LEADER 04670nam 2200697 450 001 9910794834103321 005 20191015111955.0 010 $a1-350-98806-5 010 $a1-78672-222-4 024 7 $a10.5040/9781350988064 035 $a(CKB)4340000000188860 035 $a(MiAaPQ)EBC4890574 035 $a(OCoLC)1001288207 035 $a(CaBNVSL)9781350988064 035 $a(CaBNVSL)mat50988064 035 $a(EXLCZ)994340000000188860 100 $a20191015e20192017 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aSocially engaged art after socialism $eart and civil society in Central and Eastern Europe /$fIzabel Galliera 205 $aFirst edition. 210 1$aLondon, England :$cI.B. Tauris & Co. Ltd,$d2017. 210 2$aLondon, England :$cBloomsbury Publishing,$d2019. 215 $a1 online resource (386 pages) $cillustrations 225 1 $aInternational library of modern and contemporary art ;$v33 311 $a1-78453-713-6 320 $aIncludes bibliographical references and index. 327 $aIntroduction -- Chapter 1. Points of Contention: Socially Engaged Art Practice in Contemporary Theory -- Chapter 2. Civil Society, and Social, Cultural and Political Capital -- Chapter 3. Historical Antecedents: Participatory Art under Socialism, 1956-89 -- Part 1. From Second Society to Civil Society -- Chapter 4. Civil Society in a Period of Post-Socialist Transition -- Chapter 5. Antipolitics: Exhibitions at the Soros Centres for Contemporary Art -- Chapter 6. Sofia: Participatory Public Art and Emerging Contemporary Art Institutions -- Part 2. From Localized Public Sites To EU Transnational Public Spheres -- Chapter 7. Place-Making: Framing Art in Public Spaces Curatorially -- Chapter 8. Representing Counterpublics in Bucharest, Budapest and Sofia -- Chapter 9. Contesting the Politics of Belonging in the Post-1989 EU Community -- Part 3. Institutionalized and Institutionalizing -- Chapter 10. Institutionalized Community Arts Programmes -- Chapter 11. Big Hope: Reviving Leftist Activism in Budapest -- Chapter 12. Self-Institutionalizing as Political Agency. 330 8 $aReclaiming public life from the ideologies of both communist regimes and neoliberalism, their projects have harnessed the politically subversive potential of social relations based on trust, reciprocity and solidarity. Drawing on archival material and exclusive interviews, in this book Izabel Galliera traces the development of socially engaged art from the early 1990s to the present in Bulgaria, Hungary and Romania. She demonstrates that, in the early 1990s, projects were primarily created for exhibitions organized and funded by the Soros Centers for Contemporary Art. In the early 2000s, prior to Bulgaria, Hungary and Romania entering into the European Union, EU institutions likewise funded socially-conscious public art in the region. Today, socially engaged art is characterised by the proliferation of independent and often self-funded artists' initiatives in cities such as Sofia, Bucharest and Budapest. Focusing on the relationships between art, social capital and civil society, Galliera employs sociological and political theories to reveal that, while social capital is generally considered a mechanism of exclusion in the West, in post-socialist contexts it has been leveraged by artists and curators as a vital means of communication and action. 410 0$aInternational library of modern and contemporary art ;$v33. 517 3 $aArt and civil society in Central and Eastern Europe 606 $aArt$xPolitical aspects$zEurope, Central 606 $aArt$xPolitical aspects$zEurope, Eastern 606 $aCommunism and art$zEurope, Central 606 $aCommunism and art$zEurope, Eastern 606 $aSocial movements in art 606 $aSocial practice (Art) 606 $aSocialism and art$zEurope, Central 606 $aSocialism and art$zEurope, Eastern 606 $2Art & design styles: from c 1960 615 0$aArt$xPolitical aspects 615 0$aArt$xPolitical aspects 615 0$aCommunism and art 615 0$aCommunism and art 615 0$aSocial movements in art. 615 0$aSocial practice (Art) 615 0$aSocialism and art 615 0$aSocialism and art 676 $a700.1/03 700 $aGalliera$b Izabel$01529583 712 02$aBloomsbury (Firm), 801 0$bYDX 801 1$bCaBNVSL 801 2$bCaBNVSL 906 $aBOOK 912 $a9910794834103321 996 $aSocially engaged art after socialism$93773934 997 $aUNINA LEADER 02406nas 22006733a 450 001 9910134131403321 005 20250307120702.0 011 $a1554-3412 011 0 $a1554-3412$l1554-3412$y1090-7459$21 035 $a(CKB)111006469453838 035 $a(CONSER)--2005264751 035 $a(MiFhGG)0SVG 035 $a(MiFhGG)0CWE 035 $a(EXLCZ)99111006469453838 100 $a20050105b20052009 --- a 101 0 $aeng 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aStudio/monthly 210 $aPotomac, MD $cAccess Intelligence$dİ2005- 215 $a1 online resource 300 $aTitle from cover. 311 08$aPrint version: Studio/monthly. 1090-7459 (DLC) 2005264751 (OCoLC)57370244 517 3 $aStudio 531 $aAV VIDEO MULTIMEDIA PRODUCER 531 $aAV VIDEO AND MULTIMEDIA PRODUCER 606 $aSound$xRecording and reproducing$vPeriodicals 606 $aVideo recording$xEquipment and supplies$vPeriodicals 606 $aMultimedia systems$vPeriodicals 606 $aInteractive multimedia$vPeriodicals 606 $aTelevision$xProduction and direction$vPeriodicals 606 $aComputer graphics$vPeriodicals 606 $aComputer graphics$2fast$3(OCoLC)fst00872119 606 $aInteractive multimedia$2fast$3(OCoLC)fst00975995 606 $aMultimedia systems$2fast$3(OCoLC)fst01028920 606 $aSound$xRecording and reproducing$2fast$3(OCoLC)fst01126957 606 $aTelevision$xProduction and direction$2fast$3(OCoLC)fst01146585 606 $aVideo recording$xEquipment and supplies$2fast$3(OCoLC)fst01166454 608 $aPeriodicals.$2fast 608 $aPeriodicals.$2lcgft 615 0$aSound$xRecording and reproducing 615 0$aVideo recording$xEquipment and supplies 615 0$aMultimedia systems 615 0$aInteractive multimedia 615 0$aTelevision$xProduction and direction 615 0$aComputer graphics 615 7$aComputer graphics. 615 7$aInteractive multimedia. 615 7$aMultimedia systems. 615 7$aSound$xRecording and reproducing. 615 7$aTelevision$xProduction and direction. 615 7$aVideo recording$xEquipment and supplies. 676 $a778.59 906 $aJOURNAL 912 $a9910134131403321 920 $aexl_impl conversion 996 $aStudio$91618047 997 $aUNINA