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200 10$aMapping Degas $ereal spaces, symbolic spaces and invented spaces in the life and work of Edgar Degas (1834-1917) /$fRoberta Crisci-Richardson
210  1$aNewcastle upon Tyne, England :$cCambridge Scholars Publishing,$d2015.
210  4$dİ2015
215   $a1 online resource (394 p.)
300   $aDescription based upon print version of record.
311   $a1-4438-7449-3 
320   $aIncludes bibliographical references and index.
327   $aTABLE OF CONTENTS; LIST OF ILLUSTRATIONS; ACKNOWLEDGEMENTS; INTRODUCTION; CHAPTER ONE; CHAPTER TWO; CHAPTER THREE; CHAPTER FOUR; CHAPTER FIVE; CHAPTER SIX; CHAPTER SEVEN; CHAPTER EIGHT; CHAPTER NINE; CHAPTER TEN; CONCLUSION; BIBLIOGRAPHY; INDEX
330   $aThe New Art History and the Impressionist canon seem to have successfully claimed Edgar Degas as a misogynist, rabid nationalist and misanthrope whose art was both masterly and experimental. By analysing Degas's approach to space and his self-fashioning attitude towards identity within the ambiguities of the political and artistic culture of nineteenth-century France, this book questions the characterisation of Degas as a right-wing Frenchman and artist, and will change the way in which Degas...
676   $a759.4
700   $aCrisci-Richardson$b Roberta$01528661
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906   $aBOOK
912   $a9910797226203321
996   $aMapping Degas$93772393
997   $aUNINA