LEADER 05303nam 2200601 450 001 9910796673603321 005 20230809230458.0 010 $a3-11-038434-5 010 $a3-11-034136-0 024 7 $a10.1515/9783110341362 035 $a(CKB)3880000000025460 035 $a(MiAaPQ)EBC4749427 035 $a(DE-B1597)245671 035 $a(OCoLC)979955114 035 $a(DE-B1597)9783110341362 035 $a(Au-PeEL)EBL4749427 035 $a(CaPaEBR)ebr11347076 035 $a(CaONFJC)MIL994396 035 $a(OCoLC)974583414 035 $a(EXLCZ)993880000000025460 100 $a20170227h20172017 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aImages of the art museum $econnecting gaze and discourse in the history of museology /$feditors Eva-Maria Troelenberg and Melania Savino 210 1$aBerlin, [Germany] ;$aBoston, [Massachusetts] :$cDe Gruyter,$d2017. 210 4$d©2017 215 $a1 online resource (384 pages, 28 unnumbered pages of plates) $cillustrations (some color), photographs 225 1 $aContact Zones,$x2196-3746 ;$vVolume 3 311 $a3-11-033887-4 327 $tFrontmatter -- $tContents -- $tImages of the Art Museum. Connecting Gaze and Discourse in the History of Museology: An Introduction / $rTroelenberg, Eva-Maria -- $tMuseum Icons, Iconic Museums: (De-)Constructing the Body of Art -- $tThe Art of Civilization: Museum Enemies in the Nineteenth Century / $rGaier, Martin -- $tStefano Bardini and the Taxonomic Branding of Marketplace Style: From the Gallery of a Dealer to the Institutional Canon / $rCatterson, Lynn -- $tThe Museum Exhibited: documenta and the Museum Fridericianum1 / $rFloyd, Kathryn M. -- $tWord and Image, Institution and Audience -- $tMuseums in Print: The Interplay of Texts and Images in the Journal Museumskunde / $rMeyer, Andrea -- $tCreating the Idea of the Museum through the Pages of the Journal Mouseion / $rSavino, Melania -- $tThe Visible and Invisible: Circulating Images of the Barnes Foundation Collection / $rBoyd, Alison -- $tDouble Reflections: Art Museums and the Image of the Beholder / $rKleinbeck, Julia -- $tPolitics of the "Museal Complex" -- $tFrom a Colonial Approach to National Branding: The Evolution of the Concept of the Art Museum in Georgia / $rKoshoridze, Irina -- $tClassical Impressions, Modernist Aspirations: Shaping a Field of Contention at the South African National Gallery (1895-1947) / $rLilla, Qanita -- $tImaginaries of the Art Museum: Banaras and Aundh in Colonial India / $rMulgund, Deepti -- $tWhen El Greco (Re)Became Theotocopoulos: Policies and Political Discourse of the National Gallery of Athens / $rKatsaridou, Iro / Kontogiorgi, Anastasia -- $tBuilding Flagships: Regionalism, Place Branding, and Architecture as Image in the Gallery of Modern Art, Brisbane / $rStead, Naomi / Plaat, Deborah van der / Macarthur, John -- $tIntermedialities, Shifting Images -- $tScottie Sees Beauty: Representations of the Museum in Classic Cinema / $rSchmitz, Norbert M. -- $tThe Museum in Print: André Malraux's Musée Imaginaire and André Vigneau's Photographic Encyclopaedia of Art / $rGrasskamp, Walter -- $tThe Museum Goes Collaborative: On the Digital Escapades of an Analogue Medium / $rKohle, Hubertus -- $tMuseum as Textum: Orhan Pamuk's Museum of Innocence / $rTonbul, Zehra / Van Synghel, Koen -- $tAuthors -- $tPicture Credits -- $tPlates 330 $aBilder vom Museum 330 $aIn recent years, the emerging field of museum studies has seen rapid expansion in the critical study of museums and scholars started to question the institution and its functions. To contribute differentiated viewpoints to the currently evolving meta-discourse on the museum, this volume aims to investigate how the institution of the museum has been visualized and translated into different kinds of images and how these images have affected our perception of these institutions. In this interdisciplinary collection, scholars from a variety of academic backgrounds, including art history, heritage, museums studies and architectural history, explore a broad range of case studies stretching across the globe. The volume opens up debate about the epistemological and historiographical significance of a variety of different images and representations of the Art Museum, including the transformation or adaptation of the image of the art museum across periods and cultures. In this context, this volume aims to develop a new theoretical framework while proposing new methodological tools and resources for the analysis of museological representations on a global scale. 410 0$aContact zones (Walter de Gruyter & Co.) ;$vVolume 3. 606 $aArt museums$xPublic opinion 606 $aMuseums in art 606 $aMuseum techniques 615 0$aArt museums$xPublic opinion. 615 0$aMuseums in art. 615 0$aMuseum techniques. 676 $a708 686 $aAK 85100$2rvk 702 $aTroelenberg$b Eva-Maria 702 $aSavino$b Melania 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910796673603321 996 $aImages of the art museum$93706095 997 $aUNINA