LEADER 00932nam0-2200289 --450 001 9910524402703321 005 20220304125544.0 010 $a9781138493223 010 $a9781351028387$bebook 100 $a20220304d2020----kmuy0itay5050 ba 101 0 $aeng 102 $aGB 105 $a 001yy 200 1 $aFrom chanson de geste to epic chronicle$emedieval occitan poetry of war$fGerard Gouiran$gtranslated from the original French ed edited by Linda M. Paterson 210 $aLondon$aNew York$cRoutledge$d2020 215 $aXI, 236 p.$d24 cm 225 1 $aCollected studies series 676 $a849.09 700 1$aGouiran,$bGérard$f<1945- >$0425835 702 1$aPaterson,$bLinda M. 801 0$aIT$bUNINA$gREICAT$2UNIMARC 901 $aBK 912 $a9910524402703321 952 $a849.09 GOU 2$b2021/4256$fFLFBC 959 $aFLFBC 996 $aFrom chanson de geste to epic chronicle$92781870 997 $aUNINA LEADER 00908nam a2200265 i 4500 001 991001065319707536 005 20020507110009.0 008 970308s1969 us ||| | eng 035 $ab10168667-39ule_inst 035 $aLE00641540$9ExL 040 $aDip.to Fisica$bita 084 $a542 084 $a542'.1 084 $aQD61 100 1 $aShriver, D.F.$0462746 245 14$aThe manipulation of air-sensitive compounds /$cD.F. Shriver 260 $aNew York :$bMcGraw-Hill Book Co.,$c1969 300 $axiii, 299 p. :$bill. ;$c23 cm. 650 4$aAir-sensitive compounds 907 $a.b10168667$b21-09-06$c27-06-02 912 $a991001065319707536 945 $aLE006 54 SHR$g1$i2006000055383$lle006$o-$pE0.00$q-$rl$s- $t0$u0$v0$w0$x0$y.i10205779$z27-06-02 996 $aManipulation of air-sensitive compounds$9188357 997 $aUNISALENTO 998 $ale006$b01-01-97$cm$da $e-$feng$gus $h4$i1 LEADER 03717nam 2200589 450 001 9910797318803321 005 20170822145059.0 010 $a1-4422-2972-1 035 $a(CKB)3710000000456411 035 $a(EBL)4085878 035 $a(SSID)ssj0001532095 035 $a(PQKBManifestationID)12648474 035 $a(PQKBTitleCode)TC0001532095 035 $a(PQKBWorkID)11473721 035 $a(PQKB)10711188 035 $a(MiAaPQ)EBC4085878 035 $a(EXLCZ)993710000000456411 100 $a20160127h20152015 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aEthnomusicologizing $eessays on music in the new paradigms /$fWilliam C. Banfield 210 1$aLanham, Maryland :$cRowman & Littlefield,$d2015. 210 4$d©2015 215 $a1 online resource (447 p.) 225 1 $aAfrican American Cultural Theory and Heritage 300 $aIncludes index. 311 $a1-4422-2971-3 327 $aCONTENTS; A NOTE OF DEFINITION; PRELUDE: Keeping the Core Creative Spirit-Soul; Part I. THEORY: Aesthetic Theories, Teaching, and Approaches; CHAPTER ONE. ETHNOMUSICOLOGIZING AND CULTURAL RELEVANCY; CHAPTER TWO. ETHNOMUSICOLOGY STUDIES IN MUSIC CULTURE; CHAPTER THREE. POPULAR MUSIC CULTURE: How to Teach and Reach within Popular Music; CHAPTER FOUR. (BLACK) MUSIC MATTERS; CHAPTER FIVE. NOTES FROM CUBA: November 2012-February 2013; CHAPTER SIX. THE "I" THEORY; Photospread 1; Part II. HISTORY: Backbones and Songs; CHAPTER SEVEN. A PROGRESSIVE VIEW OF AMERICAN POPULAR MUSIC HISTORY, 1948-2014 327 $aCHAPTER EIGHT. AMERICAN MAVERICKS: InterviewCHAPTER NINE. HARLEM RENAISSANCE, 1920-1935: Artistry, Aesthetics, Politics, and Popular Culture; Photospread 2; INTERLUDES; Photospread 3; CHAPTER TEN. LETTERS; CHAPTER ELEVEN. "YOU REALLY SHOULD GIVE ME SOME MONEY"; Part III. CULTURE: New Standards, Cultural Critique; CHAPTER TWELVE. WAKE UP! WHAT TIME IS IT REALLY? WHO TURNS IT UP, DOWN, AND BACK?: Values on the Cultural Dial; CHAPTER THIRTEEN. DOES OUR MUSIC STILL BRING THE GOOD NEWS OF THE DAY?; CHAPTER FOURTEEN. ON THE CRISIS IN THE POPULAR ARTS AND SOCIETY: Steps Ahead 327 $aCHAPTER FIFTEEN. GEORGE LEWIS REVIEWCHAPTER SIXTEEN. DON'T USE THE "J-WORD": Jazz and Its Connections to Culture and Meaning; CHAPTER SEVENTEEN. CULTURE REFLECTIONS OF A CITIZEN: Can Somebody Wake Me Up?; CHAPTER EIGHTEEN. HEALING AND ESCAPE FROM ZOMBIELAND; CHAPTER NINETEEN. CRITICAL CULTURAL CONCERNS TODAY; CHAPTER TWENTY. THE SONGS WE NEED TO BE HEARING AGAIN: Music Culture and a Musician's Credo to Citizenry; Photospread 4; POSTLUDE: Afterthought on Ethnomusicologizing; ACKNOWLEDGMENTS; INDEX; ABOUT THE AUTHOR 330 $aEthnomusicologizing contains writings on contemporary music and culture studies. In this work, Banfield instructs readers in the ways by which we may better appreciate and understand creative artistry and process, and their relation to history and its meaning. 410 0$aAfrican American cultural theory and heritage. 606 $aAfrican Americans$xMusic$xHistory and criticism 606 $aPopular music$zUnited States$xHistory and criticism 606 $aJazz$xHistory and criticism 606 $aEthnomusicology 615 0$aAfrican Americans$xMusic$xHistory and criticism. 615 0$aPopular music$xHistory and criticism. 615 0$aJazz$xHistory and criticism. 615 0$aEthnomusicology. 676 $a780.89 700 $aBanfield$b William C.$f1961-$01478993 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910797318803321 996 $aEthnomusicologizing$93798419 997 $aUNINA