LEADER 03067nam 2200625 450 001 9910797010103321 005 20230807214523.0 010 $a0-231-85077-8 024 7 $a10.7312/maga17271 035 $a(CKB)3710000000400626 035 $a(EBL)1974608 035 $a(SSID)ssj0001536177 035 $a(PQKBManifestationID)11892336 035 $a(PQKBTitleCode)TC0001536177 035 $a(PQKBWorkID)11503964 035 $a(PQKB)11555070 035 $a(StDuBDS)EDZ0001248522 035 $a(DE-B1597)458425 035 $a(OCoLC)979721320 035 $a(DE-B1597)9780231850773 035 $a(MiAaPQ)EBC1974608 035 $a(Au-PeEL)EBL1974608 035 $a(CaPaEBR)ebr11050167 035 $a(CaONFJC)MIL779524 035 $a(OCoLC)909908063 035 $a(EXLCZ)993710000000400626 100 $a20150509h20152015 uy| 0 101 0 $aeng 135 $aurnnu---|u||u 181 $ctxt 182 $cc 183 $acr 200 10$aDocuments of Utopia $ethe politics of experimental documentary /$fPaolo Magagnoli 210 1$aLondon :$cWallflower Press,$d[2015] 210 4$d©2015 215 $a1 online resource (193 p.) 225 0 $aNonfictions 300 $aDescription based upon print version of record. 311 $a0-231-17271-0 320 $aIncludes bibliographical references and index. 327 $tFront matter --$tContents --$tAcknowledgments --$tIntroduction - Nostalgia: Pathalogical and Critical --$tChapter One. Ruins of Utopia --$tChapter Two. Reinventing Propaganda Films --$tChapter Three. Archives of Commodities --$tChapter Four. Digital Utopia in the Post-Internet Age --$tEpilogue - Utopia Now --$tBibliography --$tIndex 330 $aThis timely volume discusses the experimental documentary projects of some of the most significant artists working in the world today: Hito Steyerl, Joachim Koester, Tacita Dean, Matthew Buckingham, Zoe Leonard, Jean-Luc Moulène, Ilya and Emilia Kabakov, Jon Thomson and Alison Craighead, and Anri Sala. Their films, videos, and photographic series address failed utopian experiments and counter-hegemonic social practices. This study illustrates the political significance of these artistic practices and critically contributes to the debate on the conditions of utopian thinking in late-capitalist society, arguing that contemporary artists' interest in the past is the result of a shift within the temporal organization of the utopian imagination from its futuristic pole toward remembrance. The book therefore provides one of the first critical examinations of the recent turn toward documentary in the field of contemporary art. 410 0$aNonfictions 606 $aDocumentary films$xHistory and criticism 615 0$aDocumentary films$xHistory and criticism. 676 $a791.43611 686 $aLH 65829$2rvk 700 $aMagagnoli$b Paolo$01494121 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910797010103321 996 $aDocuments of Utopia$93717460 997 $aUNINA