LEADER 04301nam 2201093Ia 450 001 9910789000603321 005 20230207215404.0 010 $a1-282-77230-9 010 $a9786612772306 010 $a0-520-94128-4 024 7 $a10.1525/9780520941281 035 $a(CKB)3390000000006983 035 $a(EBL)837211 035 $a(OCoLC)733997345 035 $a(SSID)ssj0000434464 035 $a(PQKBManifestationID)11276848 035 $a(PQKBTitleCode)TC0000434464 035 $a(PQKBWorkID)10402555 035 $a(PQKB)10660465 035 $a(MiAaPQ)EBC837211 035 $a(MdBmJHUP)muse30609 035 $a(DE-B1597)520319 035 $a(DE-B1597)9780520941281 035 $a(Au-PeEL)EBL837211 035 $a(CaPaEBR)ebr10675712 035 $a(CaONFJC)MIL277230 035 $a(dli)HEB08038 035 $a(MiU)MIU01000000000000009826705 035 $a(EXLCZ)993390000000006983 100 $a20070507d2008 ub 0 101 0 $aeng 135 $aurnn#---|u||u 181 $ctxt 182 $cc 183 $acr 200 10$aCinema and fascism$b[electronic resource] $eItalian film and society, 1922-1943 /$fSteven Ricci 210 $aBerkeley $cUniversity of California Press$dc2008 215 $a1 online resource (249 p.) 300 $aDescription based upon print version of record. 311 0 $a0-520-25355-8 311 0 $a0-520-25356-6 320 $aIncludes bibliographical references (p. 207-217) and index. 327 $tFront matter --$tContents --$tIllustrations --$tPreface --$tIntroduction --$t1. Amnesia and Historical Memory --$t2. The Political Economy of Italian Cinema, 1922-1943 --$t3. Leisure Time, Historiography, and Spectatorship --$t4. Italy and America: Fascination and (Re)Negotiation --$t5. The Fascist Codex --$tNotes --$tSelected Bibliography --$tIndex 330 $aThis study considers Italian filmmaking during the Fascist era and offers an original and revealing approach to the interwar years. Steven Ricci directly confronts a long-standing dilemma faced by cultural historians: while made during a period of totalitarian government, these films are neither propagandistic nor openly "Fascist." Instead, the Italian Fascist regime attempted to build ideological consensus by erasing markers of class and regional difference and by circulating terms for an imaginary national identity. Cinema and Fascism investigates the complex relationship between the totalitarian regime and Italian cinema. It looks at the films themselves, the industry, and the role of cinema in daily life, and offers new insights into this important but neglected period in cinema history. 606 $aMotion pictures$zItaly$xHistory 606 $aFascism and motion pictures$zItaly$xHistory 606 $aMotion pictures$xSocial aspects$zItaly 610 $aanti fascism. 610 $aclass differences. 610 $acultural studies. 610 $afascism. 610 $afascist era. 610 $afascist sports. 610 $afilm history. 610 $afilm industry. 610 $afilm studies. 610 $ahistorical memory. 610 $ahistoriography. 610 $ahollywood. 610 $aideology. 610 $aindustrialization. 610 $ainterwar years. 610 $aitalian cinema. 610 $aitalian fascist regime. 610 $aitalian film history. 610 $aitalian film. 610 $aitalian filmmaking. 610 $aitaly. 610 $aleisure time. 610 $amovie studies. 610 $amussolini. 610 $anational body. 610 $anational identity. 610 $aneorealism. 610 $apolitical. 610 $apolitics. 610 $apropaganda. 610 $areadership. 610 $aregional differences. 610 $aspectatorship. 610 $atotalitarian government. 615 0$aMotion pictures$xHistory. 615 0$aFascism and motion pictures$xHistory. 615 0$aMotion pictures$xSocial aspects 676 $a791.43/094509041 686 $a24.32$2bcl 700 $aRicci$b Steven$0618081 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910789000603321 996 $aCinema and fascism$91683562 997 $aUNINA LEADER 03044nam 2200517 450 001 9910795395003321 005 20220425163421.0 010 $a0-252-05250-1 035 $a(CKB)4940000000597020 035 $a(OCoLC)1232278131 035 $a(MdBmJHUP)muse92703 035 $a(MiAaPQ)EBC6457815 035 $a(StDuBDS)EDZ0002540241 035 $a(EXLCZ)994940000000597020 100 $a20210519d2021 fy| 0 101 0 $aeng 135 $aur|||||||nn|n 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 14$aThe Labor Board crew $eremaking worker-employer relations from Pearl Harbor to the Reagan era /$fRonald W. Schatz 210 1$aUrbana :$cUniversity of Illinois Press,$d2021. 215 $a1 online resource (1 online resource 295 p..) 225 1 $aThe working class in American history 225 1 $aIllinois scholarship online 300 $aAlso issued in print: 2021. 311 $a0-252-04362-6 320 $aIncludes bibliographical references and index. 327 $aIn the Wake of Pearl Harbor -- George Taylor and the War Labor Board, 1942-56 -- On Top of the World, 1946-56 -- Down-to-Earth Utopians -- War and Peace in Steel, 1959-72 -- When the Meek Began to Roar: Public Employee Unionism in the 1960s -- "How Can We Avoid a Columbia?" The Student Revolt, 1964-71 -- A Whole Different Ball Game, 1968-81 -- George Shultz at the Negotiating Table -- Doing the Lord's Work. 330 8 $aRonald Schatz tells the story of the team of young economists and lawyers whom George W. Taylor recruited to the National War Labor Board to resolve union-management conflicts during the Second World War. The crew (including Clark Kerr, John Dunlop, Jean McKelvey, and Marvin Miller) exerted broad influence on the U.S. economy and society for the next 40 years. They handled thousands of grievances and strikes. They founded academic industrial relations programs. When the 1960s student movement erupted, universities appointed them as top administrators charged with quelling the conflicts. In the 1970s, they developed systems that advanced public sector unionisation and revolutionised employment conditions in Major League Baseball. Schatz argues that the Labor Board vets, who saw themselves as disinterested technocrats, were in truth utopian reformers aiming to transform the world. 410 0$aWorking class in American history. 410 0$aIllinois scholarship online. 606 $aIndustrial relations$zUnited States$xHistory$y20th century 606 $aLabor laws and legislation$zUnited States$xHistory$y20th century 606 $aLabor$zUnited States$xHistory$y20th century 615 0$aIndustrial relations$xHistory 615 0$aLabor laws and legislation$xHistory 615 0$aLabor$xHistory 676 $a331.0973 700 $aSchatz$b Ronald W.$f1949-$01556375 801 0$bStDuBDS 801 1$bStDuBDS 906 $aBOOK 912 $a9910795395003321 996 $aThe Labor Board crew$93819006 997 $aUNINA