LEADER 04592nam 2200625 450 001 9910796022503321 005 20230828203517.0 010 $a0-8147-4342-0 010 $a0-8147-4375-7 024 7 $a10.18574/nyu/9780814743751 035 $a(CKB)3790000000016331 035 $a(EBL)2081589 035 $a(OCoLC)913695219 035 $a(SSID)ssj0001516607 035 $a(PQKBManifestationID)12550835 035 $a(PQKBTitleCode)TC0001516607 035 $a(PQKBWorkID)11499488 035 $a(PQKB)11694731 035 $a(MiAaPQ)EBC2081589 035 $a(Au-PeEL)EBL2081589 035 $a(DE-B1597)547449 035 $a(DE-B1597)9780814743751 035 $a(EXLCZ)993790000000016331 100 $a20220518d2006 uy 1 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aAfrican American literature beyond race $ean alternative reader /$fedited by Gene Andrew Jarrett 210 1$aNew York, New York :$cNew York University Press,$d[2006] 210 4$dİ2006 215 $a1 online resource (444 p.) 300 $aDescription based upon print version of record. 311 $a0-8147-4287-4 311 $a0-8147-4288-2 320 $aIncludes bibliographical references (pages [429]-435) and index. 327 $a""Cover Page""; ""Title Page""; ""Copyright""; ""Dedication""; ""Contents""; ""Acknowledgments""; ""Introduction""; ""PART I Postbellum Period, 1865-1900""; ""1 FRANK J. WEBB""; ""TWO WOLVES AND A LAMB: AN ORIGINAL TALE (1870)""; ""2 FRANCES ELLEN WATKINS HARPER""; ""SOWING AND REAPING (1876a???77)""; ""Chapter 1 [Setting Out in Life]""; ""Chapter 2 The Decision""; ""Chapter 4 [Every Man Has His Price]""; ""Chapter 6 [The Verge of a Precipice]""; ""Chapter 7 [The Engagement]""; ""Chapter 8 [Sowing and Reaping]""; ""Chapter 9 [Belle Gordon]""; ""Chapter 10 [A Drunkarda???s Wife]"" 327 $a""3 PAUL LAURENCE DUNBAR""""THE UNCALLED (1898)""; ""Chapter 10 [The Seminary]""; ""Chapter 11 [The Sermon]""; ""Chapter 12 [The Ordination]""; ""PART II: Between the World Wars, 1919-1940""; ""4 NELLA LARSEN""; ""THE WRONG MAN (1926)""; ""FREEDOM (1926)""; ""5 JEAN TOOMER""; ""YORK BEACH (1928)""; ""Chapter 1 [The Perfect Place]""; ""Chapter 2 [Individuality]""; ""6 Wallace Thurman""; ""THE INTERNE (1932)""; ""Chapter 2 [Flanagan Hall]""; ""Chapter 3 [Touring the Hospital]""; ""Chapter 9 [The Fire]""; ""Chapter 12 [Carla???s Problems]""; ""PART III: After World War II, 1945-1960"" 327 $a""7 FRANK YERBY""""THE FOXES OF HARROW (1946)""; ""Chapter 1 [New Orleans]""; ""8 ANN PETRY""; ""COUNTRY PLACE (1947)""; ""Chapter 1 [Lennox, Connecticut]""; ""Chapter 7 [A Discovery]""; ""Chapter 8 [Mearns Gramby]""; ""Chapter 25 [The Will]""; ""9 ZORA NEALE HURSTON""; ""SERAPH ON THE SUWANEE (1948)""; ""Chapter 1 [The Secret Life of Arvay]""; ""10 Chester B. Himes""; ""YESTERDAY WILL MAKE YOU CRY (1952)""; ""Book 2: Flood of Tears Chapter 9 [Memories]""; ""Book 3: Shall Become the Same at Last Chapter 1 [A Riot]""; ""11 RICHARD WRIGHT""; ""SAVAGE HOLIDAY (1954): Part One: Anxiety"" 327 $a""12 JAMES BALDWIN""""GIOVANNIa???S ROOM (1956): Chapter 1 [The Flight]""; ""PART IV: Contemporary Period after 1965""; ""13 SAMUEL R. DELANY""; ""TIME CONSIDERED AS A HELIX OF SEMI-PRECIOUS STONES (1968)""; ""14 TONI MORRISON""; ""RECITATIF (1983)""; ""15 OCTAVIA E. BUTLER""; ""BLOODCHILD (1984)""; ""Select Bibliography""; ""About the Contributors""; ""Index"" 330 $a It is widely accepted that the canon of African American literature has racial realism at its core: African American protagonists, social settings, cultural symbols, and racial-political discourse. As a result, writings that are not preoccupied with race have long been invisible-unpublished, out of print, absent from libraries, rarely discussed among scholars, and omitted from anthologies. However, some of our most celebrated African American authors-from Zora Neale Hurston and Richard Wright to James Baldwin and Toni Morrison-have resisted this canonical rule, even at the cost of critical d 606 $aAmerican fiction$xAfrican American authors 606 $aAfrican Americans$vFiction 615 0$aAmerican fiction$xAfrican American authors. 615 0$aAfrican Americans 676 $a813.008/0896073 702 $aJarrett$b Gene Andrew$f1975- 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910796022503321 996 $aAfrican American literature beyond race$93712640 997 $aUNINA