LEADER 04211nam 2200481 450 001 9910795736503321 005 20240114000013.0 010 $a90-485-5401-2 024 7 $a10.1515/9789048554010 035 $a(MiAaPQ)EBC7041425 035 $a(Au-PeEL)EBL7041425 035 $a(CKB)24234445700041 035 $a(DE-B1597)626004 035 $a(DE-B1597)9789048554010 035 $a(OCoLC)1336401969 035 $a(MdBmJHUP)musev2_101656 035 $a(EXLCZ)9924234445700041 100 $a20240114d2022 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aGabriel Lippmann's Colour Photography $eScience, Media, Museums /$fedited by Hanin Hannouch 205 $aFirst edition. 210 1$aAmsterdam, Netherlands :$cAmsterdam University Press B.V.,$d[2022] 210 4$d©2022 215 $a1 online resource (316 pages) 300 $aIncludes index. 311 08$aPrint version: Hannouch, Hanin Gabriel Lippmann's Colour Photography Amsterdam : Amsterdam University Press,c2022 327 $tFrontmatter -- $tTable of contents -- $tGabriel Lippmann?s Colour Photography: A Critical Introduction -- $tPart I The Science of Colour Photography and the Colour Photography of Science -- $t1. How Lippmann Froze Light and Passed It around for Others to Taste -- $t2. Lippmann?s Interferential Colour Photography: A Juncture between the Histories of Spectroscopy and Photography -- $t3. Colour Under the Microscope: Santiago Ramón y Cajal Does ?Histology? on Lippmann Heliochromes -- $t4. Lost in Description: The Misunderstanding of Frederic Ives (1856?1937) and the Experiments of His Son Herbert (1882?1953) on Lippmann?s Interference Photography -- $tPart II Media History, Aesthetics, and Culture -- $t5. Lippmann Photography and the Problems of Media Historiography -- $t6. Richard Neuhauss?s Stuffed Parrot: Interferential Colour Photography, Taxidermy, and Projection -- $t7. Brilliant! Enthusiasm for the Aesthetic Qualities of Lippmann?s Interferential Photography -- $t8. From Maxwell to Mercury: The Cultural History of Gabriel Lippmann?s Colour Photography -- $tPart III Contemporary Reception and Future Trajectories -- $t9. Materiality, Identification, and Conservation of Lippmann Plates -- $t10. Exhibiting Gabriel Lippmann: A Collaborative Challenge -- $t11. Modern Lippmann Photog -- $t12. ?It?s not just a picture, it?s a magical object?: Interview with Contemporary Lippmann Photographer Filipe Alves -- $tAfterword: Building Bridges over Standing Waves -- $tIndex 330 $aPhysicist Gabriel Lippmann?s (1845?1921) photographic process is one of the oldest methods for producing colour photographs. So why do the achievements of this 1908 Nobel laureate remain mostly unknown outside niche circles? Using the centenary of Lippmann?s death as an opportunity to reflect upon his scientific, photographic, and cultural legacy, this book is the first to explore his interferential colour photography. Initially disclosed in 1891, the emergence of this medium is considered here through three shaping forces: science, media, and museums. A group of international scholars reassess Lippmann?s reception in the field of the history of science, where he is most recognised, by going well beyond his circles in France and delving into the complexity of his colour photography as a medium that challenges various historiographies. Moreover, they focus on the interferential plate as a material object in need of both preservation and exhibition, one that continues to fascinate contemporary analogue photographers. This volume allows readers to get to know Lippmann, grasp the interdisciplinary complexity of his colourful work, and ultimately expand his place in the history of photography. 606 $aColor photography$xProcessing 615 0$aColor photography$xProcessing. 676 $a100 702 $aHannouch$b Hanin 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910795736503321 996 $aGabriel Lippmann's Colour Photography$93706863 997 $aUNINA