LEADER 00900nam0-2200313---450- 001 990008848840403321 005 20090429124836.0 010 $a0-521-54343-6 035 $a000884884 035 $aFED01000884884 035 $a(Aleph)000884884FED01 035 $a000884884 100 $a20090429d2003----km-y0itay50------ba 101 0 $aeng 105 $aa-------001yy 200 1 $aRecombination in semiconductors$fPeter T. Landsberg 205 $a1st paperback ed. 2003 210 $aCambridge$cCambridge University press$d2003 215 $a595 p.$cill.$d25 cm 610 0 $aSemiconduttori$aRicombinazione 676 $a537.6'226 700 1$aLandsberg,$bPeter T.$040386 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990008848840403321 952 $a10 E I 422$bDIET 2338$fDINEL 959 $aDINEL 996 $aRecombination in semiconductors$9804572 997 $aUNINA LEADER 03806nam 2200481 450 001 9910346766803321 005 20160526154921.0 035 $a(CKB)4970000000151974 035 $a(WaSeSS)IndRDA00057111 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/44767 035 $a(EXLCZ)994970000000151974 100 $a20160526d2012 || | 101 0 $aspa 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aDerecho natural, historia y razones para actuar $ela contribucio?n de Alasdair MacIntyre al pensamiento juri?dico /$fRafael Ramis Barcelo? 210 $cUniversidad Carlos III de Madrid. Figuerola Institute of Social Science History$d2012 210 1$aMadrid :$cUniversidad Carlos III de Madrid,$d2012. 215 $a1 online resource (480 pages) 225 1 $aHistoria del Derecho 311 $a84-15455-56-9 320 $aIncludes bibliographical references. 327 $aEtapas, me?todo y problemas -- Las razones para la accio?n (1955-1970) -- La e?tica: entre la historia, la poli?tica y la ciencia -- El derecho, tras la virtud y la justicia -- Razones para actuar y derecho natural -- La historia del derecho natural: teologi?a, filosofi?a, derecho e historia -- Un dia?logo con la tesis de MacIntyre. 330 $aThis book, written by Rafael Ramis Barceló (University of Balearic Islands) aims to study orderly Alasdair MacIntyre's writings on Law. A way is proposed from the fifties until 2010. It may be interesting for moral and legal philosophers and for legal historians. It contains a set of thesis that claims for understanding the Philosophy of Law of MacIntyre it is necessary to know his philosophy of action. Following this analysis, it is studied his naturalistic turn in Ethics and its implications for the Theory of Justice and defense of Natural Law. MacIntyre defends a historicist vision of Law, according to traditions of thought, and accepting specially the custom as a legal source. Their position within the Natural Law debates differs from other opinions within the Aristotelianism and Thomism and it proposes an eclectic interpretation, although this is not without problems. = Este libro, escrito por Rafael Ramis Barceló, profesor de la Universidad de las Islas Baleares, pretende estudiar ordenadamente los escritos de Alasdair MacIntyre sobre el derecho. Puede resultar de interés para filósofos del derecho, moralistas e historiadores del derecho. Se propone un itinerario desde los años cincuenta hasta 2010. Se sostiene que para la comprensión de la filosofía del derecho de MacIntyre es necesario conocer su filosofía de la acción. Tras un análisis de ésta, se estudia su deriva naturalista en la ética, sus consecuencias en la teoría de la justicia y su defensa del derecho natural. MacIntyre defiende asimismo una visión historicista del derecho, construida a partir de tradiciones de pensamiento, en la que se valora especialmente la costumbre. Su postura en el marco del iusnaturalismo se distingue de otras corrientes en el seno del aristotelismo y del tomismo y propone una interpretación ecléctica, no exenta de problemas. 606 $aLaw$xPhilosophy 606 $aJurisprudence 606 $aNatural law$xPhilosophy 610 $aDerecho natural 610 $aCritique and interpretation 610 $aNatural law 610 $aCrítica e interpretación 615 0$aLaw$xPhilosophy. 615 0$aJurisprudence. 615 0$aNatural law$xPhilosophy. 700 $aRamis Barcelo?$b Rafael$0847286 801 0$bWaSeSS 801 1$bWaSeSS 906 $aBOOK 912 $a9910346766803321 996 $aDerecho natural, historia y razones para actuar$92230123 997 $aUNINA LEADER 04200nam 2200637 450 001 9910796511403321 005 20200520144314.0 010 $a1-4962-0487-5 010 $a1-4962-0489-1 035 $a(CKB)4100000001040411 035 $a(OCoLC)1003268986 035 $a(MdBmJHUP)muse59863 035 $a(MiAaPQ)EBC5143284 035 $a(Au-PeEL)EBL5143284 035 $a(CaPaEBR)ebr11465397 035 $a(EXLCZ)994100000001040411 100 $a20171208h20182018 uy 0 101 0 $aeng 135 $aur|||||||nn|n 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aProducing early modern London $ea comedy of urban space, 1598-1616 /$fKelly J. Stage 210 1$aLincoln, [Nebraska] ;$aLondon, [England] :$cUniversity of Nebraska Press,$d2018. 210 4$d©2018 215 $a343 pages 225 1 $aEarly Modern Cultural Studies 311 $a1-4962-0181-7 320 $aIncludes bibliographical references and index. 327 $aMachine generated contents note: List of Figures Acknowledgments Introduction 1. "Wat be dis plashe?" Estranged Spaces and Theatrical Places 2. Runaways, Madmen, and Shipwrecks: Westward, Northward, and Eastward Ho 3. Pervasive Space and Urban Tactics: Performing Resistance 4. Strange Hidden Ways: Escaping the City Epilogue Notes Bibliography Index. 330 $a"Producing Early Modern London analyzes theater's use of city spaces and places, showing how the satirical comedies of the early seventeenth century came to embody the city as the city embodied the plays"--$cProvided by publisher. 330 $a"Early seventeenth-century London playwrights used actual locations in their comedies while simultaneously exploring London as an imagined, ephemeral, urban space. Producing Early Modern London examines this tension between representing place and producing urban space. In analyzing the theater's use of city spaces and places, Kelly J. Stage shows how the satirical comedies of the early seventeenth century came to embody the city as the city embodied the plays. Stage focuses on city plays by George Chapman, Thomas Dekker, William Haughton, Ben Jonson, John Marston, Thomas Middleton, and John Webster. While the conventional labels of "city comedy" or "citizen comedy" have often been applied to these plays, she argues that London comedies defy these genre categorizations because the ruptures, expansions, conflicts, and imperfections of the expanding city became a part of their form. Rather than defining the "city comedy," comedy in this period proved to be the genre of London. As the expansion of London's social space exceeded the strict confines of the "square mile," the city burgeoned into a new metropolis. The satiric comedies of this period became, in effect, playgrounds for urban experimentation. Early seventeenth-century playwrights seized the opportunity to explore the myriad ways in which London worked, taking the expected--a romance plot, a typical father-son conflict, a cross-dressing intrigue--and turning it into a multifaceted, complex story of interaction and proximity."--$cProvided by publisher. 410 0$aEarly modern cultural studies. 606 $aEnglish drama$y17th century$xHistory and criticism 606 $aTheater$zEngland$xHistory$y17th century 606 $aPublic spaces in literature 606 $aCities and towns in literature 606 $aEnglish drama (Comedy)$xHistory and criticism 606 $aLiterature and society$zEngland$zLondon$xHistory$y17th century 607 $aLondon (England)$xIn literature 615 0$aEnglish drama$xHistory and criticism. 615 0$aTheater$xHistory 615 0$aPublic spaces in literature. 615 0$aCities and towns in literature. 615 0$aEnglish drama (Comedy)$xHistory and criticism. 615 0$aLiterature and society$xHistory 676 $a822.309358421 686 $aLIT004120$2bisacsh 700 $aStage$b Kelly J.$f1978-$01487990 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910796511403321 996 $aProducing early modern London$93708140 997 $aUNINA