LEADER 03642nam 2200541 450 001 9910796076903321 005 20240112051724.0 010 $a9781503633957$b(electronic bk.) 010 $z9781503633940 024 7 $a10.1515/9781503633957 035 $a(MiAaPQ)EBC30174239 035 $a(Au-PeEL)EBL30174239 035 $a(CKB)24995994400041 035 $a(DE-B1597)642274 035 $a(DE-B1597)9781503633957 035 $a(OCoLC)1349277592 035 $a(EXLCZ)9924995994400041 100 $a20240112d2023 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 14$aThe Romantic rhetoric of accumulation /$fLenora Hanson 205 $aFirst edition. 210 1$aStanford, California :$cStanford University Press,$d[2023] 210 4$dİ2023 215 $a1 online resource (279 pages) 311 08$aPrint version: Hanson, Lenora The Romantic Rhetoric of Accumulation Hanover : Stanford University Press,c2022 9781503633940 320 $aIncludes bibliographical references and index. 327 $aIntro -- Title Page -- Copyright -- Contents -- Acknowledgments -- Introduction: The Romantic Rhetoric of Accumulation -- 1. Apostrophe and Riot -- 2. Anachronism, Dreams, and Enclosure -- 3. Tautology, Witchcraft, and a Thingly Commons -- 4. Figure, Space, and Race between 1769 and 1985 -- Coda: Rhetorical Reading toward a Global Romanticism -- Notes -- Bibliography -- Index. 330 $aThe Romantic Rhetoric of Accumulation provides an account of the long arc of dispossession from the British Romantic period to today. Lenora Hanson glimpses histories of subsistence (such as reproductive labor, vagrancy and criminality, and unwaged labor) as figural ways of living that are superfluous?simultaneously more than enough to live and less than what is necessary for capitalism. Hanson treats rhetorical language as an archive of capital's accumulation through dispossession, in works by S.T. Coleridge, Edmund Burke, Mary Robinson, William Wordsworth, Benjamin Moseley, Joseph Priestley, and Alexander von Humboldt, as well as in contemporary film and critical theory. Reading riots through apostrophe, enclosure through anachronism, superstition and witchcraft through tautology, and the paradoxical coincidence of subsistence living with industrialization, Hanson shows the figural to be a material record of the survival of non-capitalist forms of life within capitalism. But this survival is not always-already resistant to capitalism, nor are the origins of capital accumulation confined to the Romantic past. Hanson reveals rhetorical figure as entwined in deeply ambivalent ways with the circuitous, ongoing process of dispossession. Reading both historically and rhetorically, Hanson argues that rhetorical language records histories of dispossession and the racialized, gendered distribution of the labor of subsistence. Romanticism, they show, is more contemporary than ever. 606 $aEnglish literature$y18th century$xHistory and criticism 606 $aCapitalism in literature 606 $aDiscourse analysis, Literary 606 $aRomanticism$zGreat Britain 615 0$aEnglish literature$xHistory and criticism. 615 0$aCapitalism in literature. 615 0$aDiscourse analysis, Literary. 615 0$aRomanticism 676 $a820.93553 700 $aHanson$b Lenora$01484950 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 912 $a9910796076903321 996 $aThe Romantic rhetoric of accumulation$93703820 997 $aUNINA