LEADER 03199nam 2200565 450 001 9910797219303321 005 20230807220152.0 010 $a0-8093-3408-9 035 $a(CKB)3710000000439978 035 $a(EBL)2075898 035 $a(SSID)ssj0001517540 035 $a(PQKBManifestationID)11884186 035 $a(PQKBTitleCode)TC0001517540 035 $a(PQKBWorkID)11504178 035 $a(PQKB)10381410 035 $a(MiAaPQ)EBC2075898 035 $a(OCoLC)911665844 035 $a(MdBmJHUP)muse46109 035 $a(Au-PeEL)EBL2075898 035 $a(CaPaEBR)ebr11071095 035 $a(EXLCZ)993710000000439978 100 $a20150710h20152015 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aMichael Moore and the rhetoric of documentary /$fedited by Thomas W. Benson and Brian J. Snee 210 1$aCarbondale, [Illinois] :$cSouthern Illinois University Press,$d2015. 210 4$dİ2015 215 $a1 online resource (421 p.) 300 $aDescription based upon print version of record. 311 $a0-8093-3407-0 320 $aIncludes bibliographical refererences and index. 327 $aMichael Moore and the rhetoric of documentary: art, argument, affect 1 / Thomas W. Benson and Brian J. Snee -- Laughing through our tears: rhetorical tensions in Roger & me / Jennifer L. Borda -- The big one that got away / Christine Harold -- The many moods of Michael Moore: aesthetics and affect in Bowling for Columbine / Brian L. Ott and Susan A. Sci -- The conversion of Lila Lipscomb in Fahrenheit 9/11 / Thomas Rosteck and Thomas S. Frentz -- The phenomenal text of Michael Moore's Sicko / Edward Schiappa, Daniel Ladislau Horvath, and Peter B. Gregg -- The ghosts of Michael Moore's future-Past: or, the many failures of Slacker uprising / Davis W. Houck and Joseph Delbert Davenport -- "I'm sorry to see it go": nostalgic rhetoric in Michael Moore's Capitalism: a love story / Kendall R. Phillips. 330 $a Not afraid to tackle provocative topics in American culture, from gun violence and labor policies to terrorism and health care, Michael Moore has earned both applause and invective in his career as a documentarian. In such polarizing films as Bowling for Columbine, Fahrenheit 9/11, and Sicko, Moore has established a unique voice of radical nostalgia for progressivism, and in doing so has become one of the most recognized documentary filmmakers of all time. In the first in-depth study of Moore's feature-length documentary films, editors Thomas W. Benson and Brian J. Snee have gathered leading 606 $aDocumentary films$xPolitical aspects$xHistory and criticism 606 $aMotion pictures$xPolitical aspects$zUnited States 615 0$aDocumentary films$xPolitical aspects$xHistory and criticism. 615 0$aMotion pictures$xPolitical aspects 676 $a791.4302/33092 702 $aBenson$b Thomas W. 702 $aSnee$b Brian J. 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910797219303321 996 $aMichael Moore and the rhetoric of documentary$93772328 997 $aUNINA