LEADER 03691nam 22007095 450 001 9910795410003321 005 20230814215529.0 010 $a0-8135-8712-3 010 $a0-8135-8713-1 024 7 $a10.36019/9780813587134 035 $a(CKB)4340000000260743 035 $a(MiAaPQ)EBC5323073 035 $a(DE-B1597)526392 035 $a(OCoLC)1029055089 035 $a(DE-B1597)9780813587134 035 $a(EXLCZ)994340000000260743 100 $a20191221d2018 fg 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aStanley Kubrick $eNew York Jewish Intellectual /$fNathan Abrams 210 1$aNew Brunswick, NJ : $cRutgers University Press, $d[2018] 210 4$dİ2018 215 $a1 online resource (330 pages) 311 $a0-8135-8710-7 320 $aIncludes bibliographical references and index. 327 $tFrontmatter -- $tContents -- $tIntroduction -- $t1. Looking To Killing -- $t2. The Macho Mensch -- $t3. Kubrick's Double -- $t4. Banality And The Bomb -- $t5. Kubrick And Kabbalah -- $t6. A Mechanical Mensch -- $t7. A Spatial Odyssey -- $t8. Dream Interpretation -- $t9. Men As Meat -- $t10. Kubrick's Coda -- $tEpilogue -- $tAcknowledgments -- $tNotes -- $tSelect Bibliography -- $tIndex 330 $aStanley Kubrick is generally acknowledged as one of the world's great directors. Yet few critics or scholars have considered how he emerged from a unique and vibrant cultural milieu: the New York Jewish intelligentsia. Stanley Kubrick reexamines the director's work in context of his ethnic and cultural origins. Focusing on several of Kubrick's key themes-including masculinity, ethical responsibility, and the nature of evil-it demonstrates how his films were in conversation with contemporary New York Jewish intellectuals who grappled with the same concerns. At the same time, it explores Kubrick's fraught relationship with his Jewish identity and his reluctance to be pegged as an ethnic director, manifest in his removal of Jewish references and characters from stories he adapted. As he digs deep into rare Kubrick archives to reveal insights about the director's life and times, film scholar Nathan Abrams also provides a nuanced account of Kubrick's cinematic artistry. Each chapter offers a detailed analysis of one of Kubrick's major films, including Lolita, Dr. Strangelove, 2001, A Clockwork Orange, Barry Lyndon, The Shining, Full Metal Jacket, and Eyes Wide Shut. Stanley Kubrick thus presents an illuminating look at one of the twentieth century's most renowned and yet misunderstood directors. 606 $aMotion picture producers and directors$zUnited States$vBiography 610 $a2001. 610 $a2001: Space Odyssey. 610 $aA Clockwork Orange. 610 $aBarry Lyndon. 610 $aDr. Strangelove. 610 $aEyes Wide Shut. 610 $aFull Metal Jacket. 610 $aIntellectual. 610 $aJewish. 610 $aLolita. 610 $aNew York. 610 $aStanley Kubrick. 610 $aThe Shining. 610 $acinema. 610 $adirector. 610 $aethnic. 610 $afilm. 610 $aidentity. 610 $akubrick. 610 $ashining. 610 $aspace odyssey. 610 $astrangelove. 615 0$aMotion picture producers and directors 676 $a791.4302/33092 700 $aAbrams$b Nathan, $4aut$4http://id.loc.gov/vocabulary/relators/aut.$01197137 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a9910795410003321 996 $aStanley Kubrick$93750641 997 $aUNINA