LEADER 02412nam 2200457 n 450 001 996391516903316 005 20200824120457.0 035 $a(CKB)4940000000103521 035 $a(EEBO)2248536623 035 $a(UnM)99847332e 035 $a(UnM)99847332 035 $a(EXLCZ)994940000000103521 100 $a19911126d1635 uy | 101 0 $aeng 135 $aurbn||||a|bb| 200 14$aThe English husbandman$b[electronic resource] $edrawne into two bookes, and each booke into two parts. The first part contayning the knowledge of husbandly duties, the nature of all sorts of soiles within this kingdome, the manner of tillage, the diversity of ploughes, and all other instruments. The second part containing the art of planting, grafting, and gardening, the vse of the vine, the hopgarden, and the preservation of all sorts of fruits, the draught of all sorts of knots, mazes, and other ornaments. Newlie reviewed, corrected, and inlarged by the first author, G.M 210 $aLondon $cPrinted [by Augustine Mathewes and John Norton] for Henry Taunton, and are to be sold at his shop in Saint Dunstans Church-yard in Fleetstreet$d1635 215 $a[16], 227, [1]; [16], 96; [2], 54 p. $cill. (woodcuts) 300 $aDedication signed: Gervase Markham. 300 $aAugustine Mathewes printed part 1 (STC). 300 $aThe first leaf is blank. 300 $aPart 2, "The second booke of the English husbandman", and part 3, "The pleasures of princes" each have separate register and pagination, and separate dated title page with imprint: London, Printed by Iohn Norton. 300 $aPart 1 was first published as STC 17355, parts 2 and 3 as STC 17356. . 300 $aA variant (STC 17357) has William Sheares in the imprint as publisher.and Art Gallery. 300 $aReproduction of the original in the Henry E. Huntington Library and Art Gallery. 330 $aeebo-0113 606 $aFishing$zEngland$vEarly works to 1800 606 $aAgriculture$zEngland$vEarly works to 1800 606 $aGardening$zEngland$vEarly works to 1800 615 0$aFishing 615 0$aAgriculture 615 0$aGardening 700 $aMarkham$b Gervase$f1568?-1637.$0877321 801 0$bCu-RivES 801 1$bCu-RivES 801 2$bCStRLIN 801 2$bWaOLN 906 $aBOOK 912 $a996391516903316 996 $aThe English husbandman$92403131 997 $aUNISA LEADER 03540nam 22005532 450 001 9910795611203321 005 20210603084655.0 024 7 $a10.1515/9789048551729 035 $a(CKB)5590000000443869 035 $a(OCoLC)1246445287 035 $a(MdBmJHUP)muse97812 035 $a(DE-B1597)582732 035 $a(DE-B1597)9789048551729 035 $a(MiAaPQ)EBC6552480 035 $a(UkCbUP)CR9789048551729 035 $a(Au-PeEL)EBL6552480 035 $a(EXLCZ)995590000000443869 100 $a20210426d2021|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aDutch post-war fiction film through a lens of psychoanalysis /$fPeter Verstraten$b[electronic resource] 210 1$aAmsterdam :$cAmsterdam University Press,$d2021. 215 $a1 online resource (482 pages) $cdigital, PDF file(s) 225 1 $aFraming film 300 $aTitle from publisher's bibliographic system (viewed on 28 May 2021). 311 $a90-485-5172-2 320 $aIncludes bibliographical references and indexes. 327 $tFrontmatter -- $tTABLE OF CONTENTS -- $tPreface -- $tIntroduction -- $tCHAPTER 1. Spitting Images, Blind Spots, and Dark Mirrors -- $tCHAPTER 2. In the Name of Fathers ? Overbearing, Flying, or Otherwise -- $tCHAPTER 3. That Obscure Object of Desire -- $tCHAPTER 4. From Ordinary Men and Rabbles to Heroes -- $tCHAPTER 5. Paranoia, Psychosis, The Horrific-Fantastic -- $tCHAPTER 6. Passages à l?Acte -- $tCHAPTER 7. From Historical Discomfort to Historical Trauma -- $tCHAPTER 8. Aphanisis -- $tCHAPTER 9. Hysteria, Neurosis, Perversion -- $tEpilogue -- $tBIBLIOGRAPHY -- $tFILMOGRAPHY -- $tINDEX OF CONCEPTS -- $tINDEX OF FILMS -- $tINDEX OF NAMES 330 $aDutch Post-war Fiction Film through a Lens of Psychoanalysis is a sequel to Humour and Irony in Dutch Post-war Fiction Film (AUP, 2016), but the two studies can be read separately. Because of the sheer variety of Fons Rademakers's oeuvre, which spans 'art' cinema and cult, genre film and historical epics, each chapter will start with one of his titles to introduce a key concept from psychoanalysis. It is an oft-voiced claim that Dutch cinema strongly adheres to realism, but psychoanalytic theories on desire and fantasy are employed to put this idea into perspective. In the vein of cinephilia, this study brings together canonical titles (ALS TWEE DRUPPELS WATER; SOLDAAT VAN ORANJE) and little gems (MONSIEUR HAWARDEN; KRACHT). It juxtaposes among others GLUCKAUF and DE VLIEGENDE HOLLANDER (on father figures); FLANAGAN and SPOORLOOS (on rabbles and heroes); DE AANSLAG and LEEDVERMAAK (on historical traumas); ANTONIA and BLUEBIRD (on aphanisis) 410 0$aFraming film (Amsterdam, Netherlands) 606 $aMotion pictures$zNetherlands$xHistory$y20th century 606 $aPsychoanalysis and motion pictures$zNetherlands 606 $aMotion pictures$xPsychological aspects 610 $aDutch cinema - psychoanalysis (Freud, Lacan, Zizek) - cinephilia. 615 0$aMotion pictures$xHistory 615 0$aPsychoanalysis and motion pictures 615 0$aMotion pictures$xPsychological aspects. 676 $a791.4309492 700 $aVerstraten$b Peter$0868174 712 02$aEYE (Amsterdam)$4pbl 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a9910795611203321 996 $aDutch post-war fiction film through a lens of psychoanalysis$93734017 997 $aUNINA