LEADER 02959nam 2200589 450 001 9910796033603321 005 20230807213452.0 010 $a94-6166-186-X 035 $a(CKB)3720000000062079 035 $a(EBL)4395949 035 $a(SSID)ssj0001583596 035 $a(PQKBManifestationID)16263604 035 $a(PQKBTitleCode)TC0001583596 035 $a(PQKBWorkID)14864036 035 $a(PQKB)11553597 035 $a(MiAaPQ)EBC4395949 035 $a(OCoLC)928668268 035 $a(MdBmJHUP)muse50676 035 $a(OCoLC)ocn928668268 035 $a(OCoLC)928668268$z(OCoLC)927410971$z(OCoLC)941700526$z(OCoLC)956739066 035 $a(DLC) 2016450146 035 $a(Au-PeEL)EBL4395949 035 $a(CaPaEBR)ebr11160881 035 $a(OCoLC)941700526 035 $a(EXLCZ)993720000000062079 100 $a20160303h20152015 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aMusic, analysis, experience $enew perspectives in musical semiotics /$fedited by Costantino Maeder and Mark Reybrouck 210 1$aLeuven, Belgium :$cLeuven University Press,$d2015. 210 4$dİ2015 215 $a1 online resource (356 p.) 300 $aDescription based upon print version of record. 311 $a94-6270-044-3 320 $aIncludes bibliographical references. 327 $aPreface / Costantino Maeder and Mark Reybrouck -- part one. Setting the stage: music-in-action, semiotics, and intermediality -- part two. Representation, interpretation, and meaning -- part three. Experience, cognition, and affect -- part four. Intermediality and transdisciplinarity -- part five. Analysis and beyond. 330 $aTransdisciplinary and intermedial analysis of the experience of music. Nowadays musical semiotics no longer ignores the fundamental challenges raised by cognitive sciences, ethology, or linguistics. Creation, action and experience play an increasing role in how we understand music, a sounding structure impinging upon our body, our mind, and the world we live in. Not discarding music as a closed system, an integral experience of music demands a transdisciplinary dialogue with other domains as well. Music, Analysis, Experience brings together contributions by semioticians, performers, and scholars from cognitive sciences, philosophy, and cultural studies, and deals with these fundamental questionings. Transdisciplinary and intermedial approaches to music meet musicologically oriented contributions to classical music, pop music, South American song, opera, narratology, and philosophy. 606 $aMusic$xSemiotics 615 0$aMusic$xSemiotics. 676 $a781 702 $aMaeder$b Costantino 702 $aReybrouck$b Mark 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910796033603321 996 $aMusic, analysis, experience$93757656 997 $aUNINA