LEADER 03154oam 2200481 450 001 9910795132103321 005 20230803211822.0 010 $a1-84888-328-5 024 7 $a10.1163/9781848883284 035 $a(CKB)4920000000126735 035 $a(OCoLC)1096224829 035 $a(nllekb)BRILL9781848883284 035 $a(MiAaPQ)EBC6481778 035 $a(EXLCZ)994920000000126735 100 $a20210708d2014 uy 0 101 0 $aeng 135 $aurun| uuuua 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $2rdacarrier 200 00$aStaged experiences /$fedited by Arthur Maria Stein, Ana Penjak, and Celia Morgan 210 1$aOxford, United Kingdom :$cInter-Disciplinary Press,$d[2014] 210 4$d©2014 215 $a1 online resource 225 0 $aCritical issues 311 $a90-04-37438-8 320 $aIncludes bibliographical references and index. 327 $tPreliminary Material /$rArthur Maria Steijn , Ana Penjak and Celia Morgan -- $tHypnagogia and Imagination: Scenographic Constructions of Venice /$rLilja Blumenfeld -- $tLanguage in Performance /$rSadia Zoubir-Shaw -- $tScenography as a Means for Youth Education and Creative Interaction in the ?Interactive Opera in Primary Schools? Research Project /$rSofia Pantouvaki -- $tLife and Liveness: Using Film in the Theatre /$rBilha Blum -- $tImagined Spaces: Motion Graphics in Spatial Experience Design /$rArthur Maria Steijn -- $tCostume Narrative: Recognition and Comprehension /$rHilary Baxter -- $tFrom Lucile?s Showroom to Ziegfeld?s Stage: Fashion, Celebrity Culture and Theatrical Spectacle /$rAnne K. Reilly -- $tBrazilian Extravaganza and Social Consequences behind It: Men, Women and Drag Queens /$rFausto Viana -- $tCostume Identity in the Globalised World /$rRosane Muniz -- $tFrom Butoh to Butohs: Produits d?Autres Circonstances (2009) by Xavier Leroy and the Image Processing of a Body Practice /$rCatherine Girardin -- $tHotel Pro Forma: The Demand for Flat Images in a Three-Dimensional Space /$rMaria Carneiro -- $tDrawing the Scene /$rFilipa Malva -- $tDe-Signing for a Dancer/Choreographer?s Visual Literacy /$rHelene Gee Markstein -- $tFrom Scenography to Narrative Environments /$rEkavi-Louise Whitlock-Blundell -- $tSituated Vagrancy /$rBenedict Anderson -- $tFrom Abstraction to Performance: Three Moves through the Visual Traces /$rAdele Anderson -- $tExperience and Perception of the Audience: Momentums of Intimacy within Performance /$rHaya Cohen -- $tImagining Absence: Performance in the Text /$rUlla Kallenbach -- $tHamlet Domesticus: Three Directors? Productions of Hamlet on the Modern Croatian Stage /$rAna Penjak. 606 $aMusic$xPerformance$xHistory 606 $aPerformance practice (Music) 615 0$aMusic$xPerformance$xHistory. 615 0$aPerformance practice (Music) 676 $a786 702 $aStein$b Arthur Maria 702 $aPenjak$b Ana 702 $aMorgan$b Celia 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bUtOrBLW 906 $aBOOK 912 $a9910795132103321 996 $aStaged experiences$93690690 997 $aUNINA