LEADER 04193nam 2200529 450 001 9910794806203321 005 20230126223253.0 010 $a0-253-02655-5 035 $a(CKB)4340000000193708 035 $a(OCoLC)964353454 035 $a(MdBmJHUP)muse57564 035 $a(Au-PeEL)EBL4935919 035 $a(CaPaEBR)ebr11420854 035 $a(CaONFJC)MIL1024734 035 $a(MiAaPQ)EBC4935919 035 $a(EXLCZ)994340000000193708 100 $a20170824h20172017 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 00$aCosmopolitan film cultures in Latin America, 1896-1960 /$fedited by Rielle Navitski and Nicolas Poppe 210 1$aBloomington, Indiana :$cIndiana University Press,$d2017. 210 4$dİ2017 215 $a1 online resource (391 pages) 225 1 $aNew Directions in National Cinemas 300 $aIncludes index. 311 $a0-253-02646-6 311 $a0-253-02572-9 320 $aIncludes bibliographical references and index. 327 $aIntroduction -- The silent era: between global capitalism and national modernization. primary text: "The Lumiere Cinematograph," El monitor republicano (Mexico City), August 16, 1896. Gabriel Veyre and Fernand Bon Bernard, representatives of the Lumiere brothers in Mexico / Aurelio de los Reyes -- Primary text: Tic tac (Carlos Villafan?e), "the show on June 15th," Peli?culas Bogota?), June 1919 -- Films on paper: early Colombian cinema periodicals, 1916-1920 / Juan Sebastia?n Ospina Leo?n -- Primary text: Enrique Mendez Calzada, "The lover of Rudolph Valentino" from And Christ returned to Buenos Aires (1926) -- Manipulation and authenticity: the unassimilable Valentino in 1920's Argentina / Giorgio Bertellini -- The interwar period: between Hollywood and the avant-garde. Primary text: Felipe de Leiva, "Memoirs of an extra," Cinelandia, (Hollywood) November/December 1927 -- Mediating the 'conquering and cosmopolitan cinema:' Latin American audiences and U.S. film magazines in Spanish, 1916-1948 / Rielle Navitski -- Primary text: Octa?vio de Faria, "Russian cinema and Brazilian cinema," O Fan (Rio de Janeiro), October 2, 1928 -- Parallel modernities: the first reception of Soviet cinema in Latin America / Sarah Ann Wells -- Primary text: Guillermo de Torre, "The Cineclub of Buenos Aires," La Gaceta Literaria (Madrid), April 1, 1930 -- A gaze turned towards Europe: modernity and tradition in the work of Horacio Coppola / Andrea Cuarterolo -- The golden age of Latin American film industries: negotiating the popular and the cosmopolitan. Primary text: John Alton, "Motion picture production in South America," International Photographer (Hollywood), May 1934 -- John Alton in Argentina, 1932-1939 / Nicolas Poppe -- The golden age otherwise: Mexican cinema and the mediations of capitalist modernity in the 1940's and 1950's / Ignacio M. Sa?nchez Prado -- Primary text: Gabriel Garci?a Ma?rquez, "The mambo" El Heraldo (Barranquilla), January 12, 1951 -- Bad neighbors: Perez Prado, cinema and the politics of Mambo / Jason Borge -- The afterlives of moving images: cinephilia and cult spectatorship. Primary text: Thomas E. Sibert, "Fox Film de Cuba, S.A.'s continuing competition for scholarships to summer school at the Universidad de la Habana" (1956) -- Film culture and education in Republican Cuba: the legacy of Jose Manuel Valdes-Rodri?guez / Irene Rozsa -- The secret history of Aztla?n: transnational exploitation film, Chicano art and unexpected cultural flows / Colin Gunckel. 410 0$aNew directions in national cinemas. 606 $aMotion pictures$zLatin America$xHistory$y20th century 606 $aMotion pictures$xSocial aspects$zLatin America 615 0$aMotion pictures$xHistory 615 0$aMotion pictures$xSocial aspects 676 $a791.43098/0904 702 $aNavitski$b Rielle 702 $aPoppe$b Nicolas 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910794806203321 996 $aCosmopolitan film cultures in Latin America, 1896-1960$93767641 997 $aUNINA