LEADER 03682nam 2200769 450 001 9910796790503321 005 20230814221550.0 010 $a90-04-35959-1 024 7 $a10.1163/9789004359598 035 $a(CKB)4100000001128328 035 $a(MiAaPQ)EBC5265011 035 $a(OCoLC)1022984066$z(OCoLC)1007033880 035 $a(nllekb)BRILL9789004359598 035 $a(EXLCZ)994100000001128328 100 $a20180212d2018 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aReframing the diplomat $eErnst van der Beugel and the Cold War Atlantic community /$fby Albertine Bloemendal 210 1$aLeiden ;$aBoston :$cBrill,$d[2018] 215 $a1 online resource (370 pages) $cillustrations, photographs 225 1 $aNew perspectives on the Cold War ;$vv. 3 311 $a90-04-35917-6 320 $aIncludes bibliographical references and index. 327 $aFront Matter -- Copyright page -- -- Acknowledgements -- List of Illustrations -- Introduction -- ?The Great Mistake of the West? -- ?Present at the Creation? -- An Atlanticist European -- Unofficial Ambassador for an Atlantic Community -- The Gaullist Challenge -- Defense, Détente and the ?Average Man? -- The Challenge of the Successor Generation -- Conclusion: A Call for a New Diplomatic History. 330 $aIn Reframing the Diplomat Albertine Bloemendal offers a unique window onto the unofficial dimension of Cold War transatlantic relations by analyzing the diplomatic role of the Dutch Atlanticist Ernst van der Beugel as a government official and as a private diplomat. After a career with the Dutch government at the frontlines of the Marshall Plan, European integration and transatlantic relations, Van der Beugel pursued a more freestyle approach to diplomacy as a private citizen, most notably through his role as Secretary-General of the illustrious Bilderberg Meetings and his ties to the European and American foreign policy establishments. This book also traces his close friendship with Henry Kissinger, which provided him with a direct line to the White House. 410 0$aNew Perspectives on the Cold War$v3. 606 $aStatesmen$zNetherlands$vBiography 606 $aDiplomats$zNetherlands$vBiography 606 $aEuropean federation 606 $aInternational relations$xHistory$y20th century 606 $aDiplomatic relations$2fast 606 $aDiplomats$2fast 606 $aEuropean federation$2fast 606 $aInternational relations$2fast 606 $aPolitics and government$2fast 606 $aStatesmen$2fast 607 $aNorth Atlantic Region$xPolitics and government 607 $aEurope$xForeign relations$zUnited States 607 $aUnited States$xForeign relations$zEurope 607 $aNetherlands$xForeign relations 607 $aEurope$2fast 607 $aNetherlands$2fast 607 $aNorth Atlantic Region$2fast 607 $aUnited States$2fast 608 $aBiography.$2fast 608 $aHistory.$2fast 615 0$aStatesmen 615 0$aDiplomats 615 0$aEuropean federation. 615 0$aInternational relations$xHistory 615 7$aDiplomatic relations. 615 7$aDiplomats. 615 7$aEuropean federation. 615 7$aInternational relations. 615 7$aPolitics and government. 615 7$aStatesmen. 676 $a327.4920092 700 $aBloemendal$b Albertine$01566276 801 0$bNL-LeKB 801 1$bNL-LeKB 906 $aBOOK 912 $a9910796790503321 996 $aReframing the diplomat$93836667 997 $aUNINA LEADER 04277nam 22007094a 450 001 9911020013503321 005 20200520144314.0 010 $a9786610198351 010 $a9781280198359 010 $a1280198354 010 $a9780470798768 010 $a0470798769 010 $a9780470774922 010 $a0470774924 010 $a9781405143646 010 $a1405143649 035 $a(CKB)1000000000342044 035 $a(EBL)233114 035 $a(OCoLC)475939757 035 $a(SSID)ssj0000105779 035 $a(PQKBManifestationID)11127975 035 $a(PQKBTitleCode)TC0000105779 035 $a(PQKBWorkID)10104815 035 $a(PQKB)10874306 035 $a(MiAaPQ)EBC233114 035 $a(Perlego)2751469 035 $a(EXLCZ)991000000000342044 100 $a20030515d2004 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aArt as performance /$fDavid Davies 210 $aMalden, MA $cBlackwell Pub.$d2004 215 $a1 online resource (292 p.) 225 1 $aNew directions in aesthetics ;$v2 300 $aDescription based upon print version of record. 311 08$a9781405116671 311 08$a1405116676 311 08$a9781405116664 311 08$a1405116668 320 $aIncludes bibliographical references (p. [266]-272) and index. 327 $aContents; Preface; 1 Introduction; 1.1 Challenges to Aesthetic Empiricism; 1.2 Methodological Interlude:The "Pragmatic Constraint " on the Ontology of Art; 2 Aesthetic Empiricism and the Philosophy of Art; 2.1 Aesthetic Empiricism; 2.2 Indirect Arguments Against Aesthetic Empiricism; 2.3 Direct Arguments Against Aesthetic Empiricism; 2.4 Drawing Ontological Conclusions from the Counter-Empiricist Arguments; 3 The Fine Structure of the Focus of Appreciation; 3.1 The Structure of the Focus of Appreciation; 3.2 Performance and Appreciation; 3.3 Ontology After Empiricism 327 $a4 The Artwork as Performance: An Argument from Artistic Intentions4.1 Overview; 4.2 The Bearing of Provenance on Work and Focus; 4.3 Artistic Intentions and the Ontology of Art; 4.4 Conclusions; 5 Provenance,Modality,and the Identity of the Artwork; 5.1 Preliminaries; 5.2 The Work-Relativity of Modality; 5.3 A Strategy for Accommodating the Work-Relativity of Modality; 5.4 Appendix:A Defense of the "Modality Principle "; 6 Artwork,Action,and Performance; 6.1 The "Action-Type Hypothesis "; 6.2 Assessing the ATH; 6.3 Currie and his Critics; 7 Art as Performance 327 $a7.1 Elaborating the Performance Theory7.2 Structure and Focus; 7.3 Heuristics and the Individuation of Artworks; 7.4 Work-Constitution and Modality on the Performance Theory; 7.5 Performances,Actions,and Doings; 8 Revisionism and Modernism Revisited; 8.1 Revisionism Revisited; 8.2 Performance and the Challenge of the Modern; 8.3 More on Forgeries; 9 Performance as Art; 9.1 Performance as Art; 9.2 Performed Works and Work-Performances; 9.3 Work-Performances and Performance-Works; 9.4 Performance-Works and Improvisation; 10 Defining "Art " as Performance,,and the Values of Art 327 $a10.1 Notes Toward a Definition of "Art "10.2 The Values of Art; 10.3 Conclusions:The Case Against Contextualism; References; Index 330 $aIn this richly argued and provocative book, David Davies elaborates and defends a broad conceptual framework for thinking about the arts that reveals important continuities and discontinuities between traditional and modern art, and between different artistic disciplines. Elaborates and defends a broad conceptual framework for thinking about the arts. Offers a provocative view about the kinds of things that artworks are and how they are to be understood. Reveals important continuities and discontinuities between traditional and modern art. Highlights cor 410 0$aNew directions in aesthetics ;$v2. 606 $aAesthetics 606 $aArt$xPhilosophy 615 0$aAesthetics. 615 0$aArt$xPhilosophy. 676 $a111/.85 700 $aDavies$b David$f1949-$0964256 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9911020013503321 996 $aArt as performance$92266775 997 $aUNINA