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010   $a1-83871-343-3
010   $a1-84457-567-5
024 7 $a10.5040/9781838713430
024 8 $a205623
035   $a(CKB)4340000000023202
035   $a(MiAaPQ)EBC4762658
035   $a(OCoLC)1236420762
035   $a(UkLoBP)CDCBFIFC9781838713430
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100   $a20200925d2011      uy             0
101 0 $aeng
135   $aurcnu||||||||
181   $2rdacontent
182   $2rdamedia
183   $2rdacarrier
200 10$aGrey Gardens /$fMatthew Tinkcom
205   $aFirst edition.
210  1$aLondon :$cBritish Film Institute :$c Bloomsbury Publishing (UK),$d2011.
215   $a1 online resource (97 pages) $cillustrations (some color), photographs
225 1 $aBFI Film Classics
300   $a"A BFI book published by Palgrave Macmillan."
311   $a1-84457-395-8 
320   $aIncludes bibliographical references.
327   $aIntroduction -- 'We Belong Together' : Melodrama as Non-Fiction in Grey Gardens -- 'The Revolutionary Costume' : Little Edie and Fashion -- 'If You Can't Get a Man to Propose to You, You Might As Well be Dead!' : Direct Cinema and the Problem of Seduction -- Conclusion : 'I'm Pulverized by the Latest Thing' : Grey Gardens and its Lives -- Notes -- Credits.
330   $aGrey Gardens (1975) is one of most important documentary films of the past thirty years, gaining the status of a cult classic. Matthew Tinkcom argues that the film reshaped documentary cinema by moving the non-fiction camera to the heart of the household, a private space into which film-makers had seldom previously ventured.
410  0$aBFI film classics.
606   $aFilm & Media
606   $aFilms, cinema$2bic
615  4$aFilm & Media.
615  7$aFilms, cinema.
676   $a974.70922
686   $aPER004030$aPER004000$aPER000000$2bisacsh
700   $aTinkcom$b Matthew$f1962-$01476402
712 02$aBritish Film Institute,
801  0$bUkLoBP
801  1$bUkLoBP
906   $aBOOK
912   $a9910794826903321
996   $aGrey Gardens$93691023
997   $aUNINA