LEADER 04980nam 2200553 450 001 9910795325603321 005 20230126223054.0 010 $a0-8135-9635-1 024 7 $a10.36019/9780813596358 035 $a(CKB)4970000000109327 035 $a(MiAaPQ)EBC5963048 035 $a(DE-B1597)526453 035 $a(OCoLC)1121055427 035 $a(DE-B1597)9780813596358 035 $a(Au-PeEL)EBL5963048 035 $a(EXLCZ)994970000000109327 100 $a20191127d2018 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aAdventures in ShondaLand $eidentity politics and the power of representation /$fedited by Rachel Alicia Griffin and Michaela D.E. Meyer 210 1$aNew Brunswick :$cRutgers University Press,$d[2018] 210 4$dİ2018 215 $a1 online resource (viii, 268 pages) 300 $aIncludes index. 311 $a0-8135-9632-7 327 $tFront matter --$tCONTENTS --$tIntroduction: Riding Shondaland's Rollercoasters: Critical Cultural Television Studies in the 21st Century /$rMeyer, Michaela D. E. / Griffin, Rachel Alicia --$tPart I: Quality television's cultural dominance: the auteur comes to television studies --$t1. Trauma, Spin, and Murder: The Carnival Spectacle in Shondaland /$rJones, Richard G. / Vajjala, Emily --$t2. Wounded Detachments, Differential Alliances: Beyond Identity and Telos in Shondaland's Heterotopia /$rMcalister, Joan Faber --$t3. Abortion in Shondaland: Daring Departures from Oppressive Industry Conventions /$rFurgerson, Jessica L. --$t4. Soundtracking Shondaland: Televisual Identity Mapped through Music /$rBillinson, Jennifer / Meyer, Michaela D. E. --$tPart II: Shondaland's paradoxical identity politics and the fantastical "post" --$t5. Race (Lost and Found) in Shondaland: The Rise of Multiculturalism in Prime-Time Network Television /$rPetermon, Jade --$t6. Emb(Race)ing Visibility: Callie Torres's (Im)Perfect Operation of Bisexuality on Grey's Anatomy /$rAbdi, Shadee / Calafell, Bernadette Marie --$t7. The Problematics of Postracial Colorblindness: Exploring Cristina Yang's Asianness in Grey's Anatomy /$rYoung, Stephanie L. / Pham, Vincent --$t8. Interracial Intimacies: From Shondaland to the Postracial Promised Land /$rWashington, Myra / Harris, Tina M. --$tPart III: Consumption, ethics, and morality: shondaland fandom as cultural meaning making --$t9. #BlackLivesMatter on Scandal: Analyzing Divergent Fan Reactions to "The Lawn Chair" Episode /$rOrbe, Mark P. --$t10. Blurring Production Boundaries with Fan Empowerment: Scandal as Social Television /$rIngram-Waters, Mary / Balderas, Leslie --$t11. Media Criticism and Morality Policing on Twitter: Fan Responses to How to Get Away with Murder /$rAmes, Melissa --$t12. Dying for the Next Episode: Living and Working within Shondaland's Medical Universe /$rSwenson, Sean --$tNotes on Contributors --$tIndex 330 $aShonda Rhimes is one of the most powerful players in contemporary American network television. Beginning with her break-out hit series Grey's Anatomy, she has successfully debuted Private Practice, Scandal, How to Get Away with Murder, The Catch, For The People, and Station 19. Rhimes's work is attentive to identity politics, "post-" identity politics, power, and representation, addressing innumerable societal issues. Rhimes intentionally addresses these issues with diverse characters and story lines that center, for example, on interracial friendships and relationships, LGBTIQ relationships and parenting, the impact of disability on familial and work dynamics, and complex representations of womanhood. This volume serves as a means to theorize Rhimes's contributions and influence by inspiring provocative conversations about television as a deeply politicized institution and exploring how Rhimes fits into the implications of twenty-first century television. 606 $aAfrican American television producers and directors 606 $aAfrican American women screenwriters 606 $aWomen television producers and directors$zUnited States 606 $aTelevision broadcasting$xSocial aspects$zUnited States 610 $aShondaland, Shonda Rhimes, diversity, television, melodrama, identity, culture, media, Shondaland Productions, intersectionality, marginalized, communication, journalism, identity politics, queer, race, ethnic, disability. 615 0$aAfrican American television producers and directors. 615 0$aAfrican American women screenwriters. 615 0$aWomen television producers and directors 615 0$aTelevision broadcasting$xSocial aspects 676 $a791.450232 702 $aMeyer$b Michaela D. E. 702 $aGriffin$b Rachel Alicia 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910795325603321 996 $aAdventures in ShondaLand$93857017 997 $aUNINA