LEADER 02320nam 2200445 450 001 9910795126603321 005 20230807203340.0 010 $a90-04-40420-1 024 7 $a10.1163/9781848883888 035 $a(CKB)4920000000126702 035 $a(OCoLC)1096238919 035 $a(nllekb)BRILL9789004404205 035 $a(MiAaPQ)EBC6208952 035 $a(EXLCZ)994920000000126702 100 $a20200826d2015 uy 0 101 0 $aeng 135 $aurun| uuuua 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $2rdacarrier 200 00$aAll the world's a stage $etheorizing and producing blended identities in a cybercultural world /$fedited by Sabine Baumann and Monica Flegel 210 1$aOxford, England :$cInter-Disciplinary Press,$d[2015] 210 4$dİ2015 215 $a1 online resource 225 0 $aCritical Issues 311 $a90-04-37070-6 320 $aIncludes bibliographical references and index. 330 $aAll the World?s a Stage: Theorizing and Producing Blended Identities in a Cybercultural World explores the extent to which cyber and ?real? selves increasingly overlap, intersect, and entwine. As the quotation from Shakespeare indicates, the question of the roles we play in society and their relation to our self is not new; however, the rise of cyberculture has further complicated the relationship between our sense of self and our social roles, because it provides more opportunities to adopt new or changed identities. Some contributors to this volume welcome the complexities of the self that cyberculture has engendered, and explore changes in morality, community, and identity. Others acknowledge the negative effects of such performative identities, questioning what we lose by constructing ourselves so constantly in response to a virtual audience. Nevertheless, cyberculture is now ?real? culture, and coming to terms with who we are online increasingly determines who we are altogether. 606 $aLife change events 615 0$aLife change events. 676 $a155.24 702 $aFlegel$b Monica 702 $aBaumann$b Sabine 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910795126603321 996 $aAll the world's a stage$93856386 997 $aUNINA