LEADER 03067nam 2200577 450 001 9910796591203321 005 20230809225908.0 010 $a0-271-08076-0 010 $a0-271-08078-7 024 7 $a10.1515/9780271080789 035 $a(CKB)3840000000329116 035 $a(OCoLC)1080549900 035 $a(MdBmJHUP)muse68719 035 $a(MiAaPQ)EBC6224781 035 $a(DE-B1597)584390 035 $a(DE-B1597)9780271080789 035 $a(EXLCZ)993840000000329116 100 $a20201001d2017 uy 0 101 0 $aeng 135 $aur|||||||nn|n 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aPerforming animals $ehistory, agency, theater /$fedited by Karen Raber and Monica Mattfeld 210 1$aUniversity Park, Pennsylvania :$cPennsylvania State University Press,$d[2017] 210 4$dİ2017 215 $a1 online resource (viii, 195 pages :)$cillustrations ; 225 1 $aAnimalibus: of animals and cultures ;$vVolume 11 311 $a0-271-07834-0 320 $aIncludes bibliographical references (pages [175]-188) and index. 327 $aAnimals at the table : performing meat in early modern England and Europe / Karen Raber -- Intra-active performativity : rethinking the early modern equestrian portrait / Pia F. Cuneo -- Past performances : gleanings from the archives about early modern equine athletic performance / Richard Nash -- "I see them galloping!" : war, affect, and performing horses in Matthew Lewis's Timour the Tartar / Monica Mattfeld -- Peaceable kingdom : the place of the dog at the nativity scene / Rob Wakeman -- Performing pain : the suffering animal in early modern experiment / Sarah E. Parker -- Circus minimus : the early modern theater of insects / Jessica Wolfe -- Shakespeare's insect theater : fairy lore as Elizabethan folk entomology / Todd Andrew Borlik -- Miss Mazeppa and the horse with no name / Kari Weil -- Horses queer the stage and society of Shenandoah / Kim Marra. 330 $a"A collection of essays that explore the role of performing animals in literature, theater, art, and other media prior to the twentieth century, and discuss recent theoretical work in animal studies, materialism, and post humanism"--Provided by publisher. 410 0$aAnimalibus ;$vVolume 11. 606 $aHuman-animal relationships in the performing arts$xHistory 606 $aEquestrian drama$xHistory 606 $aAnimals in the performing arts$xHistory 606 $aAnimals as represented on the stage$xHistory 615 0$aHuman-animal relationships in the performing arts$xHistory. 615 0$aEquestrian drama$xHistory. 615 0$aAnimals in the performing arts$xHistory. 615 0$aAnimals as represented on the stage$xHistory. 676 $a791.8 702 $aRaber$b Karen$f1961- 702 $aMattfeld$b Monica$f1982- 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910796591203321 996 $aPerforming animals$93782064 997 $aUNINA LEADER 03142oam 2200481 450 001 9910816754303321 005 20170523091620.0 010 $a988-220-980-7 010 $a988-8053-78-7 035 $a(OCoLC)814551292 035 $a(MiFhGG)GVRLA07P 035 $a(EXLCZ)992550000000074550 100 $a20121023d2011 uy 0 101 0 $aeng 135 $aurun|---uuuua 181 $ctxt 182 $cc 183 $acr 200 00$aEthics in early China /$fedited by Chris Fraser, Dan Robins and Timothy O'Leary 205 $a1st edition. 210 $aHong Kong $cHong Kong University Press$dc2011 210 1$aHong Kong :$cHong Kong University Press,$d2011. 215 $a1 online resource (312 pages) 225 0 $aGale eBooks 300 $aDescription based upon print version of record. 311 $a988-8028-93-6 320 $aIncludes bibliographical references. 327 $aContents; Foreword; Preface; Contributors; Introduction; Part One: New Readings; 01:Were the Early Confucians Virtuous?; 02: Mencius as Consequentialist; 03: No Need for Hemlock; 04: Mohism and Motivation; 05: "It Goes beyond Skill"; 06: The Sounds of Zhe?ngmi?ng; 07: Embodied Wirtue, Self-Dultivation, and Ethics; Part Two: New Departures; 08: Moral Tradition Respect; 09: Piecemeal Progress; 10: Agon and He?; 11: Confucianism and Moral Intuition; 12: Chapter 38 of the Da?ode?hing as an Imaginary Genealogy of Moreals; 13: Poetic Language; 14: Da?o as Naturalistic Focus; Afterword; Index 330 $aEarly Chinese ethics has attracted increasing scholarly and social attention in recent years, as the virtue ethics movement in Western philosophy sparked renewed interest in Confucianism and Daoism. Meanwhile, intellectuals and social commentators throughout greater China have looked to the Chinese ethical tradition for resources to evaluate the role of traditional cultural values in the contemporary world. Publications on early Chinese ethics have tended to focus uncritical attention toward Confucianism, while neglecting Daoism, Mohism, and shared features of Chinese moral psychology. This book aims to rectify this imbalance with provocative interpretations of classical ethical theories including widely neglected views of the Mohists and newly reconstructed accounts of the "embodied virtue" tradition, which ties ethics to physical cultivation. The volume also addresses the broader question of the value of comparative philosophy generally and of studying early Chinese ethics in particular. The book should have a wide readership among professional scholars and graduate students in Chinese philosophy, specifically Confucian ethics, Daoist ethics, and comparative ethics. 606 $aEthics$zChina 606 $aPhilosophy, Chinese$vEarly works to 1800 615 0$aEthics 615 0$aPhilosophy, Chinese 676 $a170.931 702 $aFraser$b Chris 702 $aRobins$b Dan 702 $aO'Leary$b Timothy$f1966- 801 0$bMiFhGG 801 1$bMiFhGG 906 $aBOOK 912 $a9910816754303321 996 $aEthics in early China$94093129 997 $aUNINA LEADER 02798nam 2200469z- 450 001 9910490722403321 005 20210709 010 $a9780190078041 010 $a0190078049 035 $a(CKB)5590000000533359 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/71229 035 $a(VLeBooks)9780190078041 035 $a(oapen)doab71229 035 $a(EXLCZ)995590000000533359 100 $a20202107d2020 |y 0 101 0 $aeng 135 $aurmn|---annan 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aContentious Minds$eHow Talks and Ties Sustain Activism 210 $aNew York$cOxford University Press$d2020 215 $a1 online resource 311 08$a9780190078027 311 08$a0190078022 330 $aWhy does the mind matter for joint action? Contentious Minds is a comparative study of how cognitive and relational processes allow activists to sustain their commitment. With survey data and narratives of activists engaged in three commitment communities, the minds of activists involved in contentious politics are compared with those devoted to institutional and volunteering action. The book's main argument is that activists of one commitment community have synchronized minds concerning the aim and means of their activism as they perceive common good (aim) and politics (means) through similar cognitive lenses. The book shows the importance of direct conversational contact with individuals in bringing about this synchronization. Assessing the synchronization within communities as well as the variation between them constitutes a major purpose of this book. It shows that activists construct and enact community-specific democratic cultures, thereby entering the public sphere through collective action. The book makes three major contributions. First, it emphasizes the necessity to return the study of the mind to research on activism, Second, it calls for an integrated relational perspective that rests on the structural, instrumental, and interpretative dimensions of social networks. Finally, it advocates a substantial integration of culture in the study of social movements by effectively valuing the role of culture in shaping a person's mind. 606 $aSociety & social sciences$2bicssc 610 $aactivism 610 $acontentious politics 610 $acultural sociology 610 $amind 610 $aprotest participation 610 $asocial movement 610 $asocial networks 615 7$aSociety & social sciences 676 $a322.4019 701 $aPassy$b Florence$01279868 701 $aMonsch$b Gian-Andrea$01744252 906 $aBOOK 912 $a9910490722403321 996 $aContentious Minds$94422382 997 $aUNINA