LEADER 04515nam 2200577 450 001 9910795377703321 005 20230415172628.0 010 $a1-9788-0890-9 024 7 $a10.36019/9781978808904 035 $a(CKB)4940000000615789 035 $a(MiAaPQ)EBC6798550 035 $a(Au-PeEL)EBL6798550 035 $a(OCoLC)1285165810 035 $a(DE-B1597)617125 035 $a(DE-B1597)9781978808904 035 $a(EXLCZ)994940000000615789 100 $a20230415d2022 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aFredric Jameson and Film Theory $eMarxism, Allegory, and Geopolitics in World Cinema /$fedited by Keith B. Wagner, Jeremi Szaniawski, and Michael Cramer ; afterword by Frederic Jameson 210 1$aNew Brunswick, New Jersey :$cRutgers University Press,$d[2022] 210 4$dİ2022 215 $a1 online resource (279 pages) 300 $aIncludes index. 311 $a1-9788-0887-9 327 $tFrontmatter -- $tContents -- $tIntroduction: Always Historicize the Moving Image! Fredric Jameson?s Place in Film Studies -- $t1 Feeling Film as the Pulse of the Postmodern Condition: On Jameson?s ?On Diva? -- $t2 Allegory and Accommodation: Vertov?s Three Songs of Lenin (1934) as a Stalinist Film -- $t3 Nostalgia, Melancholy, and the Persistence of Stalin in Polish Cinema -- $t4 Jameson, Angelopoulos, and the Spirit of Utopia -- $t5 Jameson and Japanese Media Theory: A Virtual Dialogue -- $t6 Where Jameson Meets Queer Theory: Queer Cognitive Mapping in 1990s Sinophone Cinema -- $t7 A Jamesonian Reading of Parasite (2019): Homes, Real Estate Speculation, and Bubble Markets in Seoul -- $t8 Strategies of Containment in Middle-Class Films from Mexico and Brazil -- $t9 The Neoliberal Conspiracy: Jameson, New Hollywood, and All the President?s Men -- $t10 The Conspiracy Film, Hollywood?s Cultural Paradigms, and Class Consciousness -- $t11 A Theory of the Medium Shot: Affective Mapping and the Logic of the Encounter in Fredric Jameson?s The Geopolitical Aesthetic -- $t12 ?An American Utopia? and the Politics of Military Science Fiction -- $tAfterword -- $tAcknowledgments -- $tNotes on Contributors -- $tIndex 330 $aFrederic Jameson and Film Theory is the first collection of its kind, it assesses and critically responds to Fredric Jameson?s remarkable contribution to film theory. The essays assembled explore key Jamesonian concepts?such as totality, national allegory, geopolitics, globalization, representation, and pastiche?and his historical schema of realism, modernism, and postmodernism, considering, in both cases, how these can be applied, revised, expanded and challenged within film studies. Featuring essays by leading and emerging voices in the field, the volume probes the contours and complexities of neoliberal capitalism across the globe and explores world cinema's situation within these forces by deploying and adapting Jamesonian concepts, and placing them in dialogue with other theoretical paradigms. The result is an innovative and rigorously analytical effort that offers a range of Marxist-inspired approaches towards cinemas from Asia, Latin America, Europe, and North America in the spirit of Jameson's famous rallying cry: 'always historicize!'. 606 $aGeopolitics in motion pictures 606 $aMarxist criticism 606 $aMotion pictures$xPhilosophy 606 $aPhilosophers$zUnited States$vBiography 610 $amarxism, allegory, geopolitics, cinema, film, Frederic Jameson, media studies, communications, philosophy, social theory, film theory, totality, national allegory, globalization, representation, pastiche, realism, modernism, postmodernism, neoliberal capitalism, Asia, Latin America, Europe, North America, Stalin, Parasite, All the President's Men, military science fiction, Three Songs of Lenin, The Geopolitical Aesthetic. 615 0$aGeopolitics in motion pictures. 615 0$aMarxist criticism. 615 0$aMotion pictures$xPhilosophy. 615 0$aPhilosophers 676 $a801.95092 702 $aSzaniawski$b Jeremi 702 $aWagner$b Keith B.$f1978- 702 $aCramer$b Michael$f1981- 702 $aJameson$b Fredric 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910795377703321 996 $aFredric Jameson and Film Theory$93824236 997 $aUNINA