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101 0 $aeng
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181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 00$aPlace matters $ecritical topographies in word and image /$fedited by Jonathan Bordo, Blake Fitzpatrick, and W. J. T. Mitchell
205   $a1st ed.
210  1$aMontreal, Quebec :$cMcGill-Queen's University Press,$d[2022]
210  4$d©2022
215   $a1 online resource (393 pages)
300   $aIncludes index.
311 08$aPrint version: Bordo, Jonathan Place Matters Montreal : McGill-Queen's University Press,c2022 9780228013914 
327   $aCover -- PLACE MATTERS -- Title -- Copyright -- Dedication -- Contents -- Artist contributions -- Figures -- Acknowledgments -- Prologue: RE: PLACE -- Introduction -- Landscape, Art, and Ecology -- 1 From Nature? The Critical Landscapes of Poussin and Cézanne -- 2 Newfoundland Painting and the Metaphysics of Light -- The Quiet Zone and the Myth of the Virtual | colour section 1 -- 3 Placing Here: Finlay, Fulton, and Skelton and the Formation of the British School of Aesthetic Chorography -- 4 The "Art of Walking" according to the Puritans -- The Hamish Fulton Album -- 5 Fulton's Walks: Between Documentation and Experience -- 6 Hamish Fulton Interview -- 7 Walking with Hamish Fulton into the Vanishing Point vers le Canada -- Walk Texts | colour section 1 -- The Anthropocene, Ruins, and Nuclear Exposure -- 8 Placing the Anthropocene -- The Anthropocene Project | colour section 1 -- 9 A Haunt of Jackals: Towards a Critical Topography of Ruins -- The Chornobyl Exclusion Zone | colour section 1 -- Rooting in the Ashes | colour section 1 -- X Marks the Spot | colour section 1 -- Borders and Trauma -- 10 Conversations on Walls -- The Olive Tree, the Land, and the Palestinian Struggle against Settler Colonialism | colour section 1 -- Crossing | colour section 1 -- 11 Manto's Madmen: Partition and Psychoanalytic Displacement in "Toba Tek Singh" -- Memory and the Keeping Place -- 12 The Darkest Tapestry: Indian Residential School Memorialization and the Model for a "Keeping Place" in the Qu'Appelle Valley -- Pole Positions under Vancouver's Burrard Bridge: Exposure and Intersection on Indigenous Land in Bell Tower of False Creek | colour section 1 -- 13 The Community for Which the Land Longs: Cape Town's District Six Museum -- 14 Ai Weiwei's Memory Work at Lesbos, Greece -- Geopoetics.
327   $a15 The Messon of the Island of Lesbos: Toponym as Evidence in the History of Ideas, or Introduction to Ten Poems from The Name of Sappho's Daughter -- Epilogue: Announcing the Disaster -- Postscript -- Contributors -- Index.
330   $aBordo and Fitzpatrick coin the term critical topography to describe how thought and symbolic forms invent place through text and image. International in scope, Canadian in spirit, and grounded in singular sites, Place Matters presents critical topography as an approach to analyze, interpret, and reflect on place.
606   $aGeocriticism
606   $aLandscapes in art
606   $aPlace (Philosophy) in art
610   $aAi Wei Wei.
610   $aAlbert Camus.
610   $aAnthropocene.
610   $aArcadia.
610   $aAtomic Photographers Guild.
610   $aAyuituq National Park.
610   $aBarthes.
610   $aBerlin.
610   $aBrewery Pond.
610   $aCOVID 19.
610   $aCanada.
610   $aCape Town.
610   $aCezanne.
610   $aChamolangma.
610   $aChernobyl.
610   $aChicago.
610   $aColonus.
610   $aDaiesh Refugee Camp.
610   $aDavid McMillan.
610   $aDistrict Six Museum.
610   $aDonetsk airport.
610   $aEdward Burtynsky.
610   $aEverest.
610   $aGroup Seven.
610   $aHamish Fulton.
610   $aHenry David Thoreau.
610   $aHiroshima.
610   $aIndian Residential School.
610   $aIndigenous.
610   $aJesper Svenbro.
610   $aLa Peste.
610   $aLesbos.
610   $aManto.
610   $aMargaret Olin.
610   $aMark Ruwedel.
610   $aMaurice Blanchot.
610   $aMax Avdeev.
610   $aMichel Foucault.
610   $aMont St Victoire.
610   $aMount Kailash.
610   $aNagasaki.
610   $aNational Socialism.
610   $aNepal.
610   $aNewfoundland.
610   $aNora.
610   $aNunavut.
610   $aPalestine.
610   $aPangnirtung.
610   $aPaul Duro.
610   $aPeter van Wyck.
610   $aPort Hope.
610   $aPoussin.
610   $aQuAppelle Valley.
610   $aRaymond Williams.
610   $aRichard Long.
610   $aRobert del Tredici.
610   $aSaskatchewan.
610   $aSebald.
610   $aSophocles.
610   $aTibet.
610   $aWalden.
610   $aWalter Benjamin.
610   $aX marks spot.
610   $aaesthetic.
610   $aart.
610   $aaura.
610   $achorography.
610   $acivic witness.
610   $acolonialism.
610   $acritical topography.
610   $adisaster.
610   $adocument.
610   $aimitation.
610   $ainscription.
610   $akeeping place.
610   $alandscape testimony.
610   $alieu de memoire.
610   $amodernity.
610   $apainting.
610   $aphotographs.
610   $apictures.
610   $aplace.
610   $apunctum.
610   $aruins.
610   $asublime.
610   $aterra nullius.
610   $atopos.
610   $atrauma.
610   $awalls.
610   $awilderness.
615  0$aGeocriticism.
615  0$aLandscapes in art.
615  0$aPlace (Philosophy) in art.
676   $a801.95092
686   $acci1icc$2lacc
702   $aBordo$b Jonathan
702   $aFitzpatrick$b Blake$f1955-
702   $aMitchell$b W. J. T.
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
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