LEADER 05001nam 2200697 450 001 9910797136203321 005 20230807215750.0 010 $a90-272-6850-9 035 $a(CKB)3710000000418214 035 $a(EBL)2059943 035 $a(SSID)ssj0001498356 035 $a(PQKBManifestationID)11874279 035 $a(PQKBTitleCode)TC0001498356 035 $a(PQKBWorkID)11505800 035 $a(PQKB)10443960 035 $a(MiAaPQ)EBC2059943 035 $a(DLC) 2015011878 035 $a(EXLCZ)993710000000418214 100 $a20150618h20152015 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aWhere do nouns come from? /$fedited by John B. Haviland, University of California, San Diego 210 1$aAmsterdam, Netherlands ;$aPhiladelphia, Pennsylvania :$cJohn Benjamins Publishing Company,$d2015. 210 4$dİ2015 215 $a1 online resource (146 p.) 225 1 $aBenjamins Current Topics,$x1874-0081 ;$vVolume 70 300 $aDescription based upon print version of record. 311 $a90-272-4258-5 320 $aIncludes bibliographical references at the end of each chapters and indexes. 327 $aWhere do nouns come from?; Editorial page; Title page; LCC data; Table of contents; Introduction; References; The noun-verb distinction in two young sign languages; Introduction; Distinguishing nouns and verbs; Ways to distinguish between nouns and verbs; Modality-specific characteristics of sign languages; Previous noun-verb studies in sign languages; Languages in our study; Methodology; Participants; Stimuli and procedure; Results; Discussion; Conclusion; References; Appendix 1; Appendix 2; Patterned iconicity in sign language lexicons; Introduction 327 $aA different notion of iconicity in sign languagesMethod; Participants; Materials; Procedure; Coding; Results; Preferential patterning in hearing non-signing gesturers; Preferential patterning in a new sign language, Al-Sayyid Bedouin Sign Language; Preferential patterning in an established sign language, American Sign Language; Preferential patterning in another established sign language, New Zealand Sign Language; Summary of results; Discussion; Conclusion; References; The emerging grammar of nouns in a first generation sign language; Words, things, and nouns; Zinacantec Family Homesign 327 $aTheoretical background: Nouns in homesignZ specifier-noun constructions; Descriptions of static scenes; Strategies of enactment; Specifier + Noun concatenations; Contrasting iconic strategies: phonological distinctions between nouns and verbs?; Handshapes and handling; Action and object in Z nouns; Inconsistent strategies; A grammaticalized locative/existential copula; From locative verb to copula?; Evidence from interaction: repair; Conclusion: A part-of-speech conspiracy?; Acknowledgements; References; How handshape type can distinguish between nouns and verbs in homesign; Methods 327 $aParticipantCoding; Coding types of handshapes; Results; Types of gestures; Types of handshapes; Handshapes in nouns vs. verbs; Discussion; Using handshape type to distinguish nouns and verbs; Situating homesign within other languages in the manual modality; Conclusion; References; Subject index; Name index 330 $aAll established languages, spoken or signed, make a distinction between nouns and verbs. Even a young sign language emerging within a family of deaf individuals has been found to mark the noun-verb distinction, and to use handshape type to do so. Here we ask whether handshape type is used to mark the noun-verb distinction in a gesture system invented by a deaf child who does not have access to a usable model of either spoken or signed language. The child produces homesigns that have linguistic structure, but receives from his hearing parents co-speech gestures that are structured differently f 410 0$aBenjamins current topics ;$vVolume 70. 606 $aSpeech and gesture$xStudy and teaching 606 $aSign language$xStudy and teaching 606 $aGesture$xPsychological aspects 606 $aGrammar, Comparative and general$xNoun 606 $aGrammar, Comparative and general$xNoun phrase 606 $aInterpersonal communication$xPsychological aspects 606 $aAnthropological linguistics 615 0$aSpeech and gesture$xStudy and teaching. 615 0$aSign language$xStudy and teaching. 615 0$aGesture$xPsychological aspects. 615 0$aGrammar, Comparative and general$xNoun. 615 0$aGrammar, Comparative and general$xNoun phrase. 615 0$aInterpersonal communication$xPsychological aspects. 615 0$aAnthropological linguistics. 676 $a419 |2 23 702 $aHaviland$b John Beard 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910797136203321 996 $aWhere do nouns come from$93863293 997 $aUNINA LEADER 04067oam 22005174a 450 001 9910131521003321 005 20241204164031.0 035 $a(CKB)3710000000499583 035 $a(SSID)ssj0001666277 035 $a(PQKBManifestationID)16455425 035 $a(PQKBTitleCode)TC0001666277 035 $a(PQKBWorkID)15000394 035 $a(PQKB)10249481 035 $a(OCoLC)1181774786 035 $a(MdBmJHUP)muse87176 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/31236 035 $a(oapen)doab31236 035 $a(EXLCZ)993710000000499583 100 $a20200729e20202015 uy 0 101 0 $aeng 135 $aurm|#||||nn|n 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aChaste Cinematics$fVictor J. Vitanza 210 $aBrooklyn, NY$cpunctum books$d2015 210 1$aBaltimore, Maryland :$cProject Muse,$d2020 210 4$dİ2020 215 $a1 online resource (xxx, 243 pages) $cillustrations; digital, PDF file(s) 300 $aBibliographic Level Mode of Issuance: Monograph 311 08$aPrint version: 0692541551 320 $aIncludes bibliographical references (pages 219-243). 327 $aPreamble. Behind the ob-scenes (or, confronting the preamble) -- Chaste cinema I? -- Chaste cinema II+? -- Chaste cinema III? -- Excursus : the assessment-test event -- Alternate endings with rebeginnings? -- Easter eggs -- Deleted scenes. 330 $aVictor J. Vitanza (author of Sexual Violence in Western Thought and Writing) continues to rethink the problem of sexual violence in cinema and how rape is often represented in "chaste" ways, in the form of a Chaste Cinematics. Vitanza continues to discuss Chaste Cinematics as participating in transdisciplinary-rhetorical traditions that establish the very foundations (groundings, points of stasis) for nation states and cultures. In this offering, however, the initial grounding for the discussions is "base materialism" (George Bataille): divine filth, the sacred and profane. It is this post-philosophical base materialism that destabilizes binaries, fixedness, and brings forth excluded thirds. Vitanza asks: why is it that a repressed third, or a third figure, returns, most strangely as a "product" of rape and torture? He works with Jean-Paul Sartre and Page duBois's suggestion that the "product" is a new "species." Always attempting unorthodox ways of approaching social problems, Vitanza organizes his table of contents as a DVD menu of "Extras" (supplements). This menu includes Alternate Endings and Easter Eggs as well as an Excursus, which invokes readers to take up the political exigency of the DVD-Book. Vitanza's first "Extra" studies a trio of films that need to be reconsidered, given what they offer as insights into Chaste Cinematics: Amadeus (a mad god), Henry Fool (a foolish god), and Multiple Maniacs (a divine god who is raped and eats excrement). The second examines Helke Sander's documentary Liberators Take Liberties, which re-thinks the rapes of German women by the Russians and Allies during the Battle of Berlin. The third rethinks Margie Strosser's video-film Rape Stories that calls for revenge. In the Alternate Endings, Vitanza rethinks the problem of reversibility in G. Noe's Irreversible. In the Easter Eggs, he considers Dominique Laporte's "the Irreparable," as the object of loss and Giorgio Agamben's "the Irreparable," as hope in what is without remedy. The result is not another film-studies book, but a new genre, a new set of rhetorics, for new ways of thinking about cinematics, perhaps postcinematics. 606 $aMotion pictures$xPhilosophy 606 $aRape in motion pictures$xHistory and criticism 615 0$aMotion pictures$xPhilosophy. 615 0$aRape in motion pictures$xHistory and criticism. 700 $aVitanza$b Victor J.$0887972 712 02$aProject Muse, 801 0$bMdBmJHUP 801 1$bMdBmJHUP 906 $aBOOK 912 $a9910131521003321 996 $aChaste cinematics$91983444 997 $aUNINA