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005 20200520144314.0
010   $a1-78320-425-7
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035   $a(MiAaPQ)EBC2091490
035   $a(Au-PeEL)EBL2091490
035   $a(CaPaEBR)ebr11077499
035   $a(CaONFJC)MIL904251
035   $a(OCoLC)914150732
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035   $a(EXLCZ)993710000000434655
100   $a20150727h20152015  uy             0
101 0 $aeng
135   $aurcnu||||||||
181   $2rdacontent
182   $2rdamedia
183   $2rdacarrier
200 10$aImmigration cinema in the new Europe /$fIsolina Ballesteros
210  1$aBristol, England ;$aChicago, Illinois :$cIntellect,$d2015.
210  4$d2015
215   $a1 online resource (284 pages) $cillustrations, photographs
300   $aIncludes index.
311   $a1-78320-411-7 
330 8 $a'Immigration Cinema in the New Europe' examines a variety of films from the early 1990s that depict and address the lives and identities of both first-generation immigrants and children of the diaspora in Europe. Whether they are authored by immigrants themselves or by white Europeans who use the resources and means of production of dominant cinema to politically engage with the immigrants' predicaments, these films, Isolina Ballesteros shows, are unmappable - a condition resulting from immigration cinema's recombination and deliberate blurring of filmic conventions pertaining to two or more genres.
606   $aEmigration and immigration in motion pictures
606   $aMotion pictures$zEurope$xHistory
606   $aImmigrants in motion pictures
615  0$aEmigration and immigration in motion pictures.
615  0$aMotion pictures$xHistory.
615  0$aImmigrants in motion pictures.
676   $a791.436552
700   $aBallesteros$b Isolina$01547975
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910797108703321
996   $aImmigration cinema in the new Europe$93804636
997   $aUNINA