LEADER 04696nam 2200553 450 001 9910796629403321 005 20190826145055.0 010 $a90-04-35378-X 024 7 $a10.1163/9789004353787 035 $a(CKB)4100000001725967 035 $a(MiAaPQ)EBC5740162 035 $a(OCoLC)1013477230 035 $a(nllekb)BRILL9789004353787 035 $a(EXLCZ)994100000001725967 100 $a20171115h20182018 uy| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 04$aThe fabrication of Leonardo da Vinci's Trattato della pittura, with a scholarly edition of the editio princeps (1651) and an annotated English translation /$fby Claire Farago, Janis Bell, Carlo Vecce ; with a foreword by Martin Kemp and additional contributions by Juliana Barone [and four others] 210 1$aLeiden ;$aBoston :$cBrill,$d[2018] 210 4$d©2018 215 $a1 online resource (1,371 pages) $cillustrations 225 1 $aBrill's studies in intellectual history,$x0920-8607 ;$vVolume 263 225 1 $aBrill's studies on art, art history, and intellectual history ;$vVolume 18 311 $a90-04-35375-5 320 $aIncludes bibliographical references and index. 320 $a"Sources cited in the reader's notes": pages 1088-1124. 327 $tFront Matter -- $tCopyright page -- $tNicolas Poussin. The Israelites Gathering Manna in the Desert, 1637?1639. Oil on canvas. 149 × 200 cm. Paris, Musée du Louvre -- $tForeword /$rMartin Kemp -- $tPreface -- $tAcknowledgments -- $tList of Contributors -- $tList of Illustrations -- $tManuscript Abbreviations -- $tFrequently Cited Sources -- $tTitle page, Trattato della pittura di Lionardo da Vinci, novamente dato in luce, con la vita dell?istesso autore ?, edition R. Trichet du Fresne (Paris: Jacques Langlois, 1651). Engraving by René Lochon after Charles Errard. -- $t-- Introduction: Defining a Historical Approach to Leonardo?s Trattato della pittura /$rClaire Farago -- $tMilan -- $tBefore the Trattato: Philological Notes on the Libro di pittura in the Codex Urbinas 1270 /$rCarlo Vecce -- $tLeonardo?s Workshop Procedures and the Trattato della pittura /$rClaire Farago -- $tLeonardo?s Lost Book on Painting and Human Movements /$rMatthew Landrus -- $tUrbino -- $tOn the Origins of the Trattato and the Earliest Reception of the Libro di pittura /$rClaire Farago -- $tFlorence -- $tThe Earliest Abridged Copies of the Libro di pittura in Florence /$rAnna Sconza -- $tRome to Paris -- $tSeventeenth-Century Transformations: Cassiano dal Pozzo?s Manuscript Copy of the Abridged Libro di pittura /$rJuliana Barone -- $tThe Final Text /$rJanis Bell -- $t-- Trattato della pittura, 1651 -- $tEditorial Procedures /$rClaire Farago and Janis Bell -- $tChapters in This Treatise -- $tText of the Trattato della pittura -- $tReader?s Notes -- $tIntroduction to the Reader?s Notes /$rJanis Bell -- $tReader?s Notes by Chapter /$rJanis Bell and Claire Farago. 330 $aThe basis for our understanding of Leonardo?s theory of art was, for over 150 years, his Treatise on Painting , which was issued in 1651 in Italian and French. This present volume offers both the first scholarly edition of the Italian editio princeps as well as the first complete English translation of this seminal work. In addition, It provides a comprehensive study of the Italian first edition, documenting how each editorial campaign that lead to it produced a different understanding of the artist?s theory. What emerges is a rich cultural and textual history that foregrounds the transmission of artisanal knowledge from Leonardo?s workshop in the Duchy of Milan to Carlo Borromeo?s Milan, Cosimo I de? Medici?s Florence, Urban VIII?s Rome, and Louis XIV?s Paris. 410 0$aBrill's studies in intellectual history ;$vv. 263. 410 0$aBrill's studies in intellectual history.$pBrill's studies on art, art history, and intellectual history ;$vv. 18. 606 $aPainting$xTechnique$vEarly works to 1800 615 0$aPainting$xTechnique 676 $a709.2 701 2$aLeonardo$cda Vinci,$f1452-1519.$08319 701 2$aLeonardo$cda Vinci,$f1452-1519.$08319 702 $aFarago$b Claire J. 702 $aBell$b Janis Callen 702 $aVecce$b Carlo 702 $aKemp$b Martin 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910796629403321 996 $aThe fabrication of Leonardo da Vinci's Trattato della pittura, with a scholarly edition of the editio princeps (1651) and an annotated English translation$93701651 997 $aUNINA