LEADER 04842nam 2200625 450 001 9910796634303321 005 20230814221602.0 010 $a3-11-056442-4 024 7 $a10.1515/9783110566574 035 $a(CKB)4100000001044497 035 $a(MiAaPQ)EBC5150959 035 $a(DE-B1597)488010 035 $a(OCoLC)1013819695 035 $a(DE-B1597)9783110566574 035 $a(Au-PeEL)EBL5150959 035 $a(CaPaEBR)ebr11471644 035 $a(EXLCZ)994100000001044497 100 $a20171220h20182018 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 00$aPerturbatory narration in film $enarratological studies on deception, paradox and empuzzlement /$fedited by Sabine Schlickers and Vera Toro 210 1$aBerlin, [Germany] ;$aBoston, [Massachusetts] :$cDe Gruyter,$d2018. 210 4$d©2018 215 $a1 online resource (266 pages) $cillustrations, tables 225 1 $aNarratologia ;$vBand 59 311 $a3-11-056082-8 311 $a3-11-056657-5 320 $aIncludes bibliographical references. 327 $tFrontmatter -- $tTable of Contents -- $tIntroduction / $rSchlickers, Sabine / Toro, Vera -- $tDisturbance and Perturbation in The Tracey Fragments / $rEckel, Julia -- $tA Tire Driving Crazy: Perturbatory Narration in Quentin Dupieux's Rubber / $rVeits, Andreas -- $t"I am a complex being": Filmic Puzzles in Julio Medem's Vacas and Tierra / $rToro, Vera -- $tNarrative Empuzzlement in Robert Lepage's Possible Worlds / $rBrössel, Stephan -- $tThe Intrafictional Power of Fiction: Betibú by Miguel Cohan / $rGunia, Inke -- $tSplitting and Splintering of Reality in Jaco Van Dormael's Mr. Nobody / $rOrth, Dominik -- $tSensory Representation, Perceptual Spaces, and Perturbatory Distribution of Information in Shane Carruth's Upstream Color / $rFeyersinger, Erwin -- $tComplex Narration in Film: Reflections on the Interplay of Deception, Distancing and Empuzzlement / $rBrütsch, Matthias -- $t"This is still a game, isn't it?": On the Confusing Inability to Decide Between the Fictionally Real and Virtual in David Cronenberg's eXistenZ / $rPreusser, Heinz-Peter -- $tDeceptive Continuity: Classical Editing and Nonlinear Narrative in Nicolas Roeg's Bad Timing / $rThoss, Jeff -- $tTaking Split Personalities to the Next Level: Perturbatory Narration in Enemy / $rLeiendecker, Bernd -- $tPerturbatory Spaces in David Lynch's Inland Empire / $rSchmidt, Oliver -- $tPerturbatory Narration in Mexican Film: Juegos nocturnos/Nocturnal Games, El agujero negro del sol/The Black Hole of the Sun, and El incidente/The Incident / $rSchlickers, Sabine -- $tPerturbatory Revocation: The Subtractive Cinema of Lisandro Alonso, Bruno Dumont and Béla Tarr / $rTürschmann, Jörg -- $tAbout the authors -- $tFilms cited -- $tAuthors cited 330 $aPerturbatory narration is a heuristic concept, applicable both quantitatively and qualitatively to a specific type of complex narratives for which narratology has not yet found an appropriate classification. This new term refers to complex narrative strategies that produce intentionally disturbing effects such as surprise, confusion, doubt or disappointment - effects that interrupt or suspend immersion in the aesthetic reception process. The initial task, however, is to indicate what narrative conventions are, in fact, questioned, transgressed, or given new life by perturbatory narration. The key to our modeling lies in its combination of individual procedures of narrative strategies hitherto regarded as unrelated. Their interplay has not yet attracted scholarly attention. The essays in this volume present a wide range of contemporary films from Canada, the USA, Mexico, Argentina, Spain, France and Germany. The perturbatory narration concept enables to typify and systematize moments of disruption in fictional texts, combining narrative processes of deception, paradox and/or empuzzlement and to analyse these perturbing narrative strategies in very different filmic texts. 410 0$aNarratologia ;$vBand 59. 606 $aNarration (Rhetoric) 606 $aMotion picture plays$xHistory and criticism 606 $aIncongruity in motion pictures 610 $aPerturbatory narration. 610 $adeception. 610 $afilm narratology. 610 $aparadox. 615 0$aNarration (Rhetoric) 615 0$aMotion picture plays$xHistory and criticism. 615 0$aIncongruity in motion pictures. 676 $a791.4301 686 $aGO 20800$2rvk 702 $aSchlickers$b Sabine 702 $aToro$b Vera 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910796634303321 996 $aPerturbatory narration in film$93701694 997 $aUNINA