LEADER 03365nam 2200505 450 001 9910795317203321 005 20231110233337.0 010 $a0-8135-8636-4 024 7 $a10.36019/9780813586366 035 $a(CKB)4970000000109303 035 $a(OCoLC)1078551916 035 $a(MdBmJHUP)muse66250 035 $a(DE-B1597)526119 035 $a(DE-B1597)9780813586366 035 $a(MiAaPQ)EBC7053709 035 $a(Au-PeEL)EBL7053709 035 $a(EXLCZ)994970000000109303 100 $a20230106d2018 uy 0 101 0 $aeng 135 $aur|||||||nn|n 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aSoundies jukebox films and the shift to small screen culture /$fAndrea J. Kelley 210 1$aNew Brunswick, New Jersey :$cRutgers University Press,$d[2018] 210 4$dİ2018 215 $a1 online resource 225 0 $aTechniques of the Moving Image 311 $a0-8135-8634-8 320 $aIncludes bibliographical references (pages 167-175) and index. 327 $tFrontmatter -- $tContents -- $tIntroduction: Soundles Jukebox Films -- $tPart I. Small- Screen Encounters and Spatial Practices -- $t1. The Look- Listening Machine: The Panoram Jukebox and New Screen Practices -- $t2. The Sites of Soundles: The Dynamics of Space and Screen -- $t3. Mobilizing Space: The Panoram Goes to War -- $tPart II. Short Forms and Enduring Formations -- $t4. Up Close and Personal: The Shifting Aesthetics of the Jukebox Short -- $t5. "A Swing Half Breed": Soundles' Hybrid Identities and Raced Attractions -- $t6. Postwar Screens: Soundles on Television and the Rehash of the Film Jukebox -- $tConclusion: Short and Sweet: Rescaling Screen Culture -- $tAcknowledgments -- $tNotes -- $tBibliography -- $tIndex -- $tAbout the Author 330 $aSoundies Jukebox Films and the Shift to Small-Screen Culture is the first and only book to position what are called "Soundies" within the broader cultural and technological milieu of the 1940s. From 1940 to 1946, these musical films circulated in everyday venues, including bars, bowling alleys, train stations, hospitals, and even military bases. Viewers would pay a dime to watch them playing on the small screens of the Panoram jukebox. This book expands U.S. film history beyond both Hollywood and institutional film practices. Examining the dynamics between Soundies' short musical films, the Panoram's film-jukebox technology, their screening spaces and their popular discourse, Andrea J. Kelley provides an integrative approach to historic media exhibition. She situates the material conditions of Soundies' screening sites alongside formal considerations of the films and their unique politics of representation to illuminate a formative moment in the history of the small screen. 410 0$aTechniques of the Moving Image 606 $aSoundies (Motion pictures)$xHistory and criticism 610 $aSoundies, jukebox, film, Panoram, Hollywood, technology, media. 615 0$aSoundies (Motion pictures)$xHistory and criticism. 676 $a780.267 700 $aKelley$b Andrea$01524283 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910795317203321 996 $aSoundies jukebox films and the shift to small screen culture$93765049 997 $aUNINA