LEADER 03369nam 2200589 450 001 9910795285103321 005 20200508193113.0 010 $a90-04-42149-1 024 7 $a10.1163/9789004421493 035 $a(CKB)4920000000126973 035 $a(OCoLC)1128062263 035 $a(nllekb)BRILL9789004421493 035 $a(MiAaPQ)EBC6012283 035 $a(EXLCZ)994920000000126973 100 $a20200303d2020 uy 0 101 0 $aeng 135 $aurun####uuuua 181 $ctxt$2rdacontent 182 $cn$2rdamedia 183 $anc$2rdacarrier 200 10$aSmuggling the Renaissance $ethe illicit export of artworks out of Italy, 1861-1909 /$fby Joanna Smalcerz 210 1$aLeiden, The Netherlands ;$aBoston :$cBrill,$d[2020] 210 4$dİ2020 215 $a1 online resource 225 1 $aStudies in the history of collecting & art markets ;$vVolume 8 300 $aOutgrowth of the author's thesis (Ph. D.)--Universita?t Bern, 2017. 311 $a90-04-42148-3 320 $aIncludes bibliographical references and index. 327 $aFrom Rome to Berlin : the illicit export of the bust of the Princess of Urbino -- The buying collector : Wilhelm Bode and the demand for Italian Renaissance art -- The enquiring inspector : Giuseppe Fiorelli and the lacuna in Italian art export law -- The smuggling dealer : Stefano Bardini and the illicit export of art out of Italy -- The foreign strawman : Albert Figdor and the role of social networks in art smuggling. 330 $a"Smuggling the Renaissance: The Illicit Export of Artworks Out of Italy, 1861-1909 explores the phenomenon of art spoliation in Italy following Unification (1861), when the international demand for Italian Renaissance artworks was at an all-time high but effective art protection legislation had not yet been passed. Making use of rich archival material Joanna Smalcerz narrates the complex and often dramatic struggle between the lawmakers of the new Italian State, and international curators (e.g., Wilhelm Bode), collectors (e.g., Isabella Stewart Gardner) and dealers (e.g., Stefano Bardini) who continuously orchestrated illicit schemes to export abroad Italian masterpieces. At the heart of the intertwinement of the art trade, art scholarship and art protection policies the author exposes the socio-psychological dynamics of unlawful collecting". 410 0$aStudies in the history of collecting & art markets ;$vv. 8. 606 $aCultural property$xProtection$zItaly$xHistory$y19th century 606 $aCultural property$xProtection$zItaly$xHistory$y20th century 606 $aArt$xEconomic aspects$zItaly$xHistory$y19th century 606 $aArt$xEconomic aspects$zItaly$xHistory$y20th century 606 $aSmuggling$zItaly$xHistory$y19th century 606 $aSmuggling$zItaly$xHistory$y20th century 615 0$aCultural property$xProtection$xHistory 615 0$aCultural property$xProtection$xHistory 615 0$aArt$xEconomic aspects$xHistory 615 0$aArt$xEconomic aspects$xHistory 615 0$aSmuggling$xHistory 615 0$aSmuggling$xHistory 676 $a709.4509034 700 $aSmalcerz$b Joanna$01527438 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910795285103321 996 $aSmuggling the Renaissance$93770262 997 $aUNINA