LEADER 05412oam 2200541I 450 001 9910795339203321 005 20230803212014.0 010 $a94-012-1104-3 024 7 $a10.1163/9789401211048 035 $a(CKB)4960000000012401 035 $a(MiAaPQ)EBC5598353 035 $a(OCoLC)881401150 035 $a(nllekb)BRILL9789401211048 035 $a(EXLCZ)994960000000012401 100 $a20140918d2014 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aNavigating cultural spaces $emaritime places /$fedited by Anna-Margaretha Horatschek, Yvonne Rosenberg and Daniel Scha?bler 210 1$aAmsterdam :$cRodopi,$d2014. 215 $a1 online resource (340 pages) $cillustrations 225 1 $aSpatial practices, an Interdisciplinary series in cultural history, geography and literature,$x1871-689X ;$v18 311 $a90-420-3862-4 320 $aIncludes bibliographical references (p. 331-333) and index. 327 $tPreliminary Material -- $tAcknowledgements -- $tNotes on Contributors -- $tIntroduction -- $tOceanic Topographies: Routes, Ships, Voyagers /$rGesa Mackenthun -- $tRefusing to \'Rest on the Sea's Bed\': The Sea of the Middle Passage in David Dabydeen's \'Turner\' (1994) and Fred D'Aguiar's Feeding the Ghosts (1997) /$rJoanna Rostek -- $tWhen China's Trade all Europe Overflows: Edward Young's Naval Lyrics, Critical (Mis)Fortune, and the Discourses of Naval Power, Trade, and Globalisation /$rJens Martin Gun -- $tThe Irish Atlantic - Everywhere Green Is Worn /$rJoachim Schwend -- $t?What Does this Vaingloriousness Down Here??: Thomas Hardy, James Cameron, and the Titanic /$rJonathan Rayner -- $tThe Coastal Figuration of the Caribbean Pirate in the Late Seventeenth Century /$rAlexandra Ganser -- $t'Managing Wilderness': Insular Topographies, Outcast Identities, and Cultural Representation in James Hawes' Speak for England, Scarlett Thomas' Bright Young Things, and Yann Martel's Life of Pi /$rFrancesca Nadja Palitzsch -- $tBliss and War on the Island: Undoing Myth and Negotiating History in Stevenson's Treasure Island (1883) and Garland's The Beach (1996) /$rJohannes Riquet -- $tCoast and Beach: Contested Spaces in Cultural and Literary Discourse /$rWolfgang Klooss -- $tOn the Beach: Exploring the Complex Egalitarianism of the Australian Beach /$rLiz Ellison -- $tThe Coast as a Site of Ecological Haunting in Iris Murdoch's The Sea, The Sea and Daphne du Maurier's Rebecca /$rUrsula Kluwick -- $tSea and Coast between Metaphor and History in Virginia Woolf's Writing /$rPatrizia A. Muscogiuri -- $tThe Borders of the Sea: Spaces of Representation /$rStephen Wolfe -- $t\'Ocean's Love to Ireland\': Imagery of the Sea in Contemporary Irish Poetry /$rRuben Moi -- $tCoasting Classical Antiquity: Percy Shelley in the Bay of Naples /$rTimothy Saunders -- $tThe Tensions between Domestic Life and Maritime Life in Sea Novels /$rSoren Frank -- $tIndex -- $tAppeared earlier in the SPATIAL PRACTICES: AN INTERDISCIPLINARY SERIES IN CULTURAL HISTORY, GEOGRAPHY AND LITERATURE. 330 $aAbstract space becomes concrete place by being bound to individual and historical experience. Sea and coast ? in texts from antiquity to the present mostly seen as mere spaces of transit and division between geographical places ? are hotly contested topographical phenomena, which instigate the designation of highly semanticized cultural spaces in imagination and everyday practice. Literature has always been a central agent of the maritime cultural imaginary through the initiation and negotiation of competing versions of coast and sea. This anthology offers international research on historically specific functions of maritime spaces as historicized places, where national and individual identities, cultural exchange, a globalized economy, and ?the technical sublime? are dramatized. The essays focus on literature from Shakespeare through British literary history to David Dabydeen, Yann Martel, and Australian author Stephen Orr, but also on film (James Cameron, Danny Boyle), cartography, and historiographical accounts of Irish migration or Caribbean piracy in the late 17th century. They enlarge the field of ?Hermeneutical Sea Studies?, an only recently established area of Cultural Studies. The book is targeted at an academic audience, while retaining a high level of appeal for any reader who is interested in popular culture. As the anthology combines theoretical approaches with practical case studies, it is suitable for courses at university level, both graduate and undergraduate. 410 0$aSpatial Practices$v18. 606 $aSea in literature 606 $aSea stories$xHistory and criticism 606 $aSea in literature$2fast 606 $aSea stories$2fast 608 $aCriticism, interpretation, etc.$2fast 615 0$aSea in literature. 615 0$aSea stories$xHistory and criticism. 615 7$aSea in literature. 615 7$aSea stories. 676 $a809/.9332162 701 $aHoratschek$b Anna-Margaretha$01086689 701 $aRosenberg$b Yvonne$f1977-$01549558 701 $aScha?bler$b Daniel$01549559 801 0$bNL-LeKB 801 1$bNL-LeKB 906 $aBOOK 912 $a9910795339203321 996 $aNavigating cultural spaces$93807698 997 $aUNINA