LEADER 03208oam 22005052 450 001 9910795311203321 005 20190604181031.0 010 $a90-04-40772-3 024 7 $a10.1163/9789004407725 035 $a(CKB)4970000000170169 035 $a(MiAaPQ)EBC5884280 035 $a(OCoLC)1120724427 035 $a(nllekb)BRILL9789004407725 035 $a(EXLCZ)994970000000170169 100 $a20190531d2019 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aThinking bodies-shaping hands $ehandeling in art and theory of the late Rembrandtists /$fYannis Hadjinicolaou 210 1$aLeiden Boston :$cBRILL,$d2019. 215 $a1 online resource (377 pages) 225 1 $aStudies in Netherlandish Art and Cultural History;$vvolume15 311 $a90-04-35384-4 320 $aIncludes bibliographical references and index. 327 $tFront Matter -- Copyright page -- Acknowledgements -- Figures -- Foreword /$rWerner Busch -- Introduction -- Between Formal and Stylistic Diversity ? Handeling in the Art of the Late Rembrandtists -- Primacy of the Hand -- Art Materials -- Facets of Handling the Paint -- The Iconicity of Action -- Proximity and Distance -- Epilogue -- Notes -- Back Matter -- Bibliography -- Index of Names. 330 $aThinking Bodies - Shaping Hands focuses on the critical as well as historical dimension of the handling of the brush and of the resulting appearance of colour on the painted surface in art and art theory from the middle of the 17th (above all from 1660) to the dawn of the 18th century in the Netherlands. More specifically, it deals with Rembrandt?s last pupils such as Arent de Gelder. ?Handeling? describes an active, embodied process that is connected to the motion of the hand with the brush or with any other kind of tool. This term, up to now not sufficiently appreciated in scholarly literature, seems to be fruitful in this context. It is not so much connected with the term ?style?, as with a prior step, which is equivalent to ?manner?. At the same time, its meaning in Dutch till today is ?action?. ?Handeling? is an act that could be described as a ?form-act?. It focuses on Formgestaltung, in which these actions themselves are understood as processes. Examining the ?Rembrandtist ideology of painting?, this study attempts to reveal the embodied process of painting in the sense of a bodily articulation during the application of colour. This occurs within the productive tension between theory and practice. 410 0$aStudies in Netherlandish Art and Cultural History;$vvolume15. 606 $aPainting, Dutch$y17th century 606 $aBrushwork 606 $aColor in art 606 $aPainting$xPhilosophy 615 0$aPainting, Dutch 615 0$aBrushwork. 615 0$aColor in art. 615 0$aPainting$xPhilosophy. 676 $a759.949209032 700 $aHadjinicolaou$b Yannis$01524256 801 0$bNL-LeKB 801 1$bNL-LeKB 906 $aBOOK 912 $a9910795311203321 996 $aThinking bodies-shaping hands$93764995 997 $aUNINA