LEADER 03536nam 2200457 450 001 9910795647003321 005 20220405005922.0 024 7 $a10.1515/9789048543854 035 $a(CKB)5590000000006533 035 $a(MiAaPQ)EBC6407638 035 $a(DE-B1597)567841 035 $a(DE-B1597)9789048543854 035 $a(OCoLC)1233041403 035 $a(EXLCZ)995590000000006533 100 $a20201215d2020 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aReconstruction, replication and re-enactment in the humanities and social sciences /$fedited by Sven Dupre? [and four others] 210 1$aAmsterdam :$cAmsterdam University Press,$d[2020] 210 4$dİ2020 215 $a1 online resource (298 pages) 300 $aIncludes index. 311 0 $a94-6372-800-7 311 0 $a90-485-4385-1 327 $tFront matter --$tTable of Contents --$tAcknowledgements --$tIntroduction --$t1. Replication as a Play on Categories: The Case of Taxidermy --$t2. Bringing the Past to Life : Material Culture Production and Archaeological Practice --$t3. Making Musicians Think: The Problem with Organs --$t4. Making Sound Present: Re-enactment and Reconstruction in Historical Organ Building Practices --$t5. Reconstructions of Oil Painting Materials and Techniques : The HART Model for Approaching Historical Accuracy --$t6. Imperfect Copies. Reconstructions in Conservation Research and Practice --$t7. Reworking Recipes and Experiments in the Classroom --$t8. A Walk as Act / Enact / Re-enactment: Performing Psychogeography and Anthropology --$t9. Recreating Reconstructions: Archaeology, Architecture and 3D Technologies --$t10. Science and the Knowing Body : Making Sense of Embodied Knowledge in Scientific Experiment --$tIndex of RRR Terminology --$tIndex of Keywords 330 $aPerformative methods are playing an increasingly prominent role in research into historical production processes, materials, and bodily knowledge and sensory skills, and in forms of education and public engagement in classrooms and museums. This book offers, for the first time, sustained, interdisciplinary reflections on performative methods, variously known as Reconstruction, Re-enactment, Replication, Reproduction and Reworking (RRR) practices across the fields of history of science, archaeology, art history, conservation, musicology and anthropology. Each of these fields has distinct histories, approaches, tools and research questions. Researchers in the historical disciplines have used reconstructions to learn about the materials and practices of the past, while anthropologists and ethnographers have more often studied the re-enactments themselves, participating in these performances as engaged observers. In this book, an interdisciplinary group of authors bring their experiences of RRR practices within their discipline into conversation with RRR practices in other disciplines, providing a basis for interdisciplinary cross-fertilization. 606 $aHumanities$xMethodology 610 $areconstruction, replication, re-enactment, performance, methodology. 615 0$aHumanities$xMethodology. 676 $a121 702 $aDupre?$b Sven$f1975- 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910795647003321 996 $aReconstruction, replication and re-enactment in the humanities and social sciences$93696414 997 $aUNINA