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100   $a20150314h20152015  uy             0
101 0 $aeng
135   $aurcnu||||||||
181   $ctxt
182   $cc
183   $acr
200 10$aReel photos $ebalancing art and truth in contemporary film /$fWendy Sterba
210  1$aLanham, [Maryland] :$cRowman & Littlefield,$d2015.
210  4$dİ2015
215   $a1 online resource (223 p.) 
300   $aBibliographic Level Mode of Issuance: Monograph
311   $a1-336-03109-3 
311   $a1-4422-4523-9 
320   $aIncludes bibliographical references, filmography and index.
327   $aThe loss of photographic objectivity: Anonioni's Blowup -- The photograph in the inverted noir film: love crimes -- Photographic evidence and detecting truth -- Alice in furs -- Media hype and Mona Lisa -- The portrait photographer: Pecker, The governess and closer -- Change in concept, circuits and the hyperreal: papparazzi, Strange days and somebody has to shoot the picture -- Strange loops dystopian films from Invisible adversaries to Inception -- Over the edge? the photograph and The circuit -- Adorno, Benjamin and hope for the photograph, In the good night -- Filmography.
606   $aPhotography in motion pictures
615  0$aPhotography in motion pictures.
676   $a791.43/657
700   $aSterba$b Wendy$f1955-$01560788
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910797066003321
996   $aReel photos$93847893
997   $aUNINA