LEADER 04001nam 2200529 450 001 9910796634603321 005 20200520144314.0 010 $a3-11-055590-5 024 7 $a10.1515/9783110556858 035 $a(CKB)4100000001044493 035 $a(MiAaPQ)EBC5150954 035 $a(DE-B1597)483654 035 $a(OCoLC)1012850207 035 $a(DE-B1597)9783110556858 035 $a(Au-PeEL)EBL5150954 035 $a(CaPaEBR)ebr11471640 035 $a(EXLCZ)994100000001044493 100 $a20171220h20172017 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 00$aNarrative(s) in conflict /$fedited by Wolfgang Mu?ller-Funk and Clemens Ruthner 210 1$aBerlin, [Germany] ;$aBoston, [Massachusetts] :$cDe Gruyter,$d2017. 210 4$dİ2017 215 $a1 online resource (235 pages) 225 1 $aCulture & Conflict ;$vVolume 10 300 $aIncludes index. 311 $a3-11-055564-6 311 $a3-11-055685-5 327 $tFrontmatter -- $tTable of Contents -- $tPreface by the Editors -- $tBroken Narratives: Modernism and the Tradition of Rupture -- $tDiscourses on the Ottomans in Old Hungarian Literature: Observations on a Volatile Image -- $tIvan Ma?urani??s The Death of Smail-aga ?engi? (1846): The Controversial Reception of an Epic Poem -- $tConflicting Narratives: Notes on the Compositional Nature of Poems in Prose -- $tConflict, Narration, and Satirical Violence in Karl Kraus? Die Fackel -- $tPeace Talks Between Image and Word: Carl Einstein?s Struggle for a Non-Totalizing Ekphrasis -- $tThe Importance of Conflict Elsewhere: Francis Stuart?s and Hugo Hamilton?s Literary Engagements with Germany and the Second World War -- $tDamaged Words and Closed Houses: Everyday World and Memory Narratives in Georges Perec -- $tThe Sovereign?s Broken Voice: On the Cinematic Politics of Representation -- $t?Hurt Identities?? The Postwar Bosnian Narrative of Self-Victimization -- $tCollateral Roadkill: The Conflicted Death of ?Central Europe? en route to Sarajevo and Brussels -- $tStories as ?Weapons of Mass Destruction?: George W. Bush?s Narratives of Crisis as Paradigm Examples of Ways of World- and Conflict-Making (and Conflict-Solving?) -- $tIndex 330 $aNarrative/s in Conflict presents the proceedings of an international workshop, held at the Trinity Long Room Hub Dublin in 2013, to a wider audience. This was a cross-disciplinary cooperation between the comparative research network 'Broken Narratives' (University of Vienna), the research strand 'Identities in Transformation' (Trinity College Dublin) and the Graduate Center for the Study of Culture at the University of Giessen. What has brought this informal network together is its credo that theories of narrative should be regarded as an integral part of cultural analysis. Choosing exemplary case studies from early Habsburg days up to the the wars and genocides of the 20th century and the post-9/11 'War on terror', our volume tries to analyze the relation between representation and conflict, i.e. between narrative constructions, social/historical processes, and cultural agon. Here it is crucial to state that narratives do not simply and passively 'mirror' conflicts as the conventional ?realistic? paradigm suggests; they rather provide a symbolic, sense-making matrix, and even a performative dimension. It even can be said that in many cases, narratives make conflicts. ????? 410 0$aCulture & conflict ;$vVolume 10. 606 $aNarration (Rhetoric) 610 $aNarrative, culture, conflict, rupture. 615 0$aNarration (Rhetoric) 676 $a808 702 $aMu?ller-Funk$b Wolfgang 702 $aRuthner$b Clemens 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910796634603321 996 $aNarrative(s) in conflict$93701697 997 $aUNINA