LEADER 00962nam0-22003011i-450- 001 990002051960403321 005 20130313102507.0 035 $a000205196 035 $aFED01000205196 035 $a(Aleph)000205196FED01 035 $a000205196 100 $a20030910d1927----km-y0itay50------ba 101 0 $afre 200 1 $a10. Congrés International de Zoologie tenu a Budapest du 4 au 10 Septembre 1927$fpublie par E. Csiki 210 $aBudapest$cStephaneum$d1927 215 $a2 v.$d25 cm 610 0 $aCongressi Vari 610 0 $aZoologia Congressi 676 $a591 702 1$aCsiki,$bE. 710 12$aCongrès International de Zoologie,$d10.$f<1927 ;$eBudapest>$0360844 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990002051960403321 952 $a61 VII B.1/116.10.1-2$b1421$fDAGEN 959 $aDAGEN 996 $a10. Congrés International de Zoologie tenu a Budapest du 4 au 10 Septembre 1927$9406156 997 $aUNINA LEADER 01123nam--2200373---450- 001 990002739250203316 005 20060421111811.0 010 $a88-7006-078-0 035 $a000273925 035 $aUSA01000273925 035 $a(ALEPH)000273925USA01 035 $a000273925 100 $a20060421d1979----km-y0itay0103----ba 101 $aita 102 $aIT 105 $aa|||||||001yy 200 1 $a<>Arte della lana in una città del Regno di Napoli$esecoli 14.-16.$fAlessandro Clementi 210 $aL'Aquila$cL. U. Japadre$dc1979 215 $a159 p.$cill.$d20 cm. 225 2 $aCollana di testi storici$v8 410 0$12001$aCollana di testi storici$v8 454 1$12001 461 1$1001-------$12001 606 0 $aLana$xLavorazione$yL'Aquila$zSec. 15.-16. 676 $a338.47 700 1$aCLEMENTI,$bAlessandro$035147 801 0$aIT$bsalbc$gISBD 912 $a990002739250203316 951 $aS IV g 141$b922 DLM$cS IV g 959 $aBK 969 $aDILAM 979 $aDILAM$b90$c20060421$lUSA01$h1118 996 $aArte della lana in una città del Regno di Napoli$9999020 997 $aUNISA LEADER 03189nam 2200469 450 001 9910795130503321 005 20230123200224.0 010 $a1-84888-125-8 024 7 $a10.1163/9781848881259 035 $a(CKB)4920000000126739 035 $a(OCoLC)878861715 035 $a(nllekb)BRILL9781848881259 035 $a(MiAaPQ)EBC6983446 035 $a(Au-PeEL)EBL6983446 035 $a(EXLCZ)994920000000126739 100 $a20230123d2014 uy 0 101 0 $aeng 135 $aurun| uuuua 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $2rdacarrier 200 00$a(Re)possessing beauty $epolitics, poetics, change /$fedited by Sallie McNamara 210 1$aOxford, England :$cInter-Disciplinary Press,$d[2014] 210 4$d©2014 215 $a1 online resource 225 1 $aCritical issues (Oxford, England) 311 $a90-04-37123-0 320 $aIncludes bibliographical references and index. 327 $tPreliminary Material /$rSallie McNamara -- $tPretty Girls Make Graves: A Contemporary Feminist Interpretation of the Ill-Fated Beauty in Three Early Cinemas /$rKerry McElroy -- $tMask and Mascara: The Female Masquerade in Women?s Historical Romances of the 1930s and 1940s /$rSallie McNamara -- $tComplex Beauty: Oscar Wilde?s Aesthetic and Social Transformation /$rLiam Lynch -- $tThe Somatechnics of Hair Straightening: Technology, Transformation and Social Change /$rAllison Vandenberg -- $tHow Far to Beautiful? Thinness, Eating Disorders and Sexual Trauma /$rLisa Hodge -- $tConstructing Phallic Beauty: Foreskin Restoration, Genital Cutting and Circumcisionism /$rTravis Wisdom -- $tBeauty and Eroticism in Mishima?s The Temple of the Golden Pavilion /$rSabah Carrim -- $tOutlawed Beauty: The (Homo)Erotic Sacrifice in Bataille, Genet and Mishima /$rEva Bujalka -- $tAn Obsession with Beauty is a Sign of a Declining Culture /$rElizabeth Barnett. 330 $aIdeas of beauty permeate our lives in ways of which we are often unaware, yet they are indicators of identity, transgression, sartorial codes and otherness. While contemporary society sees the dominance of Western hegemonic ideals of beauty, when comparing these to ideals in different cultures at different historical periods, attention is drawn to the instability of ?beauty?. The work in this volume considers the ways individuals question, respond to, articulate reflect, challenge, modify or accept beauty within their lives, to show it can be powerful, destructive and transformative. They show that beauty is not always what it appears and can challenge common-sense preconceptions as to what is beautiful. The range of topics provide an important contribution to ongoing discussions and are testament to both the diversity and complexity of debate the concept engenders across different disciplines. 410 0$aCritical issues (Oxford, England) 606 $aAesthetics 615 0$aAesthetics. 676 $a111.85 702 $aMcNamara$b Sallie 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910795130503321 996 $aRe)possessing beauty$93690674 997 $aUNINA