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200 00$aReading heresy $ereligion and dissent in literature and art /$fedited by Gregory Erickson, Bernard Schweizer
210  1$aBerlin, [Germany] ;$aBoston, [Massachusetts] :$cDe Gruyter,$d2017.
210  4$d©2017
215   $a1 online resource (226 pages )
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320   $aIncludes bibliographical references at the end of each chapters and index.
327   $tFrontmatter -- $tTable of Contents -- $tPreface / $rSchweizer, Bernard -- $tIntroduction / $rErickson, Gregory / Schweizer, Bernard -- $tI. Heresy and Modern Literature -- $tHeresy and the Modernist Imagination / $rErickson, Gregory -- $t"No, I better not say it. I might get punished": Misotheism and Self-Creation in Tomás Rivera's .? And the Earth Did Not Devour Him / $rHama, Mark -- $tThe Absolute Heterodoxy of William Blake / $rAltizer, Thomas J. J. -- $tII. Medieval Heresy -- $tUnbelief and the Problem of Heresy: A Late Medieval Context / $rCalder, Natalie -- $tThe Joys of Heresy: Benefits for Women in Medieval Heretical Sects / $rGreen, Kathryn -- $tIII. Heretical Theology -- $tSaint Augustine: The Neoplatonic Father of Heretical Orthodoxy / $rHolloway, John Daniel -- $tMaking the World: Against Spirituality / $rMiller, Jordan E. -- $tThe Heresy of Humor: Theological Responses to Laughter / $rSchweizer, Bernard -- $tIV. From the Creators: The Artists' Corner -- $tThe Novelist as Heretic / $rMorrow, James -- $tBeautiful Heresy: A Visual Artist's Re-appropriation of Scripture / $rHannon, Susan -- $tPop Heresy: Songwriting at the Edge of the Speakable / $rGolden, Tasha -- $tAdapting Candide for the Stage / $rWood, Stanton -- $tEpilogue: Heretical Unmaking / $rErickson, Gregory -- $tNotes on the Contributors -- $tIndex
330   $aHeresy studies is a new interdisciplinary, supra-religious, and humanist field of study that focuses on borderlands of dogma, probes the intersections between orthodoxy and heterodoxy, and explores the realms of dissent in religion, art, and literature. Free from confessional agendas and tolerant of both religious and non-religious perspectives, heresy studies fulfill an important gap in scholarly inquiry and artistic production. Divided into four parts, the volume explores intersections between heresy and modern literature, it discusses intricacies of medieval heresies, it analyzes issues of heresy in contemporary theology, and it demonstrates how heresy operates as an artistic stimulant. Rather than treating matters of heresy, blasphemy, unbelief, dissent, and non-conformism as subjects to be shunned or naively championed, the essays in this collection chart a middle course, energized by the dynamics of heterodoxy, dissent, and provocation, yet shining a critical light on both the challenges and the revelations of disruptive kinds of thinking and acting. 
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