LEADER 03818nam 22006855 450 001 9910796455703321 005 20230207221530.0 010 $a9781137118134 010 $a1-137-11813-X 024 7 $a10.1007/978-1-137-11813-4 035 $a(CKB)3800000000424755 035 $a(DE-He213)978-1-137-11813-4 035 $a(MiAaPQ)EBC5637428 035 $a(MiAaPQ)EBC6302897 035 $a(Au-PeEL)EBL5637428 035 $a(OCoLC)1083468196 035 $a(EXLCZ)993800000000424755 100 $a20160308d2002 u| 0 101 0 $aeng 135 $aurnn#---mamaa 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aSounding Indigenous $eAuthenticity in Bolivian Music Performance /$fby Michelle Bigenho 210 1$aNew York :$cPalgrave Macmillan US :$cImprint: Palgrave Macmillan,$d2002. 215 $a1 online resource (XIII, 289 p.) 311 1 $a0-312-23916-5 327 $aCover -- Half Title -- Title Page -- Copyright Page -- Dedication -- Talbe of Contents -- List of Figures -- Acknowledgements -- Chapter 1 Authenticity Matters -- Chapter 2 What Makes You Want to Dance -- Chapter 3 "Time!" -- Chapter 4 Indigenous Cool and the Politics of Aesthetics -- Chapter 5 The Burden and Lightness of Authenticity -- Chapter 6 Sonorous Sovereignty -- Chapter 7 The Indigenous Work and Its Authorship -- Chapter 8 Codas, Despedidas, and Kacharpayas -- Notes -- Glossary -- Works Cited -- Index. 330 $aSounding Indigenous explores the relations between music, people, and places through analysis of Bolivian music performances: by a non-governmental organization involved in musical activities, by a music performing ensemble, and by the people living in two rural areas of Potosi. Based on research conducted between 1993 and 1995, the book frames debates of Bolivian national and indigenous identities in terms of different attitudes people assume towards cultural and artistic authenticity. The book makes unique contributions through an emphasis on music as sensory experience, through its theorization of authenticity in relation to music, through its combined focus on different kinds of Bolivian music (indigenous, popular, avant-garde), through its combined focus on music performance and the Bolivian nation, and through its interpretation of local, national, and transnational fieldwork experiences. 606 $aCulture-Study and teaching 606 $aMusic 606 $aEthnology 606 $aEthnicity 606 $aAnthropology 606 $aRegional and Cultural Studies$3http://scigraph.springernature.com/things/product-market-codes/411000 606 $aMusic$3http://scigraph.springernature.com/things/product-market-codes/417000 606 $aSocial Anthropology$3http://scigraph.springernature.com/things/product-market-codes/X12030 606 $aCultural Anthropology$3http://scigraph.springernature.com/things/product-market-codes/411060 606 $aEthnicity Studies$3http://scigraph.springernature.com/things/product-market-codes/X22180 606 $aAnthropology$3http://scigraph.springernature.com/things/product-market-codes/X12000 615 0$aCulture-Study and teaching. 615 0$aMusic. 615 0$aEthnology. 615 0$aEthnicity. 615 0$aAnthropology. 615 14$aRegional and Cultural Studies. 615 24$aMusic. 615 24$aSocial Anthropology. 615 24$aCultural Anthropology. 615 24$aEthnicity Studies. 615 24$aAnthropology. 676 $a306.091 700 $aBigenho$b Michelle$4aut$4http://id.loc.gov/vocabulary/relators/aut$01489185 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910796455703321 996 $aSounding Indigenous$93709788 997 $aUNINA LEADER 03762nam 22007211 450 001 9910781455703321 005 20200513105437.0 010 $a0-7556-2523-4 010 $a1-283-15222-3 010 $a9786613152220 010 $a0-85771-931-9 024 7 $a10.5040/9780755625239 035 $a(CKB)2550000000040975 035 $a(EBL)738296 035 $a(OCoLC)740448180 035 $a(SSID)ssj0000990367 035 $a(PQKBManifestationID)11619675 035 $a(PQKBTitleCode)TC0000990367 035 $a(PQKBWorkID)10981281 035 $a(PQKB)11289064 035 $a(MiAaPQ)EBC738296 035 $a(Au-PeEL)EBL738296 035 $a(CaPaEBR)ebr10480612 035 $a(CaONFJC)MIL315222 035 $a(OCoLC)1160035482 035 $a(UtOrBLW)bpp09265873 035 $a(EXLCZ)992550000000040975 100 $a20200605d2011 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe art of the body $eantiquity and its legacy /$fby Michael Squire 205 $aFirst edition. 210 1$aLondon :$cI.B. Tauris,$d2011. 215 $a1 online resource (257 p.) 225 1 $aAncients and moderns 300 $aDescription based upon print version of record. 311 $a1-84511-931-2 311 $a1-84511-930-4 320 $aIncludes bibliographical references and index. 327 $aEmbodying the classical -- Figuring what comes naturally? Writing the 'art history' of the body -- The ancient female nude (and other modern fictions) -- Stripping down and undressing up -- On gods made men made images. 330 $a"The art of the human body is arguably the most important and wide-ranging legacy bequeathed to us by Classical antiquity. Not only has it directed the course of western image-making, it has shaped our collective cultural imaginary - as ideal, antitype, and point of departure. This book is the first concerted attempt to grapple with that legacy: it explores the complex relationship between Graeco-Roman images of the body and subsequent western engagements with them, from the Byzantine icon to Venice Beach (and back again). Instead of approaching his material chronologically, Michael Squire faces up to its inherent modernity. Writing in a lively and accessible style, and supplementing his text with a rich array of pictures, he shows how Graeco-Roman images inhabit our world as if they were our own. The Art of the Body offers a series of comparative and thematic accounts, demonstrating the range of cultural ideas and anxieties that were explored through the figure of the body both in antiquity and in the various cultural landscapes that came afterwards. If we only strip down our aesthetic investment in the corpus of Graeco-Roman imagery, Squire argues, this material can shed light on both ancient and modern thinking. The result is a stimulating process of mutual illumination - and an exhilarating new approach to Classical art history."--Bloomsbury Publishing. 410 0$aAncients and moderns series. 606 $aArt and society 606 $aArt, Classical 606 $aCivilization, Modern 606 $aHuman beings in art$xPsychological aspects 606 $aHistory of art: ancient & classical art,BCE to c 500 CE$2BIC 615 0$aArt and society. 615 0$aArt, Classical. 615 0$aCivilization, Modern. 615 0$aHuman beings in art$xPsychological aspects. 615 7$aHistory of art: ancient & classical art,BCE to c 500 CE. 676 $a704.9/42 700 $aSquire$b Michael$0473630 801 0$bUtOrBLW 801 1$bUtOrBLW 906 $aBOOK 912 $a9910781455703321 996 $aThe art of the body$93716601 997 $aUNINA LEADER 03527nam 2200625 a 450 001 9910781138103321 005 20100528142151.0 010 $a979-84-00-66648-3 010 $a1-282-96357-0 010 $a9786612963575 010 $a0-313-35972-5 024 7 $a10.5040/9798400666483 035 $a(OCoLC)701796537 035 $a(MiFhGG)GVRL4ESV 035 $a(MiAaPQ)EBC678371 035 $a(OCoLC)320193377 035 $a(DLC)BP9798400666483BC 035 $a(EXLCZ)992550000000019822 100 $a20100312e20102024 uy 0 101 0 $aeng 135 $aurun|---uuuua 181 $ctxt 182 $cc 183 $acr 200 10$aHot spot $eSub-Saharan Africa /$fToyin Falola and Adebayo O. Oyebade 210 1$aSanta Barbara, Calif. :$cGreenwood,$dc2010. 210 2$aNew York :$cBloomsbury Publishing (US),$d2024. 215 $a1 online resource (xxiii, 200 pages) $cmaps 225 1 $aHot spot histories 300 $aDescription based on print version record. 311 $a0-313-35971-7 320 $aIncludes bibliographical references and index. 327 $a""Brief Historical Overview""""Ethnicity, Politics, and Conflict""; ""The Military in Politics""; ""Minority Uprising and Communal Violence""; ""The Crisis of Governance""; ""Chapter 4: Southern Africa""; ""Southern Africa and Conflict in Historical Perspective""; ""White Minority Regimes and Liberation Struggle: Rhodesia and South West Africa""; ""Racial Oppression and Violent Resistance in South Africa""; ""Civil Wars in Angola and Mozambique""; ""The Cold War, South Africa, and Regional Conflict""; ""Chapter 5: East Africa and the Great Lakes Region""; ""Ethiopiaa???s Wars and Red Terror"" 327 $a""Eritrea""""Somalia: A Failed State""; ""Piracy in the Horn""; ""Civil Wars in Sudan""; ""Terrorism""; ""Uganda""; ""Conflicts in the Great Lakes: Rwanda, Burundi, and Democratic Republic of Congo""; ""Appendix: Independence Dates for African States""; ""Selected Bibliography""; ""Index""; ""A""; ""B""; ""C""; ""D""; ""E""; ""F""; ""G""; ""H""; ""I""; ""J""; ""K""; ""L""; ""M""; ""N""; ""O""; ""P""; ""Q""; ""R""; ""S""; ""T""; ""U""; ""W""; ""X""; ""Y""; ""Z"" 330 $a Conflict has been a critical factor in the making of contemporary Africa, and its study is key to understanding the continent's tortuous history. Hot Spot: Sub-Saharan Africa analyzes the area's major, post-independence conflicts intense enough to threaten national, regional, or international security. This work defines conflict broadly to encompass political instability and state failure, ethno-religious tensions, government and political corruption, economic mismanagement and poverty, cult violence, and youth gangsterism. Thematically organized chapters examine the origins and developmen 410 0$aHot spot histories. 606 $aEthnic conflict$zAfrica, Sub-Saharan 606 $aPolitical stability$zAfrica, Sub-Saharan 606 $aPolitical violence$zAfrica, Sub-Saharan 606 $aPolitical violence$zAfrica, Sub-Saharan 607 $aAfrica, Sub-Saharan$xPolitics and government 615 0$aEthnic conflict 615 0$aPolitical stability 615 0$aPolitical violence 615 0$aPolitical violence 676 $a967.03/2 700 $aFalola$b Toyin$0661412 701 $aOyebade$b Adebayo$01586717 801 0$bDLC 801 1$bDLC 801 2$bDLC 906 $aBOOK 912 $a9910781138103321 996 $aHot spot$93873548 997 $aUNINA