LEADER 01282nam 2200337I 450 001 9910705807703321 005 20170814112325.0 035 $a(CKB)5470000002454345 035 $a(OCoLC)1000519876 035 $a(EXLCZ)995470000002454345 100 $a20170814d1967 ua 0 101 0 $aeng 135 $aurgn||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aWright Brothers National Memorial $ean administrative history /$fby Andrew M. Hewes 210 1$a[Washington, D.C.] :$cDivision of History, Office of Archeology and Historic Preservation, National Park Service, U.S. Department of the Interior,$d1967. 215 $a1 online resource (123 unnumbered pages) $cillustrations, map 300 $a"December 22, 1967." 320 $aIncludes bibliographical references (pages 102-104). 517 $aWright Brothers National Memorial 607 $aWright Brothers National Memorial (N.C.)$xHistory 700 $aHewes$b Andrew M.$01419064 712 02$aUnited States.$bOffice of Archeology and Historic Preservation.$bDivision of History, 801 0$bGPO 801 1$bGPO 906 $aBOOK 912 $a9910705807703321 996 $aWright Brothers National Memorial$93532338 997 $aUNINA LEADER 02360nam 2200469 450 001 9910795300003321 005 20230803043733.0 010 $a3-8467-5604-0 024 7 $a10.30965/9783846756041 035 $a(CKB)4920000000125556 035 $a(OCoLC)1017041881 035 $a(nllekb)BRILL9783846756041 035 $a(MiAaPQ)EBC6517358 035 $a(Au-PeEL)EBL6517358 035 $a(OCoLC)1243545240 035 $a(EXLCZ)994920000000125556 100 $a20211009d2013 uy 0 101 0 $aeng 135 $aurun| uuuua 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $2rdacarrier 200 14$aThe envy of Daedalus $eessay on the artist as murderer /$fMarcello Barbanera 210 1$aPaderborn :$cVerlag Wilhelm Fink,$d[2013] 210 4$dİ2013 215 $a1 online resource 225 1 $aMorphomata Lectures Cologne ;$v4 311 $a3-7705-5604-6 327 $aPreliminary Material -- Daedalus as Object of Myth-Making -- Variations on the Myth of Daedalus in Ovid?s Metamorphoses: The Fall of Icarus and the Killing of Perdix -- Zelotupia O Phthonos? Instruments to Define a Passion in Greek Society -- The Artist as a Murderer, Three Variations on a Theme: Competition, Mimesis and Crime -- References -- Photo Credits -- Plates. 330 $aWhy the myth of Daedalus, the protos euretes, is connected with envy and murder? The author takes as his starting point Ovid?s Metamorphoses, where Daedalus? envy drives him to murder his pupil and nephew Perdix. He also considers the passage of Seneca the Elder, about the painter Parrhasius and the citizen from Olynthus, that he had tortured in order to paint the agony of Prometheus. The first case is a topos of the artist?s biography which implies, that the craft of the artisan was held as a guarded secret; the second is related to mimesis. The author questions what role the topos of the artist as murderer plays in text and imagery, from the Middle Ages to modern literature. 410 0$aMorphomata Lectures Cologne ;$v4. 606 $aMurder in art 615 0$aMurder in art. 676 $a704.0396 700 $aBarbanera$b Marcello$086063 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910795300003321 996 $aThe envy of Daedalus$93822336 997 $aUNINA