LEADER 00773nam 2200277 450 001 9910406560503321 005 20210114101120.0 010 $a9788868430887 100 $a20200709d2014----u y0engy50 ba 101 0 $aita 102 $aIT 105 0 $a 00 200 1 $aAmpliare lo sguardo$egenere e teoria politica$fAnna Loretoni 210 $aRoma$cDonzelli$d2014 215 $a192 p.$d23 cm 225 $aSaggi$escienza e filosofia 610 0 $aIdentita' sessuale$aFilosofia politica 676 $a323.01$v22$zita 700 1$aLoretoni,$bAnna$0253015 912 $a9910406560503321 952 $a323.01 LOR 1$b7285$fbfs 952 $aII L 247$b2310/2020$fFSPBC 959 $aBFS 959 $aFSPBC 996 $aAmpliare lo sguardo$91076197 997 $aUNINA LEADER 05362oam 22006854a 450 001 9910796877503321 005 20230601194930.0 010 $a1-4798-4099-8 024 7 $a10.18574/9781479840991 035 $a(CKB)4100000004816903 035 $a(MiAaPQ)EBC5103967 035 $a(DE-B1597)548425 035 $a(DE-B1597)9781479840991 035 $a(OCoLC)1035390090 035 $a(MdBmJHUP)muse83488 035 $a(EXLCZ)994100000004816903 100 $a20180511d2018 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aShout to the Lord$eMaking Worship Music in Evangelical America /$fAri Y. Kelman 210 1$aNew York :$cNYU Press,$d2018. 210 3$aBaltimore, Md. :$cProject MUSE,$d2021 210 4$dİ2018. 215 $a1 online resource (172 pages) 225 0 $aNorth American religions 311 $a1-4798-4468-3 320 $aIncludes bibliographical references and index. 327 $aWhy make music? -- Making worship and music: expression, experience, and education -- Songwriting: writing songs anyone can sing -- Leading worship: making music in congregations -- Selling the spirit: making worship music in the marketplace -- Saved by songs. 330 $aHow music makes worship and how worship makes music in Evangelical churches Music is a nearly universal feature of congregational worship in American churches. Congregational singing is so ingrained in the experience of being at church that it is often misunderstood to be synonymous with worship. For those who assume responsibility for making music for congregational use, the relationship between music and worship is both promising and perilous - promise in the power of musical style and collective singing to facilitate worship, peril in the possibility that the experience of the music might eclipse the worship it was written to facilitate. As a result, those committed to making music for worship are constantly reminded of the paradox that they are writing songs for people who wish to express themselves, as directly as possible, to God. This book shines a new light on how people who make music for worship also make worship from music. Based on interviews with more than 75 songwriters, worship leaders, and music industry executives, Shout to the Lord maps the social dimensions of sacred practice, illuminating how the producers of worship music understand the role of songs as both vehicles for, and practices of, faith and identity. This book accounts for the human qualities of religious experience and the practice of worship, and it makes a compelling case for how - sometimes - faith comes by hearing.How music makes worship and how worship makes music in Evangelical churches Music is a nearly universal feature of congregational worship in American churches. Congregational singing is so ingrained in the experience of being at church that it is often misunderstood to be synonymous with worship. For those who assume responsibility for making music for congregational use, the relationship between music and worship is both promising and perilous - promise in the power of musical style and collective singing to facilitate worship, peril in the possibility that the experience of the music might eclipse the worship it was written to facilitate. As a result, those committed to making music for worship are constantly reminded of the paradox that they are writing songs for people who wish to express themselves, as directly as possible, to God. This book shines a new light on how people who make music for worship also make worship from music. Based on interviews with more than 75 songwriters, worship leaders, and music industry executives, Shout to the Lord maps the social dimensions of sacred practice, illuminating how the producers of worship music understand the role of songs as both vehicles for, and practices of, faith and identity. This book accounts for the human qualities of religious experience and the practice of worship, and it makes a compelling case for how - sometimes - faith comes by hearing. 410 0$aNorth American religions. 606 $aPublic worship$2fast$3(OCoLC)fst01083431 606 $aMusic in churches$2fast$3(OCoLC)fst01030546 606 $aEvangelicalism$2fast$3(OCoLC)fst00917002 606 $aRELIGION / Christianity / General$2bisacsh 606 $aRELIGION$xInstitutions & Organizations$2bisacsh 606 $aRELIGION$xChristian Rituals & Practice$xWorship & Liturgy$2bisacsh 606 $aEvangelicalism$zUnited States 606 $aPublic worship$zUnited States 606 $aMusic in churches$zUnited States 607 $aUnited States$2fast 615 7$aPublic worship. 615 7$aMusic in churches. 615 7$aEvangelicalism. 615 7$aRELIGION / Christianity / General 615 7$aRELIGION$xInstitutions & Organizations. 615 7$aRELIGION$xChristian Rituals & Practice$xWorship & Liturgy. 615 0$aEvangelicalism 615 0$aPublic worship 615 0$aMusic in churches 676 $a264/.20973 700 $aKelman$b Ari Y.$f1971-$01473503 801 0$bMdBmJHUP 801 1$bMdBmJHUP 906 $aBOOK 912 $a9910796877503321 996 $aShout to the Lord$93686687 997 $aUNINA