LEADER 01131nam--2200397---450- 001 990000781520203316 005 20050722151533.0 010 $a0-19-503573-9 035 $a0078152 035 $aUSA010078152 035 $a(ALEPH)000078152USA01 035 $a0078152 100 $a20011130d1985----km-y0itay0103----ba 101 $aeng 102 $aUS 105 $a||||||||001yy 200 1 $aFilm theory and criticism$eintroductory readings$fGerald Mast, Marshall Cohen 205 $a3. ed. 210 $aNew York$cOxford University$d1985 215 $aXXI, 852 p$d22 cm 410 $12001 606 0 $aCinema$xStudi 676 $a791.43 700 1$aMAST,$bGerald$0550353 701 1$aCOHEN,$bMarshall$0495992 801 0$aIT$bsalbc$gISBD 912 $a990000781520203316 951 $aXIII.2. 1517(II i C 1223)$b98319 LM$cII i C 959 $aBK 969 $aUMA 979 $aPATTY$b90$c20011130$lUSA01$h1035 979 $c20020403$lUSA01$h1725 979 $aPATRY$b90$c20040406$lUSA01$h1654 979 $aCOPAT5$b90$c20050722$lUSA01$h1515 996 $aFilm theory and criticism$9965383 997 $aUNISA LEADER 02763nam 2200601 450 001 9910795464303321 005 20230831123926.0 010 $a84-9064-149-8 010 $a84-9029-370-8 035 $a(CKB)4340000000247727 035 $a(MiAaPQ)EBC5308394 035 $a(OCoLC)1105412163 035 $a(FlNmELB)ELB57643 035 $a(MiAaPQ)EBC7025781 035 $a(Au-PeEL)EBL7025781 035 $a(EXLCZ)994340000000247727 100 $a20190110d2017 uy 0 101 0 $aspa 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aCuracio?n de contenidos para bibliotecas /$fEvelio Marti?nez-Can?adas 210 1$aBarcelona :$cEditorial UOC,$d2017. 215 $a1 online resource (53 pa?ginas) $cilustraciones 225 1 $aEl profesional de la informacio?n 311 $a84-9064-148-X 320 $aContiene bibliografi?a. 330 $aDesde hace unos años, la curación de contenidos es una de las tendencias más comentadas en el ámbito de la gestión de la información. Entendida como la búsqueda, selección, tratamiento y difusión de la información más relevante de un tema, la curación de contenidos ha encontrado su sitio en campos como el periodismo, el marketing o la educación. No obstante, hay un ámbito en el que no ha acabado de penetrar: las bibliotecas. Y ello a pesar de lo mucho que la curación de contenidos podría aportar a la función informativa de estos centros. Este libro pretende ser una aportación que permita afianzar la práctica de la curación de contenidos en las bibliotecas y así aprovechar sus ventajas. Para ello, se comentan los principales beneficios de dicha práctica, cómo elaborar una estrategia que permita llevarla a cabo y las maneras de sacar partido a la curación de contenidos tanto en blogs como en espacios físicos. 410 0$aEl profesional de la informacio?n. 606 $aLibraries$xTechnological innovations 606 $aLibraries and the Internet 606 $aLibrary exhibits 606 $aBiblioteca 606 $aInnovacio?n cienti?fica 606 $aInternet 606 $aExposicio?n de biblioteca 608 $aLibros electronicos. 615 0$aLibraries$xTechnological innovations. 615 0$aLibraries and the Internet. 615 0$aLibrary exhibits. 615 4$aBiblioteca. 615 4$aInnovacio?n cienti?fica. 615 4$aInternet. 615 4$aExposicio?n de biblioteca. 676 $a027 700 $aMarti?nez-Can?adas$b Evelio$01526814 801 0$bFINmELB 801 1$bFINmELB 906 $aBOOK 912 $a9910795464303321 996 $aCuracio?n de contenidos para bibliotecas$93769162 997 $aUNINA LEADER 04204nam 2200685 450 001 9910788199203321 005 20201023111955.0 010 $a1-4725-0828-9 010 $a1-4725-0518-2 024 7 $a10.5040/9781472506658 035 $a(CKB)2670000000587107 035 $a(EBL)1894994 035 $a(SSID)ssj0001382303 035 $a(PQKBManifestationID)12586474 035 $a(PQKBTitleCode)TC0001382303 035 $a(PQKBWorkID)11458014 035 $a(PQKB)10921244 035 $a(MiAaPQ)EBC1894994 035 $a(MiAaPQ)EBC6162469 035 $a(OCoLC)1201426924 035 $a(CaBNVSL)mat72506658 035 $a(CaBNVSL)9781472506658 035 $a(EXLCZ)992670000000587107 100 $a20201023d2020 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aApplied theatre $edevelopment /$fTim Prentki 210 1$aLondon, England :$cBloomsbury Methuen Drama,$d2020. 210 2$aLondon, England :$cBloomsbury Publishing,$d2020 215 $a1 online resource (305 p.) 225 1 $aApplied theatre 300 $aIncludes index. 311 $a1-322-49754-0 311 $a1-4725-0986-2 320 $aIncludes bibliographical references and index. 327 $aOne. A Conceptual Framework for Theatre for Development: 1. History and Origins of Theatre for Development ; 2. Fool's Play or Juggling with Neoliberalism -- Two. Case Studies: 3. Capacity Building Theatre (and Vice Versa) ; 4. Isolation in Community Theatre ; 5. The Game of Identities: Intercultural Theatre in the Peruvian Amazon ; 6. Imizamo Yethu - 'our efforts' to Engage Through Theatre ; 7. Theatre in Crisis: Moments of Beauty in Applied Theatre ; 8. Exploring Theatre as a Pedagogy for 'Developing Citizens' in an English Primary School ; 9. The Ludic Box: Playful Alternatives from Guatemala for the World ; Afterword: What Next for Theatre for Development?. 330 $a"At once both guide book and provocation, this is an indispensable companion for students and practitioners of applied theatre. It addresses all key aspects: principles, origins, politics and aesthetics in a concise and accessible style designed to appeal both to those who have recently discovered this sub-discipline and to experienced practitioners and academics. Part 1 is divided into two chapters. The first introduces the sub-discipline of Theatre for Development, covering its origins, principles and history, and providing an overview of theatre for development in Western contexts as well as in Africa, Asia, the Indian Subcontinent and Latin America. The second focuses upon theoretical and philosophical issues confronting the discipline and its relationship to contemporary politics, as well as considering its future role. Part 2 consists of seven chapters contributed by leading figures and current practitioners from around the world and covering a diverse range of themes, methodologies and aesthetic approaches. One chapter offers a series of case studies concerned with sexual health education and HIV prevention, drawn from practitioners working in Vietnam, Papua New Guinea, Southern Africa, and China. Other chapters include studies of intercultural theatre in the Peruvian Amazon; a programme of applied theatre conducted in schools in Canterbury, New Zealand, following the 2010 earthquake; an attempt to reinvigorate a community theatre group in South Brazil; and an exchange between a Guatemalan arts collective and a Dutch youth theatre company, besides others"--$cProvided by publisher. 410 0$aApplied theatre. 517 3 $aDevelopment 606 $aTheater and society 606 $aCommunity theater 606 $aTheatre studies$2bicssc 615 0$aTheater and society. 615 0$aCommunity theater. 615 7$aTheatre studies 676 $a792.02/2 686 $aPER011020$2bisacsh 700 $aPrentki$b Tim$01495207 702 $aBalfour$b Michael$f1966- 702 $aPreston$b Sheila$f1968- 801 0$bN 801 1$bCaBNVSL 801 2$bCaBNVSL 906 $aBOOK 912 $a9910788199203321 996 $aApplied theatre$93820702 997 $aUNINA LEADER 02888nas a2200541 i 4500 001 991002521319707536 005 20260216121656.0 008 040419d20032007ii qr 0 |eng d 022 $a0972-7671 035 $ab12934951-39ule_inst 040 $aFac. Economia$bita 082 04$a315 222 0$aSankhya :$bThe Indian Journal of Statistics 245 00$aSankhya :$bThe Indian Journal of Statistics [2003] 260 $aCalcutta :$bIndian Statistical Institute,$c2003-2007 300 $a[5] v. :$bill. ;$c25 cm 310 $aTrimestrale 362 0 $aVol. 65, pt. 1(Feb. 2003)- Vol.69, pt.4(Nov.2007) 500 $aAccesso elettronico: LE013 2003-2007 591 $aCodice CNR: P00205869 592 $aLE025 2003-2007; 592 $aLE013 2003-2007. lac.:2003; 776 0 $x0976-3139 780 04$tSankhya. Series A$x0581-572X 780 04$tSankhya. Series B$x0581-5738 785 06$tSankhya. Series A (2008)$x0976-836X 785 06$tSankhya. Series B (2008)$x0976-8386 907 $a.b12934951$b19-02-19$c19-04-04 912 $a991002521319707536 945 $aLE013$g1$lle013$o-$pE0.00$q-$rn$so$t18$u0$v0$w0$x0$y.i13841038$z15-09-04 945 $aLE013$cVol. 65 (2003)$g1$lle013$on$pE109.39$q-$rn$so$t18$u0$v0$w0$x0$y.i1384104x$z15-09-04 945 $aLE013$cVol. 66 (2004)$g1$lle013$on$pE81.86$q-$rn$so$t18$u0$v0$w0$x0$y.i14176993$z16-01-06 945 $aLE013$cVol. 67 (2005)$g1$lle013$on$pE78.38$q-$rn$so$t18$u0$v0$w0$x0$y.i14178138$z17-01-06 945 $aLE013$c2006$g1$lle013$on$pE135.48$q-$rn$so$t18$u0$v0$w0$x0$y.i14301829$z16-10-06 945 $aLE013$c2008$g1$lle013$on$pE105.46$q-$rn$so$t18$u0$v0$w0$x0$y.i1517766x$z29-09-10 945 $aLE013$c2007$g1$lle013$on$pE86.72$q-$rn$so$t18$u0$v0$w0$x0$y.i15189508$z26-10-10 945 $aLE025$g1$lle025$nAbbonamento 2004$on$pE95.97$q-$rn$so$t18$u0$v0$w0$x0$y.i13660020$z02-08-04 945 $aLE025$g0$lle025$on$pE0.00$q-$rn$so$t18$u0$v0$w0$x0$y.i13511634$z19-04-04 945 $aLE025$g1$lle025$nAnno 2006$on$pE91.04$q-$rn$so$t18$u0$v0$w0$x0$y.i14231876$z08-05-06 945 $aLE025$g1$i0000$lle025$mAbbonamento 2007$op$pE88.50$q-$rn$so$t18$u0$v0$w0$x0$y.i14755294$z19-05-08 945 $aLE025$g1$i0000$lle025$nAbbonamento 2008 (Pubblicazione in ritardo)$nSeries A$on$pE50.53$q-$rn$so$t18$u0$v0$w0$x0$y.i15126390$z11-05-10 945 $aLE025$g1$i0000$lle025$nSeries B$nAbbonamento 2008 (Pubblicazione in ritardo)$on$pE50.53$q-$rl$s-$t18$u0$v0$w0$x0$y.i15126420$z11-05-10 945 $aLE025 SEMS$c2010$g1$lle025$on$pE187.00$q-$rn$so$t0$u0$v0$w0$x0$y.i15288766$z27-06-11 945 $aLE025$c2014$g1$lle025$on$pE225.90$q-$rn$so$t18$u0$v0$w0$x0$y.i15611085$z08-05-14 945 $aLE025$g1$lle025$o-$pE165.00$q-$rn$so$t0$u0$v0$w0$x0$y.i15611097$z08-05-14 996 $aSankhya$9281954 997 $aUNISALENTO 998 $a(8)le013$a(15)le025$b19-04-04$cs$da$e-$feng$gii$h0$i23