LEADER 03448nam 2200625 450 001 9910797256403321 005 20230807215754.0 010 $a1-78371-309-7 010 $a1-78371-308-9 035 $a(CKB)3710000000421331 035 $a(EBL)3440442 035 $a(SSID)ssj0001538742 035 $a(PQKBManifestationID)11909675 035 $a(PQKBTitleCode)TC0001538742 035 $a(PQKBWorkID)11529060 035 $a(PQKB)11624675 035 $a(MiAaPQ)EBC3440442 035 $a(MiAaPQ)EBC5390627 035 $a(Au-PeEL)EBL3440442 035 $a(CaPaEBR)ebr11062889 035 $a(CaONFJC)MIL987481 035 $a(OCoLC)912325711 035 $a(EXLCZ)993710000000421331 100 $a20150620h20152015 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aLimits to culture $eurban regeneration vs. dissident art /$fMalcolm Miles 210 1$aLondon, [England] :$cPluto Press,$d2015. 210 4$dİ2015 215 $a1 online resource (224 p.) 300 $aIncludes index. 311 $a0-7453-3434-2 311 $a0-7453-3435-0 320 $aIncludes bibliographical references and index. 327 $a1. Cultural Turns: a de-industrialised estate -- 2. Creative Clashes: aesthetics and gentrification -- 3. Colliding Values: civic hope and capital's bind -- 4. New Cool: England's new art museums -- 5. Cultural Codes: art museums and the social order -- 6. New Air: urban spaces and democratic deficits -- 7. Refusals: art and dissent in a period of neoliberalism -- 8. Limits to Culture: art after Occupy. 330 $a"How can we unmask the vested interests behind capital's 'cultural' urban agenda? Limits to Culture pits grass-roots cultural dissent against capital's continuing project of control via urban planning. Limits to Culture starts by outlining the cultural turn in urban policy which happened between the 1980s and the 2000s, in which new art museums and cultural or heritage quarters lent a creative mask to urban redevelopment. Malcolm Miles challenges the notions of the 'creative class' and 'creative city', and aligns them to gentrification and the elimination of diversity and urban dynamism. He explores the history of cultural urban policy and its antagonistic relationship to community and political art internationally -- across the UK, Europe and the US. In the 1960s creativity was identified with revolt, yet from the 1980s onwards it was subsumed in consumerism, which continued in the 1990s through cool Britannia culture and its international reflections. After the crash of 2008 money became scarcer, meaning that the illusory creative city gave way to reveal its hollow interior, through urban clearances and underdevelopment. Limits to Culture straddles the fields of cultural studies and urban geography and aims to shine a new light into some of the darker corners of the political history of both"--Provided by publisher. 606 $aCulture$xHistory 606 $aCultural pluralism$zEngland 615 0$aCulture$xHistory. 615 0$aCultural pluralism 676 $a301 686 $a3$2sdnb 686 $aLB 73000$2rvk 686 $a20.02$2bcl 700 $aMiles$b Malcolm$f1950-$0270987 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910797256403321 996 $aLimits to culture$93857404 997 $aUNINA