LEADER 04534nam 2200469 450 001 9910796779303321 005 20230814221843.0 010 $a90-04-36435-8 024 7 $a10.1163/9789004364356 035 $a(CKB)4100000002713066 035 $a(MiAaPQ)EBC5331660 035 $a(OCoLC)1023820949 035 $a(nllekb)BRILL9789004364356 035 $a(EXLCZ)994100000002713066 100 $a20180427d2018 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 04$aThe figure of the nymph in early modern culture /$fedited by Karl A .E. Enenkel, Anita Traninger 210 1$aLeiden ;$aBoston :$cBrill,$d[2018] 210 4$dİ2018 215 $a1 online resource (492 pages) 225 0 $aIntersections : interdisciplinary studies in early modern culture,$x1568-1181 ;$vVolume 54 311 $a90-04-35184-1 320 $aIncludes bibliographical references and index. 327 $tFront Matter -- $tCopyright page -- $tAcknowledgements -- $tNotes on the Editors -- $tNotes on the Contributors -- $tList of Illustrations -- $tIntroduction: The Figure of the Nymph in Early Modern Culture /$rAnita Traninger and Karl A.E. Enenkel -- $tNymphs between the Visual Arts and Literature -- $tPleasures of the Imagination: Narrating the Nymph, from Boccaccio to Lope De Vega /$rAnita Traninger -- $tSalmacis, Hermaphrodite, and the Inversion of Gender: Allegorical Interpretations and Pictorial Representations of an Ovidian Myth, circa 1300?1770 /$rKarl Enenkel -- $tThe Sleeping Nymph Revisited: Ekphrasis, Genius Loci and Silence /$rBarbara Baert -- $t?Who, Then, is the ?Nympha??? An Iconographic Analysis of the Figure of the Maid in the Tornabuoni Frescoes /$rAgata Anna Chrzanowska -- $tLiterary Representations -- $tLamenting, Dancing, Praising: The Multilayered Presence of Nymphs in Florentine Elegiac Poetry of the Quattrocento1 /$rChristoph Pieper -- $tAn Epiphanic Figure with the Power to Bind: Lia?s Role in Boccaccio?s Comedia delle ninfe fiorentine /$rTobias Leuker -- $tRenaissance Nymphs as Intermediaries in Early Modern German Territorial Politics /$rAndreas Keller -- $tDiscursive Sisters of the Arts, Raw Material of Inspiration: The Early Pegnitz Flower Society?s Nymphs /$rDamaris Leimgruber -- $tGarden Architecture -- $tThe Mediality of the Nymph in the Cultural Context of Pirro Visconti?s Villa at Lainate /$rMira Becker-Sawatzky -- $tNymphs Bathing in the King?s Garden: La Granja de San Ildefonso and Caserta /$rEva-Bettina Krems -- $tMusic -- $tVenez plorer ma desolation: Lamenting and Mourning Nymphs in Culture and Music around 1500 /$rWolfgang Fuhrmann -- $tThe Nymph?s Voice as an Acoustic Reflection of the Self /$rMichaela Kaufmann -- $tAetiology and Antiquarianism -- $tFounding Sisters: Nymphs and Aetiology in Humanist Latin Poetry /$rChristian Peters -- $tOur White Ladies on the Graves: Historicisations of Nymphs in Early Modern Antiquarianism /$rBernd Roling -- $tBack Matter -- $tIndex Nominum. 330 $aThroughout the early modern period, the nymph remained a powerful figure that inspired and informed the cultural imagination in many different ways. Far from being merely a symbol of the classical legacy, the nymph was invested with a surprisingly broad range of meanings. Working on the basis of these assumptions, and thus challenging Aby Warburg?s famous reflections on the nympha that both portrayed her as cultural archetype and reduced her to a marginal figure, the contributions in this volume seek to uncover the multifarious roles played by nymphs in literature, drama, music, the visual arts, garden architecture, and indeed intellectual culture tout court, and thereby explore the true significance of this well-known figure for the early modern age. Contributors: Barbara Baert, Mira Becker-Sawatzky, Agata Anna Chrzanowska, Karl Enenkel, Wolfgang Fuhrmann, Michaela Kaufmann, Andreas Keller, Eva-Bettina Krems, Damaris Leimgruber, Tobias Leuker, Christian Peters, Christoph Pieper, Bernd Roling, and Anita Traninger. 410 0$aIntersections$v54. 606 $aNymphs (Greek deities) 615 0$aNymphs (Greek deities) 676 $a700/.475 702 $aEnenkel$b K. A. E. 702 $aTraninger$b Anita 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910796779303321 996 $aThe figure of the nymph in early modern culture$93845865 997 $aUNINA