LEADER 02364nam 2200601 450 001 9910797060203321 005 20230807214201.0 010 $a0-8173-8816-8 035 $a(CKB)3710000000382606 035 $a(EBL)2001960 035 $a(SSID)ssj0001457347 035 $a(PQKBManifestationID)11865000 035 $a(PQKBTitleCode)TC0001457347 035 $a(PQKBWorkID)11441386 035 $a(PQKB)11206242 035 $a(MiAaPQ)EBC2001960 035 $a(OCoLC)905678253 035 $a(MdBmJHUP)muse42243 035 $a(Au-PeEL)EBL2001960 035 $a(CaPaEBR)ebr11037864 035 $a(EXLCZ)993710000000382606 100 $a20150410h20152015 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aImmersive words $emass media, visuality, and American literature, 1839-1893 /$fShelly Jarenski 210 1$aTuscaloosa, Alabama :$cThe University of Alabama Press,$d2015. 210 4$dİ2015 215 $a1 online resource (248 p.) 300 $aDescription based upon print version of record. 311 $a0-8173-1867-4 320 $aIncludes bibliographical references and index. 327 $aDisruptive aesthetics: Melville's daguerrean experiments -- Panoramic aesthetics and African American challenges -- Imagined tourism: Hawthorne's virtual Rome -- Spectacular display: the politics of exhibition aesthetics -- Coda. 330 $a
Shelly Jarenski is an assistant professor of English at the University of Michigan in Dearborn. Her articles have appeared in American Quarterly, MELUS, and the Journal of the Midwest Modern Language Association.
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