceral; Chapter 2: The Auteur and the Visceral Sense; The place of the author; The out-of-control auteur; The imperfect auteur; The auteur and the visceral sense: John Cassavetes and David Cronenberg; John Cassavetes; David Cronenberg; A few words on cult cinema 327 $aChapter 3: John Cassavetes and David Cronenberg: Lists and EmptinessCassavetes, Cronenberg and the DVD special feature; Lists; Emptiness; Semiotics or semiology?; Arbitrariness; Paradigm/syntagm; Chapter 4: Effects; Spectacle; Attractions; Digital; Horrors; Camera Lucida; Theatre; Objects; Videodrome; Faces; Limits; Love Streams; From film to video games; The Path; Digital/analogue; Reaching out, pulling away; Conclusion: The visceral 'wounds'; Chapter 5: Cities; Princes and shards: Ideology's response to the visceral; Eastern Promises; Views from bridges; No centre; Terror; Husbands; Freedom 327 $aDivisionConclusion; Appendices; Appendix A: The visceral - A relational model; Appendix B: Cassavantes and Cronenberg - An annotated filmography; Appendix C: Glossary; References; Bibliography; Filmography; Back Cover 330 $aRobert Furze argues the defining characteristic of John Cassavetes and David Cronenberg's respective approaches is that of ""visceral"" cinema, a term that illustrates the anxiety these film-makers provoke in their audiences. Cassavetes demonstrates this through disregard for plot structure and character coherence, while Cronenberg's focus is on graphic depictions of mutilation, extreme forms of bodily transformation, and violence. Cassavetes and Cronenberg are established auteurs, but the elements of their films that appear to be barriers to their artistic status, for example, slipshod method 676 $a791.4302330922 700 $aFurze$b Robert$01553723 702 $aSarlos$b Stephanie 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910797356803321 996 $aThe visceral screen$93814470 997 $aUNINA