LEADER 03498nam 2200553 450 001 9910796786603321 005 20230814221931.0 010 $a90-04-35613-4 024 7 $a10.1163/9789004356139 035 $a(CKB)4100000002636639 035 $a(MiAaPQ)EBC5331693 035 $a(OCoLC)1030308971 035 $a(nllekb)BRILL9789004356139 035 $a(Au-PeEL)EBL5331693 035 $a(CaPaEBR)ebr11535369 035 $a(OCoLC)1030821002 035 $a(EXLCZ)994100000002636639 100 $a20180420d2018 uy 0 101 0 $ager 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$a'Ali Qoli Jebadar et l'occidentalisme safavide $eune etude sur les peintures dites farangi sazi, leurs milieux et commanditaires sous Sha?h Soleiman (1666-94) /$fpar Negar Habibi 210 1$aLeiden ;$aBoston :$cBrill,$d[2018] 210 4$d©2018 215 $a1 online resource (xiv, 207 pages) $ccolor illustrations, portraits 225 1 $aStudies in Persian Cultural History,$x2210-3554 ;$vVolume 13 300 $aUpdated version of the author's thesis (doctoral--Universite? de droit, d'e?conomie et des sciences d'Aix-Marseille, 2014) under the title: Le farangi sa?zi et les peintures de ?Ali Qoli Jeba?da?r. 311 $a90-04-35587-1 320 $aIncludes bibliographical references (pages 178-203) and index. 327 $aFront Matter -- Copyright page -- -- Remerciements -- Transcription du persan -- Liste des abréviations dans les notes -- Liste des illustrations et crédits photos -- Introduction -- ?Ali Qoli Jeb?d?r : l?artiste aux titres royaux1 -- Farangi s?zi? Une considération sur les peintures occidentalistes safavides -- L?État de Sh?h Soleim?nSh?h Soleim?n : l?historique des centres du pouvoir safavide entre 1666 et 1694 -- Le mécénat artistique à la cour de Sh?h Soleim?n : Le syncrétisme artistique des peintures de ?Ali Qoli Jeb?d?r?Ali Qoli Jeb?d?r -- Conclusion générale. 330 8 $aIn '?Ali Qoli Jebadar et l'occidentalisme Safavide' Negar Habibi provides a fresh account of the life and works of ?Ali Qoli Jebadar, a leading painter of the late Safavid period. By collecting several of the artist's paintings and signatures Habibi brings to light the diversity of 'Ali Qoli Jebadar's most important works. In addition, the volume offers us new insights into both the artistic and socio-political evolution of Iranian society in the last days of pre-modern Iran. By carefully consulting the historical sources, Negar Habibi demonstrates the possibility of a female and eunuch patronage in the seventeenth-century paintings known as farangi sazi, while suggesting the use of the term "Occidentalism" for those Safavid paintings that show some exotic and alien details of the Western world. 410 0$aStudies in Persian cultural history ;$vVolume 13. 606 $aArt patronage$zIran$xHistory$y17th century 606 $aArt and society$zIran$xHistory$y17th century 606 $aArt, Safavid$xThemes, motives 615 0$aArt patronage$xHistory 615 0$aArt and society$xHistory 615 0$aArt, Safavid$xThemes, motives. 676 $a700.961 700 $aHabibi$b Negar$f1981-$01571486 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910796786603321 996 $aAli Qoli Jebadar et l'occidentalisme safavide$93845932 997 $aUNINA